My BFF Wrap-Up: My Ranking

Starting in June 2016, I watched and reviewed every winner of the Academy Award for Best Foreign Language Film, or in short, Best Foreign Film (BFF), in reverse chronological order from the 2015 entry to the awards inception in 1947 (watching the 2016 winner at the end).  Part of the experiment was to see how many of these I would be able to find.  In most cases, I was able to borrow the DVD of each film from the Cuyahoga County Library system (a consistently top rated system in Northeast Ohio), and as things went further back in time, that meant using the inter-library systems CCL employs, SearchOhio and OhioLINK.  I did have to watch a couple on the dusty old VCR.  On two or three occasions when I couldn’t find the movie through the CCL system, I was able to get DVDs from the Cleveland Public Library.  Once I paid $2 to watch a movie on Amazon, and that was the grand total of money I spent on this project.  I did find a couple rare films online, having exhausted every other possibility.  Only once was I not able to find a film at all, at least with English subtitles, and that was 1950’s The Walls of Malapaga.  I watched it only in French with Portuguese subtitles, and decided to review it anyway.

My reviews were intended for people who don’t normally watch foreign films, a group that included me not all that long ago.  I found a lot of the movies worth watching, not just ones you might see at an art house, but movies I am convinced would have been mainstream American favorites had they been in English.  I also sat through a lot of tedious, self-admiring crap that got awards for having the right political or social view to the voters of the Academy.  But enough about The Sea Inside.  My goal was to make the reviews be entertaining, especially when the movie wasn't, and to give American viewer something they could relate to.

The list here is my amateurish attempt to rank what is perhaps the unrankable.  There are a variety of genres and so many different cultures represented here that it is almost unfair to compare them against each other.  But I did anyway, and the films are listed below from best to worst.  Click any movie title to read the review.  You can follow me on Twitter at @hawley5150.   

Enjoy!

1989, Cinema Paradiso, Italy

2006, The Lives of Others, Germany

1951, Rashomon, Japan

1998, Life Is Beautiful, Italy

1957, La Strada, Italy

1949, The Bicycle Thief, Italy

2011, A Separation, Iran

1975, Dersu Uzala, Soviet Union

1967, Closely Watched Trains, Czechoslovakia

1947, Shoeshine, Italy

1964, Yesterday, Today and Tomorrow, Italy

1963, 8½, Italy

2009, The Secret in Their Eyes, Argentina

1972, The Discreet Charm of the Bourgeoisie, France

1983, Fanny and Alexander, Sweden

1962, Sundays and Cybele, France

1965, The Shop on Main Street, Czechoslovakia

1986, The Assault, The Netherlands

2000, Crouching Tiger Hidden Dragon, Taiwan

1987, Babette's Feast, France

1960, The Virgin Spring, Sweden

2002 Nowhere in Africa, Germany

1958, My Uncle, France

1971, The Garden of the Finzi-Continis, Italy

1968, War and Peace, Soviet Union

1957, Nights of Cabiria, Italy

2007, The Counterfeiters, Austria

1974, Amarcord, Italy

1952, Forbidden Games, France

 
1961, Through a Glass Darkly, Sweden

2014, Ida, Poland

2016, The Salesman, Iran

1948, Monsieur Vincent, France

2008, Departures, Japan

2015, Son of Saul, Hungary

1970, Investigation of a Citizen Above Suspicion, Italy

1985, The Official Story, Argentina

1969, Z, Algeria

1966, A Man and a Woman, France

1973, Day for Night, France

1990, Journey of Hope, Switzerland

1980, Moscow Does Not Believe in Tears, Soviet Union

1982, Begin the Beguine, Spain

1993, Belle Époque, Spain

1959, Black Orpheus, France

1992, Indochine, France

1988, Pelle the Conqueror, Denmark

2005, Tsotsi, South Africa

1977, Madame Rosa, France

1981, Mephisto, Hungary

1954, Gate of Hell, Japan

2010, In a Better World, Denmark

1955, Samurai, The Legend of Musashi, Japan

2001, No Man's Land, Bosnia and Herzegovina

1976, Black and White and in Color, Ivory Coast

1979, The Tin Drum, West Germany

1996, Kolya, Czech Republic

1994,  Burnt by the Sun, Russia

1978, Get Out Your Handkerchiefs, France

2012, Amour, France

2013, The Great Beauty, Italy

1997, Character, Netherlands

2014, The Sea Inside, Spain

1995, Antonia's Line, Netherlands

2003, The Barbarian Invasions, Canada

1991, Mediterraneo, Italy

1984, Dangerous Moves, France

1999, All About My Mother, Spain

1950, The Walls of Malapaga, France/Italy (not ranked)

FINE!

