tag:blogger.com,1999:blog-60832538199636278512024-02-07T11:02:22.262-08:00My BFF ProjectReviews of the Winners of the Best Foreign Film OscarsJim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.comBlogger79125tag:blogger.com,1999:blog-6083253819963627851.post-65052472046343749172024-01-09T12:33:00.000-08:002024-01-13T06:41:47.903-08:002022 Winner, All Quiet on the Western Front<p> </p><h1 align="center" class="western" style="font-style: normal;">
<span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><b>All
Quiet on the Western Front</b></span></span></h1>
<p align="center" style="line-height: 100%; margin-bottom: 0in;"><br />
</p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"></p><div class="separator" style="clear: both; margin-left: 40px; text-align: right;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI9ZuuTaS2skmbFMSgeH8jwtVS3amOACfRw6Wn47xvYWRySooT3ks_CjFjtGA0PTNepBxeGwedKnSYOvpTqq8VdbhoAL_KpZc8DmgJ-zTb5Ep47WsW5LGt6fnWWDeBfCIN433NM1CLsniF7thJtwWG7Gon-zmkN2f2g1JUOU-I_uBEBDBSKG_MU4l53Hk/s465/All_Quiet_On_The_Western_Front_2x3_27_1666263522906_4.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="465" data-original-width="310" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI9ZuuTaS2skmbFMSgeH8jwtVS3amOACfRw6Wn47xvYWRySooT3ks_CjFjtGA0PTNepBxeGwedKnSYOvpTqq8VdbhoAL_KpZc8DmgJ-zTb5Ep47WsW5LGt6fnWWDeBfCIN433NM1CLsniF7thJtwWG7Gon-zmkN2f2g1JUOU-I_uBEBDBSKG_MU4l53Hk/w266-h400/All_Quiet_On_The_Western_Front_2x3_27_1666263522906_4.jpg" width="266" /></a></div><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Director:
</span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Edward
Berger<br /></span></span></span><p></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Distributed
by: Netflix</span></span></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Released:
</span><span style="font-size: small;">September</span><span style="font-size: small;">
202</span><span style="font-size: small;">2</span></span></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Country:
</span><span style="font-size: small;">Germany</span></span></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i>Shortly
after the beginning of the war in October 1914, the Western Front
became bogged down in trench warfare. At the end of the war in
November 1918, the front line had barely moved. More than three
million soldiers died here, often while fighting to gain only a few
hundred metres of ground. During the First World War, almost 17
million people lost their lives. </i></span></span>
</p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Sorry
for the spoiler, but this text is how Germany’s <i>All Quiet on the
Western Front</i> closes. If the filmmakers had just written this at
the beginning, it would have saved me and all the viewers a whole lot
of time and effort. Even better, had the enemies in The Great War
had this information before the power keg of Europe blew, think of
the number of lives saved. </span></span></p><p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"></span></span>
</p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><br />This
2022 BFF winner is based on the 19</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">2</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-weight: normal;">3</span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="text-decoration: none;"><span style="font-weight: normal;">
Erich Maria Remarque</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="text-decoration: none;">
</span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">no</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">vel
many of us were forced to read in high school (or get the <i>Cliffs Notes</i>, ha ha, just kidding Fr. Streicher). </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">I
have never seen the 1930 American version of this story, but while it
won an Oscar for Best Picture, I would have no problem believing the
German film is much better in a lot of ways. The trouble is, our
2022 version was made over 100 years after the end of the war, which
sort of take</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">s</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
the zing our of the point of the film, which is, of course, to
paraphrase </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">American</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Gen.
William Tecumseh Sherman, </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">war
</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">is<i>
no bueno</i>.</span></span></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"></p><div class="separator" style="clear: both; margin-left: 40px; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyGxjfoYnt6vPpuRnM8LdVemO3b1nqGkjy2rNnhIVNZxirzHdbGlUkFIhAPRyra92_4QlbSPZWTH7SRr0v0LaNx5YcfGBBgE1jpL3-mN0pYw9LMY-rwJGl1JN2MtWajAd_H1sHWu12UQC1oOxw0wEsaM17JM-Gj-Z6ZyH0iVLRz2AoC3vFQra4J7L-QxI/s600/all-quiet-on-the-western-front_600%20not%20poster.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="316" data-original-width="600" height="169" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyGxjfoYnt6vPpuRnM8LdVemO3b1nqGkjy2rNnhIVNZxirzHdbGlUkFIhAPRyra92_4QlbSPZWTH7SRr0v0LaNx5YcfGBBgE1jpL3-mN0pYw9LMY-rwJGl1JN2MtWajAd_H1sHWu12UQC1oOxw0wEsaM17JM-Gj-Z6ZyH0iVLRz2AoC3vFQra4J7L-QxI/s320/all-quiet-on-the-western-front_600%20not%20poster.jpg" width="320" /></a></div><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">T</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">he
story follows 17-year-old Paul, a </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">naive</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
kid who forges his parents’ </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">signature
to be able to enter the German army in 1917. Paul and his pals can’t
wait to get to the front and kick </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">France’s
ass</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">.
It takes about 10 minutes after getting there for them to realize
trench warfare isn’t quite as glorious as their schoolmaster had made
it out to be. One of the chums, </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Ludwig,</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
even cries </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">on
the first night</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
that all he wants to do is go home. But </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">the
only way Ludwig is going home is in a body bag (I’m pretty sure
they didn’t have body bags in 1917, but you get the gist</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">)</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">.</span></span><p></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWjhxT_u5i-zcfLnjaf1vE4Nv_f6xf9PmdiH_-EK1MHSDldperUhw4jjvHMXxSgAELBTb7fAxjFK3KvNHPh-mBJvf8stFPayO1d5BI1fhqN8dPKr2z8gIlJccqjuR6Cwb1BzGGIFqJCkNN5DV4m-7SeaQSbZp2bUICWRgUFS-JkXCAYz3X9ov4OaS9uws/s673/Armisticetrain_(slight_crop).jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="673" data-original-width="504" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWjhxT_u5i-zcfLnjaf1vE4Nv_f6xf9PmdiH_-EK1MHSDldperUhw4jjvHMXxSgAELBTb7fAxjFK3KvNHPh-mBJvf8stFPayO1d5BI1fhqN8dPKr2z8gIlJccqjuR6Cwb1BzGGIFqJCkNN5DV4m-7SeaQSbZp2bUICWRgUFS-JkXCAYz3X9ov4OaS9uws/s320/Armisticetrain_(slight_crop).jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Ferdinand Foch at the signing of the Armistace<br /></td></tr></tbody></table><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">T</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">he
war drags on and the deaths pile up. Paul and his comrades engage in
the kinds of things one does during wartime—scrounge for food,
dream of women, talk of what they’ll do when they get back home.
An older soldier, Kat, latches on to the group, a wise </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">though</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
illiterate man. </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Paul
worries that the war has changed him, that life will never be the
same after all he has seen. </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Unlike
educated Paul, Kat </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">knows
getting out of this thing alive is the objective—everything else is
gravy. <br /></span></span>
<p></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;">
<span style="font-family: Times New Roman, serif;"><span style="font-size: small;">Simultaneously,
</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">we
see the big shots behind lines working </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">behind
the scenes. On the one hand, German officia</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">ls
know the war is lost and are going to have to stomach some bad terms.
The French coalition, led by Gen. Ferdinand Foch</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">,
are uncompromising and haughty (this is a German-made film, after all); the Germans, led by the more
reasonable Matthias Erzberger (and played by Daniel Brühl, who
viewers may remember from Quentin Tarantino’s </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i>Inglorious
Basterds</i></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
in a less sympathetic role), have no choice but to sign a bad deal.
</span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">All
the while, like in Stanley Kubrick’s </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i>Paths
of Glory</i></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">, another WWI film,
the military leadership remain impervious to the </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">sufferings
of the grunts, only concerned about personal glory and fruitless
ideations. </span></span>
</p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbVWlfH5eZ28hLwigq3cz3skt9aB0bOm46wmhpdtj42h-JygxKcUt5AoS8YZrX6nhG1BSDP1ypb2mZBsDnDvQbrC75YAsyv3hv8twHE6KLiq5w9H9VuHIP7O680fH3vz0RNJXt5Q0YUpVR-Z9-Ig5I1ZzKFXxvNFaBBtR8gWAI2kXFUabQZAecsra5k7o/s602/Daniel-Bruhl-IG-thumb-430xauto-11948.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="602" data-original-width="430" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbVWlfH5eZ28hLwigq3cz3skt9aB0bOm46wmhpdtj42h-JygxKcUt5AoS8YZrX6nhG1BSDP1ypb2mZBsDnDvQbrC75YAsyv3hv8twHE6KLiq5w9H9VuHIP7O680fH3vz0RNJXt5Q0YUpVR-Z9-Ig5I1ZzKFXxvNFaBBtR8gWAI2kXFUabQZAecsra5k7o/s320/Daniel-Bruhl-IG-thumb-430xauto-11948.jpg" width="229" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Daniel Bruhl, <i>Inglorious Basterds</i><br /></td></tr></tbody></table><a name="firstHeading3"></a>
<span style="font-family: Times New Roman, serif;"><span style="font-size: small;">There
is much to admire in this film about WWI, a conflict that seems to
have been somewhat resurrected in film with Sam Mendes’s </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i>1917</i></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
(from 2019) and Peter Jackson’s 2018 documentary </span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i>They
Shall Not Grow Old. </i></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;">More
stylish and gruesome than these films, </span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i>All
Quiet on the Western Front</i></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;">
draws you i</span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">n
and has you rooting for these </span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">ill-fated
German </span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">kids.
</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">Particularly
integral to the style is German compose</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">r
Volker Bertelmann’</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">s
Oscar Award winning-score. </span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">Like
John Williams’</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">s</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">remarkably
simple </span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">theme
</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">from
</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i><span style="font-weight: normal;">Jaws</span></i></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">,
</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">the
music here consists of only a few notes—from a distorted bass—that
alert the viewer that what is coming next isn’t good. Tragedy will
come from an ill-fated charge from the trenches or from the
delusional words of a German general who on the last day still thinks
sending the boys to fight </span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">and
die </span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">is
</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">a
</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">noble
</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">undertaking</span></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">.
</span></span></span></span>
<p></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><b>The
Title:</b></span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
</span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-weight: normal;">
</span></span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-weight: normal;">German:
</span></span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span lang="de-DE"><i><span style="font-weight: normal;">Im
Westen nichts Neues.</span></i></span></span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span lang="de-DE"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span lang="de-DE"><span style="font-style: normal;"><span style="font-weight: normal;">Literally,
In the West, nothing new. Nothing new, indeed.<br /></span></span></span></span></span></span></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><b>Culture:</b></span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
</span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">If
there is one truism of History, it’s that one thing leads to
another. </span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">World
War I didn’t come out of nowhere and aptly serves as the run-up to
</span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">the
war that started in 1939. </span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i>All
Quiet</i></span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
provides a bit of a window into the wartime zeitgeist of the new-ish
country that was Germany in the early twentieth century, </span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">from
the </span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">rush</span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
of patriotism to the gut-punch of defeat in 1919, particularly in
that train car where the armistice agreement was signed.</span></span></span></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="color: black;"><b>Agenda
danger:</b></span><span style="color: black;"> </span><span style="color: black;">This
is what we call the classically anti-war film, plain and simple. </span><span style="color: black;">And
do we really need another anti-war film, even if is is a really
well-made one? </span><span style="color: black;">This 147-minute movie can
be summed up </span><span style="color: black;">in a simple </span><span style="color: black;">Pink
Floyd lyric:</span></span></span></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i><span style="color: black;"> Forward
he cried from the rear and the front line died. </span></i></span></span>
</p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><i><span style="color: black;"> The
general sat while the lines on the map moved from side to side.</span></i></span></span></p>
<p style="line-height: 115%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="color: black;"><b>Best Picture that year: </b></span><span style="color: black;"><span style="font-weight: normal;">Everything
Everywhere All at Once</span></span></span></span></p>
<p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><b>Rating:
</b> Recommended if you are trying to figure out if you are pro- or
anti-war, or if you are in high school and would rather skip reading
the novel. </span></span>
</p>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-12659641619640149902022-09-06T04:30:00.001-07:002022-09-07T07:01:18.574-07:002021 Winner, Drive My Car<p>
</p><p align="center" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><b>Drive
My Car<br /></b></span></span></p>
<br /><p style="line-height: 100%; margin-bottom: 0in;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhegTqzH3A57hTKrbuzvKjiIzpfSmYdfOfHVqLzsdxm551c-6-djhJizQNxlISe5c92Df101HjbBRc7VpFNnureITkte5Yl7K3mDRqfypb0RFwKYAmYFXi1vsoKfUXLMvuXatIU-NiS498V6J-Bx5vNBfs9DDQqmGSm4sLBJxcenY_yGkJhdC_0Cbkh/s300/film_927523.webp" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="225" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhegTqzH3A57hTKrbuzvKjiIzpfSmYdfOfHVqLzsdxm551c-6-djhJizQNxlISe5c92Df101HjbBRc7VpFNnureITkte5Yl7K3mDRqfypb0RFwKYAmYFXi1vsoKfUXLMvuXatIU-NiS498V6J-Bx5vNBfs9DDQqmGSm4sLBJxcenY_yGkJhdC_0Cbkh/s1600/film_927523.webp" width="225" /></a></div><span style="font-family: georgia;"><span style="color: black;"><span><span style="font-size: small;"><b>Director:</b>
<a href="https://en.wikipedia.org/wiki/Ryusuke_Hamaguchi">Ryusuke
Hamaguchi</a> </span></span></span>
</span><p></p><div style="margin-left: 240px; text-align: left;"><span style="font-family: georgia;"><span><span style="font-size: small;"> <b>Distributed
by:</b> Bitters End</span></span></span></div><div style="margin-left: 240px; text-align: left;">
</div><p align="justify" style="line-height: 100%; margin-bottom: 0in; margin-left: 240px;"><span style="font-family: georgia;"><span><b><span style="font-size: small;">Released:
</span></b><span style="font-size: small;">August</span><span style="font-size: small;">
202</span><span style="font-size: small;">1</span></span></span></p><div style="margin-left: 240px; text-align: left;">
</div><p align="justify" style="line-height: 100%; margin-bottom: 0in; margin-left: 240px;"><span style="font-family: georgia;"><span><span style="font-size: small;"><b>Country:
</b> </span><span style="font-size: small;">Japan</span></span></span></p><span style="font-family: georgia;">
</span><p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: georgia;"><span><span style="font-size: small;">A
simple story with an array of complexities, <i>Drive My Car</i> is
essentially about communication, or more specifically, our maddening
inability to connect to each other in the ways that are most
important. The story is of an actor/director who takes it upon
himself to stage plays in which the actors speak different languages.