1989 Winner, Cinema Paradiso

Cinema Paradiso

Director:  Giuseppe Tornatore 

Distributed by:  Miramax Films 

Released:  November 1988

Country:  Italy

As with most technological improvements, advancements in movie-making and movie-watching bring with them an unforeseen downside.  Availability is one of those advancements.  Nowadays, even foreign films from 25 years ago can be found on DVD by going on Amazon or just using a library card.  You can stream movies by using a remote control in your living room (and by “you” I mean "not me"; I’m still not trained in the art of Netflix or Hulu or any of that kind of stuff).  But the price of this availability is, simply put, the Movie Theater.  I’m not talking about the multiplexes with 20 or more movies being shown at the same time; I mean the old movie houses where huge crowds would all watch the same movie together as a community experience.

The Cinema Paradiso is one of those movie houses.  In post-World War II Italy, Alfredo is the

Toto checking out some deleted scenes

theater’s projectionist, at a time when being so was more of a profession than a job.  But the star of the film is Salvatore, a 5-year-old who lost his father in the war and loves to hang out at the theater.  Salvatore, or Toto as he is called, is a handful, both to Alfredo, who considers him a pest, and to the local priest, who can’t get Toto to be a proper altar boy.  The movie is told in flashback, as the adult Toto learns of the death of Alfredo, who had grown to be a father figure to him.

Early in the film, Alfredo is pre-screening a film for the priest—and whenever a kissing scene shows up, the priest rings his bell, an indication for Alfredo to mark the film for cutting.  No kissing is aloud to be shown to the masses.  When the films are screened to the public, the crowd lustily boos and jeers, good-naturedly expressing its anger at the Church censorship.  Toto, the film lover who will grow up to be a successful director, wonders about the scenes being cut, which eventually leads to the film’s famous and touching finish.

Annoying kid in an American film

Where to begin on what is good about this film?  First, young Salvatore Cascio is terrific as a little boy full of mischief yearning for a male figure in his life.  There is something about young kids in foreign films that American films don’t seem to have—Toto, the young boy in Life is Beautiful, the youngest son in Journey of Hope, the granddaughter in Antonia’s Line—these kids show a charming endearing quality that the annoying wise-ass Macaulay Culkins (Home Alone) turn into obnoxiousness in American films.  (Add to the list of charming kid performances that of the boy from the “foreign language” Calcutta part of the current film Lion.)  The first part of Cinema Paradiso is worth watching just for Toto, and for his relationship with Alfredo, who sees greatness in him.

Adult Toto loving the cinema

But the heart of the movie is in its love of movies themselves and the movie-going experience.  The cinema, and to a lesser extent, the theater that is the Cinema Paradiso, are what bring people together in war-weary Italy.  Most especially, the theater brings Alfredo and Toto together at a time both need it.  I think of theater-going as when I have to contend with the older people behind me loudly pointing out the actors they recognize, or the younger people texting their BFF's while the movie is showing. At the Cinema Paradiso, a lot of the fun is the crowd laughing or jeering or even sitting mesmerized  together as a community.

The story, the characters and acting, and great cinematography are all perfect here.  Director Giuseppe Tornatore, who has made three English-language films and several noted Italians films since, made it difficult on himself to top this film made at the beginning of his career.  The score by his frequent collaborator, the brilliant composer Ennio Morricone  (perhaps most famous to Americans for the scores of The Good, The Bad, and the Ugly and The Mission),  is perhaps one of his best, and that's saying something.   

I’m not sure all the films Alfredo showed from the projection room of the Cinema Paradiso were great films, but if they were half as good as Cinema Paradiso, the huge movie house would be packed every night.

The Title:  The Italian name of the movie is Nuovo Cinema Paradiso, or New Paradise Cinema.

The Culture:  A great look at small-town Italy right after World War II.

Agenda Danger:  Whatever commentary may be derived from the over-protective and controlling Catholic priest is more than offset by the humor of Toto’s interactions with him and the emotional ending.

Best Picture that year: Driving Miss Daisy

Rating:  Italian cinema is noteworthy for so many great films, like Life is Beautiful (1998), The Bicycle Thieves (1948), and the works of Fellini (such as 1963’s 8 ½ and 1960’s La Dolce Vita).  This film takes a back seat to none of them.  It's a movie about loving the movies that makes you love movies even more.