The company rehearse their lines over and over to get the timing
down, but the younger Japanese lead actor never really understands
what all the other actors are saying, as they speak in Korean, Hmong,
Cantonese, and even Korean Sign Language. It’s a Tower of Babel
production of Chehov’s <i>Uncle Vanya</i>, a story about the
wasting of life and love, which in many ways mirrors the events of
<i>Drive My Car</i>.</span></span></span></p>
<p style="line-height: 100%; margin-bottom: 0in; text-align: left;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"></span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCUqeDzhfcs0Sb922kdYAL5jJIojxrydSGVTyk05o-y_-d45TVluu_Rfz8RtYHidYylT5YmbBki5sqjPzWZe72s1LLJuhPbrhtJ0yriwN2cx2iFivCoAxSuqLoDfQ2r5BurfaZfwRNI1BFW63xT8QTE-jPjozTL2-pUgVGRS5Smt3VjDcO2BMCho6N/s1108/drive-my-car-1108x0-c-default.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="831" data-original-width="1108" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCUqeDzhfcs0Sb922kdYAL5jJIojxrydSGVTyk05o-y_-d45TVluu_Rfz8RtYHidYylT5YmbBki5sqjPzWZe72s1LLJuhPbrhtJ0yriwN2cx2iFivCoAxSuqLoDfQ2r5BurfaZfwRNI1BFW63xT8QTE-jPjozTL2-pUgVGRS5Smt3VjDcO2BMCho6N/s320/drive-my-car-1108x0-c-default.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Actor/Director Kafuku and Driver Misaki</span><br /></td></tr></tbody></table><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-family: georgia;">Yūsuke
Kafuku is the famed actor/director, the ultimate professional who
seems to be walking through his life without aim. A tragedy from the
past has caused a deep wound in his marriage to his beautiful and
equally artistic wife, Oto. While the two are connected deeply, out
of love and possibly out of the tragedy they shared, there is a wall
between them, an inability to connect to each other in the ways that
are most important. One way Oto does show her love is to create
cassette tapes of dialogue for her husband, so that he can listen to
the lines of other actors as he drives to and from work, with blanks
left for him to speak in order to practice the play’s timing.</span></span></span><span style="font-family: georgia;">
</span><p></p><p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: inherit;"><span><span style="font-size: small;"><span style="font-family: georgia;">Kafuku
agrees to direct Uncle Vanya for a theater company in Hiroshima,
stipulating that the company obtain for him a hotel about an hour
away from the theater so that he can drive his prized red Saab to and
from each day, and thus be able to listen to his cassettes and
perfect the production. However, the company tells him that for
because of a past incident, the company requires that a hired driver
be used to drive Kafuku each day. Kafuku is reluctant to cede
control of the car, but sees that the hired driver, Misaki, a
somewhat emotionally damaged 23-year old woman, is more than up to
the task</span>.</span></span></span></p><p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: inherit;"><span><span style="font-size: small;"><br /><span style="font-family: georgia;">Another
theme of the film is about letting go. The characters tend to be
unable or unwilling to address their problems and because of this,
they keep them inside as if their sufferings are treasured. We all
do this and know others who do. And in seeing the Kafuku, Misaki,
and other characters engage in this sort of self-damaging, or at
least non-productive, behavior, we want to go up to them and shake
some sense into them. They are good people who for one reason or
another choose to hang onto what bogs them down.</span></span></span></span>
</p><p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"></span></span></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU6Xl4hnT--haUbaEDZjEeLpWKqbfpAeJWhKS0dVoSSau3Ga0csgFoOukNcNVeq7Pd6Q-ZMFGLQLoFLvXg3ZdS6yIPIsq1hrCDCGzgsJM3HHviHHjAzsCxIPDVAyuz6lqTawOuULyMkNZpWW60i8xVKMQSEMhqOWeQVhTwuBiWTBkpsQkt0G3OBYtz/s900/Uncle-Vanya-Wimbledon-Studio-Ali-Wright-105s.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="900" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU6Xl4hnT--haUbaEDZjEeLpWKqbfpAeJWhKS0dVoSSau3Ga0csgFoOukNcNVeq7Pd6Q-ZMFGLQLoFLvXg3ZdS6yIPIsq1hrCDCGzgsJM3HHviHHjAzsCxIPDVAyuz6lqTawOuULyMkNZpWW60i8xVKMQSEMhqOWeQVhTwuBiWTBkpsQkt0G3OBYtz/s320/Uncle-Vanya-Wimbledon-Studio-Ali-Wright-105s.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">From the play <i>Uncle Vanya</i></span><br /></td></tr></tbody></table><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-family: georgia;">Some
two hour films seem like three; this was a three hour one that seemed
like two. The director, </span></span></span><span style="font-family: georgia;"><span style="color: black;"><span><span style="font-size: small;"><a href="https://en.wikipedia.org/wiki/Ryusuke_Hamaguchi">Ryusuke
Hamaguchi</a>, </span></span></span><span style="color: black;"><span><span style="font-size: small;">certainly
earned his Best Director Oscar nomination for putting all these
moving parts into one flowing story and giving us great visuals to
look at along the way. </span></span></span><span style="color: black;"><span><span style="font-size: small;"><i><span style="text-decoration: none;">
Drive My Car</span></i></span></span></span><span style="color: black;"><span><span style="font-size: small;">
has that rare quality in a film of making you think about it long
after you are done watching it. The concept of thoughtfully saying
what you mean and listening to what the other person is </span></span></span><span style="color: black;"><span><span style="font-size: small;">really
saying</span></span></span><span style="color: black;"><span><span style="font-size: small;">
a lesson for our times. More timeless is the need to let go—whether
it’s letting somone else drive, forgiving someone who wronged you,
or giving up that scar that represents the hurt you hold onto. </span></span></span></span>
<p></p><p align="justify" style="line-height: 100%; margin-bottom: 0in; margin-left: 1in;">
<br />
</p><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><b>The
Title:</b></span></span></span><span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;">
</span></span></span><span><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span style="font-weight: normal;">
</span></span></span></span><span style="font-family: georgia;"><span><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;"><a href="https://en.wikipedia.org/wiki/Japanese_language">Japanese</a>:
</span></span></span></span></span></span><span><span style="font-size: x-small;"><span lang="zh-CN"><span style="color: black;"><span><span style="font-size: small;"><span lang="ja-JP"><span style="font-style: normal;"><span style="font-weight: normal;">ドライブ・マイ・カー</span></span></span></span></span></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">,
</span></span></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">or</span></span></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">:
</span></span></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="ja-JP"><i><span style="font-weight: normal;">Doraibu
Mai Kā</span></i></span></span></span></span></span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span></span>
<p align="justify" lang="da-DK" style="font-style: normal; font-weight: normal; line-height: 100%; margin-bottom: 0in;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5l5LC4ICF1VWtiNuwHNMHEEztcnsIng9_oJYe4f_Jk7sVKlOXqQbQ7kQi286zf8JaKadZeDoMon_7_QksVcda5tZwmJrHAJDFl-aFUVimtAnlHURI7HYbJBDDjNTsoRZ5U79uP7utqLW5sstN94XoL40RRfWpjrPOYXoRSCl0Uh8bgVPSGkUnBMoh/s220/shrek-ogres-have-layers.gif" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="124" data-original-width="220" height="124" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5l5LC4ICF1VWtiNuwHNMHEEztcnsIng9_oJYe4f_Jk7sVKlOXqQbQ7kQi286zf8JaKadZeDoMon_7_QksVcda5tZwmJrHAJDFl-aFUVimtAnlHURI7HYbJBDDjNTsoRZ5U79uP7utqLW5sstN94XoL40RRfWpjrPOYXoRSCl0Uh8bgVPSGkUnBMoh/s1600/shrek-ogres-have-layers.gif" width="220" /></a></div>
<span style="font-family: georgia;"><span style="color: black;"><span><span style="font-size: small;"><b>Culture:</b></span></span></span><span style="color: black;"><span><span style="font-size: small;">
</span></span></span><span style="color: black;"><span><span style="font-size: small;"><a href="https://en.wikipedia.org/wiki/Ryusuke_Hamaguchi">Hamaguchi</a>
uses culture and language masterfully to underscore his themes. The
multilingual aspect of Kufuku’s productions are almost comical, as
the actors have to pretend to understand what the other characters
are saying. Featured are the play </span></span></span><span style="color: black;"><span><span style="font-size: small;"><i>Waiting
for Godot,</i></span></span></span><span style="color: black;"><span><span style="font-size: small;">
by Irish playwright Samuel Becket, and </span></span></span><span style="color: black;"><span><span style="font-size: small;"><i>Uncle
Vanya</i></span></span></span><span style="color: black;"><span><span style="font-size: small;">,
by Russian author Anton Chekov, </span></span></span><span style="color: black;"><span><span style="font-size: small;">and
there are parallels between the characters of Chekov’ play and the
characters in the film, much like 2017 winner from Iran, </span></span></span><span style="color: #800180;"><a href="https://mybffproject.blogspot.com/search?q=salesman"><span><span><span style="font-size: small;"><i>The
Salesman</i></span></span></span></a></span><span style="color: black;"><span><span style="font-size: small;">.
Subtly, even the titular car has meaning—Kufuku drives his
</span></span></span><span style="color: black;"><span><span style="font-size: small;">pristine
</span></span></span><span style="color: black;"><span><span style="font-size: small;">red
Saab, </span></span></span><span style="color: black;"><span><span style="font-size: small;">which
has its wheel on the left side of the car, through Japan, where oddly
enough they drive on the left. </span></span></span>
</span><p></p><p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: georgia;"><span><span style="font-size: small;"><span style="color: black;"><b>Agenda
danger:</b></span><span style="color: black;"> </span><span style="color: black;">There
are layers upon layers of meaning in this profound movie but
refreshingly, nothing overtly political.<br /></span></span></span></span>
</p><p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: georgia;"><span><span style="font-size: small;"><span style="color: black;"><b>Best
Picture that year: </b></span><span style="color: black;"><span style="font-weight: normal;">CODA</span></span></span></span></span>
</p><p align="justify" style="line-height: 100%; margin-bottom: 0in;"><span style="font-family: georgia;"><span><span style="font-size: small;"><b>Rating:
</b> <i>Parasite</i> won Best Picture a few years ago, the first
non-English film to do so. <i> Drive My Car, </i><span style="font-style: normal;">which
is the better flim,</span><span style="font-style: normal;"> deserve</span>d
the nominations it got for that award, as well as Best Director and
Best Adapted Screenplay. </span></span></span>
</p><p> </p>Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-71507042810059359922021-05-04T05:04:00.002-07:002022-09-05T06:19:52.813-07:002020 Winner, Another Round<p>
</p><p align="center" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="font-size: medium;"><b><span style="background: transparent none repeat scroll 0% 0%;"><span>Another
Round</span></span></b></span></span></p><span style="font-family: arial;">
</span><p class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><br /></span>
</p><span style="font-family: arial;">
</span><p><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span><span style="font-size: small;"></span></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeLo1Mu5fDUI8LZ9rao1UCHSqYSdtxPYuDWovBVmrMP9dXxl0V8b9sjYLSR7fre_sjRaEDvSwCynF3kRsnpTmbi2ExdrGcRNArWmOPdtUFlZWBoNraA-MVsM-09GtKg4BSpC0YT_ZgGQM/s715/another-round-poster.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="715" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeLo1Mu5fDUI8LZ9rao1UCHSqYSdtxPYuDWovBVmrMP9dXxl0V8b9sjYLSR7fre_sjRaEDvSwCynF3kRsnpTmbi2ExdrGcRNArWmOPdtUFlZWBoNraA-MVsM-09GtKg4BSpC0YT_ZgGQM/s320/another-round-poster.jpg" /></a></span></span></span></span></div><span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span><span style="font-size: small;">Director:
</span></span></span><span style="color: black;"><span><span style="font-size: small;">Thomas
Vinterberg</span></span></span><span><span style="font-size: small;"> </span></span></span><p></p><p><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">Distributed
by: </span></span><span><span style="font-size: small;">Nordisk
Film (Scandinavia); September Film (Netherlands)</span></span></span><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;"> </span></span></span></span></p><p><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">Released:
</span></span><span><span style="font-size: small;">September
2020</span></span></span></span>
</p><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">Country:
</span></span><span><span style="font-size: small;">Denmark
(also, the Netherlands and Sweden)</span></span></span></span></p><span style="font-family: arial;">
</span><span style="font-family: arial;">
</span><p align="justify" class="western" style="line-height: 100%; margin-bottom: 0in; margin-left: 1in;">
<span style="font-family: arial;"><span><span style="font-size: small;"><i><span style="background: transparent none repeat scroll 0% 0%;"> </span></i></span></span></span></p><p align="justify" class="western" style="line-height: 100%; margin-bottom: 0in; margin-left: 1in;"><span style="font-family: arial;"><span><span style="font-size: small;"><i><span style="background: transparent none repeat scroll 0% 0%;">What
is youth?</span></i></span></span></span><span style="font-family: arial;"><span><span style="font-size: small;"><i><span style="background: transparent none repeat scroll 0% 0%;"> A
dream.</span></i></span></span></span><span style="font-family: arial;"><span><span style="font-size: small;"><i><span style="background: transparent none repeat scroll 0% 0%;"> What
is love?</span></i></span></span></span><span style="font-family: arial;"><span><span style="font-size: small;"><i><span style="background: transparent none repeat scroll 0% 0%;"> The
content of the dream.</span></i></span></span></span><span style="font-family: arial;">
</span></p><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">Another
Round starts with the above quote from Kierkegaard, the Danish
</span></span><span><span style="font-size: small;">existentialist
philosopher. Kierkegaard taught that there are three stages in life:
The child, who seeks pleasure; the adolescent, who begins to seek
meaning through ethics, and the adult, who realizes that only by
accepting the </span></span><span><span style="font-size: small;">inexplicable</span></span><span><span style="font-size: small;">
(or religious) can a person be happy, given the absurdity of life.</span></span></span></span></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">If
you are philosophy major, save it, I realize I don’t really know
what I’m talking about. </span></span><span><span style="font-size: small;">But
the<br /> story of </span></span><span><span style="font-size: small;"><i>Another
Round</i></span></span><span><span style="font-size: small;">
involves four teachers, all guys and great friends, who are beyond
the first two stages </span></span><span><span style="font-size: small;">of
life</span></span><span><span style="font-size: small;">.
Of the four, one in particular, Martin (played by the “I’ve seen
him somewhere” actor Mads Mikkelsen), has come to a point where he
hasn’t been able to make that third stage leap just yet. </span></span><span><span style="font-size: small;">His
History class is so dull that the parents stage a meeting to raise
their issues with him. When he looks for solace from his wife, asking
her if he is boring, all she can </span></span><span><span style="font-size: small;">muster</span></span><span><span style="font-size: small;">
is, “You’re not what you used to be when we met.” At dinner
with his three friends to celebrate a 40</span></span><sup><span><span style="font-size: small;">th</span></span></sup><span><span style="font-size: small;">
birthday, Martin has to be talked down from his
bringing-down-the-party moroseness.</span></span></span></span></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;">
</span></span>
</p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">But
how to cheer him up? Well, look to the</span></span><span><span style="font-size: small;">
</span></span><span><span style="font-size: small;"></span></span></span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_5U2JYNJmE8SaTWFAbtSi_ip3Cdr0-Fa5qgeNxO3FzRgZX71-biGtHsZhQeAQZY5oR70l_ZG0WjElnx8pspowxi2frtFoLkcfgXASBG4atEGNIDePxZyWe3fNVLhO9EpVX-gUcG9dPb0/s1280/Friends.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_5U2JYNJmE8SaTWFAbtSi_ip3Cdr0-Fa5qgeNxO3FzRgZX71-biGtHsZhQeAQZY5oR70l_ZG0WjElnx8pspowxi2frtFoLkcfgXASBG4atEGNIDePxZyWe3fNVLhO9EpVX-gUcG9dPb0/w320-h180/Friends.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Martin and friends pre-experiment<br /></td></tr></tbody></table><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">title.
One of the friends brings up a clever little “theory” of
Norwegian author Finn Skårderud. The idea is that everyone is born
with a blood alcohol content (BAC) level deficiency of about .05. The natural
corollary is that if one has a couple of blasts and then maintains
that buzz, one will maximize one's potential. </span></span><span><span style="font-size: small;">Martin
is the first to buy in, and the next morning before class takes a good pull off a pint of </span></span><span><span style="font-size: small;">Smirnoff
before teaching. He finds himself connecting with the
students, coming up with fun ways for them to learn, getting laughs
and enthusiasm for probably the first time in years.</span></span></span></span><p></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">Martin
tells the other guys about it and they all decide to make a science
project out it, with controls and reporting on findings. They all
agree to the rule of no drinking after 8pm or on weekends, and each
buys himself a breathalyzer to keep tabs on his BAC (amusingly, the
number is shown each time someone measure</span></span><span><span style="font-size: small;">s</span></span><span><span style="font-size: small;">
himself). Of course, the lubrication leads to each teacher turning
into Robin Williams in </span></span><span><span style="font-size: small;"><i>Dead
Poet’s Society</i></span></span><span><span style="font-size: small;">:
History is exciting </span></span><span><span style="font-size: small;">again</span></span><span><span style="font-size: small;">;
music class sounds angelic, and the coach helps the<a href="https://youtu.be/rCHGzxSBn-c"> Rudy Gerner </a>of
the soccer team bend it like <a href="https://www.youtube.com/watch?v=vB-t35j1RJM">Beckham</a>. The experiment is a success!
What could go wrong?</span></span></span></span></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwfI68L2rJ9f5xVPNGtb8mQklITpCsVGXk0sOenBxZqyjq0F1h0obWYSX7yUpcRakHbQxiBOOWnSA_XnRkNs7n562HrfvZ-3paGQXqw094YOabQ3S5sx82OqZG_Cu60JZ5JuF5kZv5ybs/s220/bluto.gif" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="195" data-original-width="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwfI68L2rJ9f5xVPNGtb8mQklITpCsVGXk0sOenBxZqyjq0F1h0obWYSX7yUpcRakHbQxiBOOWnSA_XnRkNs7n562HrfvZ-3paGQXqw094YOabQ3S5sx82OqZG_Cu60JZ5JuF5kZv5ybs/s0/bluto.gif" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Testing the</span><span style="font-size: small;"> Skarderud theory<br /></span></td></tr></tbody></table><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;"><br />I
don’t think I need to put in a spoiler alert to tell you that some
things do go wrong, quite wrong </span></span><span><span style="font-size: small;">in
fact</span></span><span><span style="font-size: small;">.
But this movie is not really about the evils of drinking, and while there
are tragic elements to it, this story is about friendship and love.
</span></span><span><span style="font-size: small;">And
in the end, maybe the friends are able to accept the absurdity of
life and yet still in some small way, through their love for each
other, hold onto their youth, even if it is a dream.</span></span></span></span><p></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;">N</span></span><span><span style="font-size: small;">ote:
This film is featured on Hulu.</span></span></span></span></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span><span style="font-size: small;"><b>The
Title:</b></span></span></span><span style="color: black;"><span><span style="font-size: small;">
</span></span></span><span style="color: black;"><span><span style="font-size: small;"><span style="font-weight: normal;">
</span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><i><span style="font-weight: normal;">Druk.
</span></i></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">"Binge
drinking." Certainly the Danish title is more dark than the English
one. The Danish title certainly better reflects the </span></span></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">overall</span></span></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">theme</span></span></span></span></span></span><span style="color: black;"><span><span style="font-size: small;"><span lang="da-DK"><span style="font-style: normal;"><span style="font-weight: normal;">
of the movie.</span></span></span></span></span></span></span></span></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span><span style="font-size: small;"><b>Culture:</b></span></span></span><span style="color: black;"><span><span style="font-size: small;">
<i> </i></span></span></span><span style="color: black;"><span><span style="font-size: small;"><i>Another
Round</i> reflects the problem of drinking in Denmark. Danes need only
be 16 to purchase alcohol and teens age 15-17 are the heaviest
drinkers in Europe in that age range (and </span></span></span><span style="color: black;"><span><span style="font-size: small;">that
includ</span></span></span><span style="color: black;"><span><span style="font-size: small;">es</span></span></span><span style="color: black;"><span><span style="font-size: small;">
</span></span></span><span style="color: black;"><span><span style="font-size: small;">Russia!)</span></span></span><span style="color: black;"><span><span style="font-size: small;">.
</span></span></span><span style="color: black;"><span><span style="font-size: small;">T</span></span></span><span style="color: black;"><span><span style="font-size: small;">he
movie opens with a shockingly legal alcohol-related race </span></span></span><span style="color: black;"><span><span style="font-size: small;">in
which you have to suck down a cold one at each turn.
Disqualification is the penalty for puking. The school, much like
Denmark itself, begins pondering ways to deal with this problem.</span></span></span></span></span></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjJi7NU53O2CDImMn_QVauMnNQor_Msl7fwobsWr5nOz8TK2tW6x3WHq4urTSUs2fWS2ysoCbvTa6QIyx1TdHq8fK3-KqMo2Ebm5pMLFtSrBMdgb-ddHjHBFwbTyIpfEBj9xQ5q5JtlF4/s1200/lost-weekend-1200-1200-675-675-crop-000000.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="675" data-original-width="1200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjJi7NU53O2CDImMn_QVauMnNQor_Msl7fwobsWr5nOz8TK2tW6x3WHq4urTSUs2fWS2ysoCbvTa6QIyx1TdHq8fK3-KqMo2Ebm5pMLFtSrBMdgb-ddHjHBFwbTyIpfEBj9xQ5q5JtlF4/s320/lost-weekend-1200-1200-675-675-crop-000000.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Ray Milland in The Lost Weekend<br /></td></tr></tbody></table><p><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span><span style="font-size: small;"><b>Agenda
danger:</b></span></span></span><span style="color: black;"><span><span style="font-size: small;">
</span></span></span><span style="color: black;"><span><span style="font-size: small;">Yeah,
the film’s central theme is alcoholism, and while there is humor,
the overall view of the problem is fairly dark. But this movie isn't <br /><i>The Lost Weekend</i>, the 1945 film that chronicles the horror of one man's alcoholism. In fact, it's
maybe the lightest of Best Foreign Film winners in recent years.
Consider the themes of </span></span></span><span style="color: black;"><span><span style="font-size: small;">some
of </span></span></span><span style="color: black;"><span><span style="font-size: small;">the
last </span></span></span><span style="color: black;"><span><span style="font-size: small;">few</span></span></span><span style="color: black;"><span><span style="font-size: small;">
winners: extreme class disparity (</span></span></span><a href="https://mybffproject.blogspot.com/2020/03/2019-winner-parasite.html"><span style="color: black;"><span><span style="font-size: small;"><i>Parasite</i></span></span></span></a><span style="color: black;"><span><span style="font-size: small;">);
the mysogeny</span></span></span><span style="color: black;"><span><span style="font-size: small;"> in Mexican culture (</span></span></span><a href="https://mybffproject.blogspot.com/2019/04/roma-normal-0-false-false-false-en-us-x.html"><span style="color: black;"><span><span style="font-size: small;"><i>Roma</i></span></span></span></a><span style="color: black;"><span><span style="font-size: small;">);
the plight of the transgendered <a href="https://mybffproject.blogspot.com/2018/06/2018-winner-fantastic-woman.html">(</a></span></span></span><a href="https://mybffproject.blogspot.com/2018/06/2018-winner-fantastic-woman.html"><span style="color: black;"><span><span style="font-size: small;"><i>A
Fantastic Woman</i></span></span></span></a><span style="color: black;"><span><span style="font-size: small;">);
the Holocaust (</span></span></span><a href="https://mybffproject.blogspot.com/search?q=son+of+saul"><span style="color: black;"><span><span style="font-size: small;"><i>Son
of Saul</i></span></span></span></a><span style="color: black;"><span><span style="font-size: small;">);
and bleakness of post war Poland (</span></span></span><a href="https://mybffproject.blogspot.com/search?q=ida"><span style="color: black;"><span><span style="font-size: small;"><i>Ida</i></span></span></span></a><span style="color: black;"><span><span style="font-size: small;">).
Some of these are fine films, but what a relief to watch a movie
with great acting, Oscar-nominated directing (Thomas Vinterberg) and
a story about friendship and love with no villains that don’t come
out of a bottle. The fact that Vinterburg’s daughter tragically
died in a car accident just four days into shooting seems to have
paradoxically made the movie more uplifting </span></span></span><span style="color: black;"><span><span style="font-size: small;">than
it would have been</span></span></span><span style="color: black;"><span><span style="font-size: small;">.</span></span></span></span></span></p><p><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span><span style="font-size: small;"><b>Best Picture that year:</b> Nomadland <br /></span></span></span></span></span></p><p></p><span style="font-family: arial;">
</span><p align="justify" class="western" style="margin-bottom: 0in;"><span style="font-family: arial;"><span style="background: transparent none repeat scroll 0% 0%;"><span><span style="font-size: small;"><b>Rating:
</b></span></span><span><span style="font-size: small;">
</span></span><span><span style="font-size: small;">Pour
yourself a neat Smirnoff or just take a couple of slugs right from
the bottle and sit down to watch this film. But keep it at
that—you’ll want to take all of this enjoyable film in, no chaser
need.</span></span></span></span></p><span style="font-family: arial;">
</span><p><span style="font-family: arial;"> </span></p>Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-27654790424196611532020-03-03T12:37:00.002-08:002022-09-05T06:18:25.129-07:002019 Winner, Parasite<div align="center" class="western" style="margin-bottom: 0in;">
<span style="font-size: medium;"><b><span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;">Parasite</span></span></b></span><span style="font-size: medium;"><b><span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"></span></span></b></span><br />
<br />
<span style="font-size: medium;"><b><span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinAuKLbf_isGk4nQVnK_q4ArMzqWHwluaYnSyKJIlZKUzwR_6niLyCICv3vGlD_oEINcE3vAZRegBKUwReIQPh4pCc_Iu0BGu7R6BkP1RXCofP_u_u96jvOELnoINvAgprFnCqXm5N7jI/s1600/parasite+poster.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1201" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinAuKLbf_isGk4nQVnK_q4ArMzqWHwluaYnSyKJIlZKUzwR_6niLyCICv3vGlD_oEINcE3vAZRegBKUwReIQPh4pCc_Iu0BGu7R6BkP1RXCofP_u_u96jvOELnoINvAgprFnCqXm5N7jI/s320/parasite+poster.jpg" width="240" /></a></div>
</span></span></b></span><br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>Director</b>:
Bong Joon-ho</span></span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>Distributed
by:</b> CJ Entertainment</span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>Released:</b>
May 2019</span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>Country:
</b>South Korea</span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><i>Parasite</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">
is a tale of two families, and of two (at least) genres: The
families are the Kims and the Parks. The Kims—father, mother,
brother, sister—are intelligent, resourceful, and seem to genuinely
love each other. The Parks are a bit more of a mixed bag: A father
who is a bit self-indulgent and doesn’t really respect his wife; an attractive
mother who is a bit ditzy and superficial; a teenage sister who
seems like a bit of a brat; and a young brother who apparently sees
ghosts. The main difference, though, is that the Parks have Bill
Gates money and live in a beautiful home with servants on call
to do everything for them, while the Kims live in a basement, making money folding pizza boxes, and trying
to steal wi-fi from their neighbors and free pest control by opening
their windows when the exterminator sprays the streets.</span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgojVQSGNipDl1l134_PjPpsJU58vtilIanJ8RRrDgfHepCZPY5xVjiXDP2YHePAHmqV4IuKPkSj6KsLgAa1eQr6upf1sWGuXURfIJRS_yhnlYrGcmr__R8ywZcw0O3iFGnvXR7vWFxLJU/s1600/parasite+pizza+box.webp" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="675" data-original-width="1200" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgojVQSGNipDl1l134_PjPpsJU58vtilIanJ8RRrDgfHepCZPY5xVjiXDP2YHePAHmqV4IuKPkSj6KsLgAa1eQr6upf1sWGuXURfIJRS_yhnlYrGcmr__R8ywZcw0O3iFGnvXR7vWFxLJU/s320/parasite+pizza+box.webp" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Kims</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
<a href="https://www.blogger.com/null" name="_GoBack"></a>
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">The
thing is, though, the Kims are crooked, dishonest, and ruthless. The
story begins when a friend of the brother tells him he is going
abroad to study. He asks the brother to take over with the tutoring of
the 14-year old Park girl, since the friend thinks the brother
wouldn’t be able to successfully put the moves on the cute but underage Park girl. See, he plans to do just that in the near future, once she's old enough. Brother Kim gets the help
of his artistic sister, who is handy at creating false documents, to
get his credentials and scam his way into a job. After that, one by
one, the others in the Kim family scheme their way into positions as
well: the sister as the therapist for the little Park boy; Dad becomes the chauffeur; and for Mama Kim, the
housekeeper job. One night, while the Parks are away on a camping
overnight, the Kims have a little drink-fest to celebrate their new
situation, working as a family in a dream home. It's all been too easy.</span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">The
film’s f</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">i</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">rst
third is mostly comic—you’ll root for the Kims as anti-heroes,
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">enjoying
the ride of how they get where they get. But things turn glum when
rain forces the Parks to cut their camping trip short, calling home to say
they’ll be home in a few. From here on, the movie is more dramatic
thriller, starting with the Kims hustling to clean the place like a
teenager getting rid of the empties and assorted smells before Mom
and Dad get back from their vacation. Here we find the plot thicken,
with twists you don’t see coming and aspects of the characters that
may change your perceptions of them.</span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitC5ulhA3RzROkbyHyHrr3DSbk0Up3gffoIszmEEQuDP2PYJTA9AZmvd1bRXANA1kuWSUR1H5SmE_Cghj4WsWS6gs_0q3P_w5XOD58hkyiVoJ3Wf7q9Dl2TFQYhny7IhFKSXnkRxGt06A/s1600/parasite+house.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="534" data-original-width="950" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitC5ulhA3RzROkbyHyHrr3DSbk0Up3gffoIszmEEQuDP2PYJTA9AZmvd1bRXANA1kuWSUR1H5SmE_Cghj4WsWS6gs_0q3P_w5XOD58hkyiVoJ3Wf7q9Dl2TFQYhny7IhFKSXnkRxGt06A/s400/parasite+house.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Park house</td></tr>
</tbody></table>
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><i><span style="font-weight: normal;">Parasite</span></i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">
takes its time in letting the plot develop and allows you to get a
good look at each member of the Kim family in its own time. The Parks, on the other hand, tend
to be on the verge of stereotype, rich people who either lack empathy
or brains. Walking out of the film, I got to thinking—are we
supposed to favor the Kims over the Parks? The Parks really do seem
to be decent people who just don’t appreciate what poverty is. The
Kims are struggling and obviously have the resourcefulness that rich
people like the Parks don’t have. </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">Yet
they don’t seem to care who they hurt to get what they want. In
the end, I think the filmmaker isn’t aiming for you to dislike the
Parks or the Kims, but the economic system that predestines where
they are. It’s that system, one in which one group has to live off
the other (like parasites), that is up for criticism. </span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>The
Title:</b></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">
</span></span></span><span style="font-family: "ms mincho";"><span style="color: black;"><span style="font-size: small;"><span lang="ko-KR">기생충
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"> </span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">Director
Bong Joon-ho <a href="https://www.ign.com/articles/parasite-bong-joon-ho-reveals-the-meaning-behind-the-title-of-the-oscar-nominated-film">explains</a>: "Because the story is about the poor family
infiltrating and creeping into the rich house, it seems very obvious
that <i>Parasite</i> refers to the poor family, and I think that's why the
marketing team was a little hesitant," he explained. "But
if you look at it the other way, you can say that rich family,
they're also parasites in terms of labor. They can't even wash
dishes, they can't drive themselves, so they leech off the poor
family's labor. So both are parasites." I dunno, sounds a bit Marxian for me, but I see what he's saying.</span></span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoPWKPHHlsSVF7b4BHHv_HtfvtHGDjsS-l61hLMqu33o2CzBFXrSsxA0iB_1kTNVCERtxHF6VgaC_4a6cHgUyBTAqK4mF4Fm_BojKedZ9mWepr4Rjgnn9wxp8YJGH_VZtaZykwj9ggKkw/s1600/parasite+family.webp" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoPWKPHHlsSVF7b4BHHv_HtfvtHGDjsS-l61hLMqu33o2CzBFXrSsxA0iB_1kTNVCERtxHF6VgaC_4a6cHgUyBTAqK4mF4Fm_BojKedZ9mWepr4Rjgnn9wxp8YJGH_VZtaZykwj9ggKkw/s320/parasite+family.webp" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Parasite family, Magoo-style</td></tr>
</tbody></table>
<span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>Culture:</b></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">
</span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><i>Parasite</i></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">
</span></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">portrays
what Koreans call the <i>Hell Joseon,</i> a term to describe the economic
concept of the vast gap between the have and the have-nots, and the
have-nots' inability to become part of the haves, despite hard work.
</span></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">The
grandeur and the modernity of the house in which the Parks live
hearkens to </span></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">Jacques
Tati</span></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">’s
</span></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><i><a href="http://mybffproject.blogspot.com/search?q=mon+oncle">Mon Oncle</a> </i></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">home
(which the French 1958 film mocked), with all the conveniences a
modern-day homemaker like Mama Park can enjoy. Despite a torrential
downpour, the home seems safe and sound, even for a backyard tent
sleepover. Meanwhile, the squalor and uncleanliness of the Kims’
basement home suffers disaster because of weather conditions.</span></span></span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>Agenda
danger:</b></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;">
</span></span></span>There’s no pretense that this story is about
class conflict and the perceived widening gap between rich and poor
in South Korea. Of course as bad as things may be, South Korea only
need to look north to see how it could be worse. That said, it seems
to me the Academy, made up of those firmly in the have rather than
have-not camp, bought the message, or at least wanted to reward a
film about class conflict.</span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>B</b></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>est
Picture that year:</b></span></span> <span style="font-family: "times new roman" , serif;"><span style="font-size: small;">Well<i>, Parasite.
</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;">The
first Best Foreign Film (officially, now the Best International
Feature Film) to win the overall Best Picture Oscar.</span></span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
<div align="justify" class="western" style="line-height: 115%; margin-bottom: 0in;">
<span style="background: transparent none repeat scroll 0% 0%;"><span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><b>Rating:</b></span></span>
<span style="font-family: "times new roman" , serif;"><span style="font-size: small;">I
liked the comedy part of this film more than the suspense and social
commentary, and I enjoyed all the performances. It’s an
entertaining film with an great storyline, even if disbelief has to
be firmly suspended at the door. <i>1917</i> was a better overall film, but
this one ranks high on the list of foreign language films.</span></span></span></div>
<div align="justify" class="western" style="margin-bottom: 0in;">
<br /></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-4226094058442753772019-04-23T12:49:00.000-07:002019-04-23T12:53:07.372-07:002019 Winner, Roma<div style="text-align: center;">
<span style="font-size: large;"><b>Roma</b></span></div>
<div style="text-align: center;">
<br /></div>
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<style>
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table.MsoNormalTable
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<![endif]-->
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikj0oMeDxY2E6kaLLTHydDgEU59fNyIbj8UAm-_0QdCl40FL5_6cTcmMFwfLP7LwGE1AirdL8eg5JEb_sZQt-7lbDEQM-_BJCZEnSQwPwluMX0nxgLg6AnXb_otEoVJW6cMBS5pMpQkBE/s1600/roma-poster-400x600.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikj0oMeDxY2E6kaLLTHydDgEU59fNyIbj8UAm-_0QdCl40FL5_6cTcmMFwfLP7LwGE1AirdL8eg5JEb_sZQt-7lbDEQM-_BJCZEnSQwPwluMX0nxgLg6AnXb_otEoVJW6cMBS5pMpQkBE/s320/roma-poster-400x600.jpg" width="213" /></a></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto; color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Director:<span style="mso-spacerun: yes;"> </span>Alfonso
Cuarón</span></span></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Distributed
by: Netflix</span></span></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Released:
November 2018</span></span></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Country:<span style="mso-spacerun: yes;"> </span>Mexico</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="color: black;"><span id="goog_1636786281"></span>I was thinkin'
that maybe I'd get a maid<br />
Find a place nearby for her to stay<br />
Just someone to keep my house clean<br />
Fix my meals and go away<span id="goog_1636786282"></span></span></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">--<a href="https://www.youtube.com/watch?v=JOuQywiRUJo">A Man Needs a Maid</a>,
Neil Young</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Being a live-in maid seems like a
pretty thankless job—I know I couldn’t do it.<span style="mso-spacerun: yes;">
</span>First of all, I’m a slob, so my method of cleaning would be a lot of
peering into rooms and saying, “Good enough.”<span style="mso-spacerun: yes;">
</span>Also, when I cook I do a lot of tasting, so I think my employer would
end up having to deduct from my paycheck to compensate for the free food.<span style="mso-spacerun: yes;"> </span>But more importantly, it must be difficult in
terms of getting attached to the family you work for, as it is for Cleo, in the Mexican Best Foreign Film of 2018, <i>Roma.</i><span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Roma</span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> is
the story of one maid, named Cleo, in an upper-middle class neighborhood in
Mexico City. <span style="color: black;">Cleo works for a family with small
children, with the husband, a noted doctor, being mostly absent, and his wife Sofia
resenting him for it.<span style="mso-spacerun: yes;"> </span>Cleo isn’t
particularly pretty or smart, but she works hard and clearly cares about the
kids.<span style="mso-spacerun: yes;"> </span>She is part of their lives and
part of the family.</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The film originates from
the mind of Alfonso Cuarón, who is telling the story of his maid as he was <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUFuZ9ZXxiyfkRLM-zYJRu4HU4enJKC9f7_TPkg1y6pLDs0RWswlpvHIAkXlpW0MGsfX3SYxBh_HWUx4H03UMZ9-nNmS7YcG89v5Vori8Aj7JyYgv11AgtoOy_RZd7CJXh6KErDgh_wT0/s1600/cloe.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="563" data-original-width="750" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUFuZ9ZXxiyfkRLM-zYJRu4HU4enJKC9f7_TPkg1y6pLDs0RWswlpvHIAkXlpW0MGsfX3SYxBh_HWUx4H03UMZ9-nNmS7YcG89v5Vori8Aj7JyYgv11AgtoOy_RZd7CJXh6KErDgh_wT0/s320/cloe.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: black;">Yalitza Aparicio as Cleo; </span><br />
<span style="color: black;">Marina de Tavira as Sofia, her employer</span></td></tr>
</tbody></table>
growing
up in Mexico.<span style="mso-spacerun: yes;"> </span>Cuarón is best known to
American audiences for his visually stunning but light-on-plot film <i style="mso-bidi-font-style: normal;">Gravity</i> from 2013.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Roma</i>
is a little more character-driven than that film, but as far as the aesthetics
go, I found the film to be too cute by half.<span style="mso-spacerun: yes;">
</span>The movie is in black-and-white, and I'm not sure why.<span style="mso-spacerun: yes;"> </span>It made things seem more dated than the 1970
Mexico that is its setting.<span style="mso-spacerun: yes;"> </span>Also, Cuarón
goes a bit Kubrick from time to time, with long, long shots of nothing
happening.<span style="mso-spacerun: yes;"> </span>Sometimes this can be
visually interesting, like the shot of the family garage’s floor during the
opening credits.<span style="mso-spacerun: yes;"> </span>But too often I found
myself yelling a Monty Python-ish “Get on with it!”</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">There isn’t much plot in
Roma, but there doesn’t need to be.<span style="mso-spacerun: yes;"> </span>Cleo
is a likeable character who shows strength and forbearance despite the
challenges thrown at her, and you can’t help but root for her.<span style="mso-spacerun: yes;"> </span>And when she sees dog poop on the garage
floor, she cleans it up and doesn’t say, “Good enough.”</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvkGqiIS5j_ExNGlagsAnbVrdbunnm87WE4ceA12OVe5PfwOQZUQ-Sfah4b5REG6bKBAemRFpZsQROH4TUFHEUNSplfdZRg3aBQ2uNKb1tpSXAHd-rQ1hKrhIaeS6ogEIXC6ZC7_4iWVc/s1600/roma-netflix-filme-empregada-Alfonso-Cuaron-cleo-Yalitza-Aparicio-07.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="353" data-original-width="860" height="131" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvkGqiIS5j_ExNGlagsAnbVrdbunnm87WE4ceA12OVe5PfwOQZUQ-Sfah4b5REG6bKBAemRFpZsQROH4TUFHEUNSplfdZRg3aBQ2uNKb1tpSXAHd-rQ1hKrhIaeS6ogEIXC6ZC7_4iWVc/s320/roma-netflix-filme-empregada-Alfonso-Cuaron-cleo-Yalitza-Aparicio-07.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cleo and the family</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Roma is the neighborhood in Mexico City,
somewhat upscale but on the decline in 1970, when this movie is set.<span style="mso-spacerun: yes;"> </span>The area is now a sort-of trendy hipster
place, with art galleries and restaurants.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Culture:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>The story takes place during a period of
political stress in Mexico, and the latter portion of the film includes rioting
that took place in the early 1970’s.<span style="mso-spacerun: yes;">
</span>Cleo has a relationship with an unemployed dimwit who has been training
with <i style="mso-bidi-font-style: normal;">Los Halcones,</i><span style="mso-bidi-font-style: normal;"> a quasi-military group who thuggishly kept the peace for the government by using kung-fu moves and by using violence in general.</span><i style="mso-bidi-font-style: normal;"><br /></i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBavXlzhdktL3hjDfuDvG8sSbfY_qqkaMcLXPzilTTUeqNjNsFwMrYbMlsQHWN1QtPnryymJMLt3EeifHU87L1OxrUd899ZxDCz-bBXxP4OKZvBjAtfz5TagWjduaXDInlYgOMmMVeCQ8/s1600/57579910_10219086014323975_8636911028728233984_n.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="714" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBavXlzhdktL3hjDfuDvG8sSbfY_qqkaMcLXPzilTTUeqNjNsFwMrYbMlsQHWN1QtPnryymJMLt3EeifHU87L1OxrUd899ZxDCz-bBXxP4OKZvBjAtfz5TagWjduaXDInlYgOMmMVeCQ8/s320/57579910_10219086014323975_8636911028728233984_n.jpg" width="238" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">My dog and I could have used Cleo recently</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">More interesting is <a href="https://www.blogger.com/null" name="_Hlk5974870">Cuarón</a>’s pop culture references. The movie
features a variety of Mexican pop songs that were popular at the time, and we
learn that even in Mexico, folks were putting <i style="mso-bidi-font-style: normal;">Jesus Christ Superstar</i> on their turntables. But what
comes through most is Cuarón’s love of the movies. Two key scenes occur
at movie theaters, as Cleo and her boyfriend take <span style="mso-bidi-font-style: normal;">in</span><i style="mso-bidi-font-style: normal;">
La Grande Vadrouille</i>, a popular 1966 French comedy; and with the kids she sees <i style="mso-bidi-font-style: normal;">Marooned</i>, a 1969 American drama about
astronauts. Both movies feature an abandonment of one sort or another, (and
one of the astronauts has a suspicious and odd resemblance to George Clooney, who
starred in <i>Gravity</i> for Cuarón a few years ago).<span style="color: black;"></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Speaking of the theme of abandonment, <i style="mso-bidi-font-style: normal;">Roma</i> features two male characters that
heinously abandon their families.<span style="mso-spacerun: yes;"> </span>Men
don’t come out looking too good in this film, seemingly incapable of fulfilling
their paternal responsibilities.<span style="mso-spacerun: yes;"> </span>Perhaps
this is why, after all, a man needs a maid.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Green Book</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> <span style="mso-spacerun: yes;"> </span>For all the hype, with </span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Cuarón
winning Best Director and the film itself nominated for Best Picture (and the
movie also won for Best Cinematography), I was a little underwhelmed.<span style="mso-spacerun: yes;"> </span>But there was a charm to characters, the
female ones anyway, that made it worth watching.<span style="mso-spacerun: yes;"> </span>And if you have Netflix, this one is
something you should make time for.<span style="color: black;"></span></span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-21415260620493584742018-06-12T04:31:00.000-07:002018-06-12T05:06:04.995-07:002018 Winner, A Fantastic Woman<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
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<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">A Fantastic Woman</span></b></div>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9xvD2sgvIIminq79Wsc3jdOJk4VolvfR1LLacqj3EaIVJ5AqYB5cs6NRWR8DmMlcmZwomnjQdlThQHn41p9eBNYCieOjB38Hgl9eWd7_4z8r_wJMTleP2DISzHXzYCh2ZcW0M0jbJe64/s1600/una-mujer-fanta%25CC%2581stica.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1121" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9xvD2sgvIIminq79Wsc3jdOJk4VolvfR1LLacqj3EaIVJ5AqYB5cs6NRWR8DmMlcmZwomnjQdlThQHn41p9eBNYCieOjB38Hgl9eWd7_4z8r_wJMTleP2DISzHXzYCh2ZcW0M0jbJe64/s320/una-mujer-fanta%25CC%2581stica.jpg" width="224" /></a><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Sebastián Lelio</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Sony Pictures
Classics</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Februay 2017</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Chile</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Imagine a woman, in her
late 20’s or so, a waitress and an aspiring opera singer.<span style="mso-spacerun: yes;"> </span>She is dating a rather wealthy man in his
early 60’s, and has recently moved into his rather luxurious apartment.<span style="mso-spacerun: yes;"> </span>The man is divorced or separated from his
wife, with whom he has a nine-year-old daughter.<span style="mso-spacerun: yes;"> </span>He left her for the younger woman, apparently
unable or unwilling to keep his urges for the younger woman in check, thinking
he is in love.<span style="mso-spacerun: yes;"> </span>One day, the man falls
suddenly ill after sex with the younger woman and dies in the hospital.<span style="mso-spacerun: yes;"> </span>After his death, the woman still has the keys
to the man’s car and apartment and takes her sweet time giving both of them up to
her late lover’s family.<span style="mso-spacerun: yes;"> </span>She insists on
attending the dead man’s services in spite of the demand by the family that she
stay away to spare their feelings, including that of the nine-year-old.<span style="mso-spacerun: yes;"> </span>The question:<span style="mso-spacerun: yes;"> </span>Is this a Fantastic Woman?</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Ah, but I left out one
smallest of small details—the woman, quite recently, went by the name of
Daniel.<span style="mso-spacerun: yes;"> </span>The Fantastic Woman is, you see,
a transsexual named Marina.<span style="mso-spacerun: yes;"> </span>And Marina
seems nice enough, a person with insecurities and talents and the need for
love, just like anyone else.<span style="mso-spacerun: yes;"> </span>But because
she was a man, she gets treated impolitely, even harshly, by a number of people
she encounters after the death of her boyfriend, Orlando.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyYnX-DjQz78-_CT60r7VKjvZI6xz8KZJZCC6_5NQ4GGAsA_D1C8lxPnu6sDpLvWAAIlHvv9b8MIAgDXi42Kkw776ZY_Bgl2cGvPxd95u0UTbUu4Bnudg-3GgRBk-WE1bwuTcIZvS3rhk/s1600/Daniela+Vega+and+Francisco+Reyes+yellow.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="666" data-original-width="1024" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyYnX-DjQz78-_CT60r7VKjvZI6xz8KZJZCC6_5NQ4GGAsA_D1C8lxPnu6sDpLvWAAIlHvv9b8MIAgDXi42Kkw776ZY_Bgl2cGvPxd95u0UTbUu4Bnudg-3GgRBk-WE1bwuTcIZvS3rhk/s320/Daniela+Vega+and+Francisco+Reyes+yellow.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marina and Old Orlando</td></tr>
</tbody></table>
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<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">For one thing, when she
brings him to the hospital, the staff don’t consider her family and therefore
don’t allow her into his room.<span style="mso-spacerun: yes;"> </span>While
waiting for Marina to take him to the hospital, Orlando takes a tumble down a
flight of stairs, resulting in some bruising and a contusion on his head.<span style="mso-spacerun: yes;"> </span>Marina is questioned by police about it and
about the fact that she inexplicably ran away from the hospital for a time
after bringing Orlando there; they wrongly suspect there may have been domestic
abuse.<span style="mso-spacerun: yes;"> </span>During questioning they check
Marina’s ID and take pictures of Marina’s entire body to check for
bruises--as someone puts it, she "hasn't had the operation yet."<span style="mso-spacerun: yes;"> </span>Orlando’s ex-wife isn’t too big
a fan either.<span style="mso-spacerun: yes;"> </span>She tells Marina that when
Orlando left her, she told him that Marina was a perversion.<span style="mso-spacerun: yes;"> </span>She calls Marina a “chimera,” which seems to
cut Marina deeply.<span style="mso-spacerun: yes;"> </span>I had to look up the definition--</span><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span data-source="entry-dictionary"><span class="sb-0"><span class="dt hasSdSense">"an illusion or fabrication of the mind</span></span></span>." Ouch?</span></div>
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<br /></div>
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<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">From what I could
gather, the point of the film was to elicit sympathy for Marina and antipathy
for those who mistreat Marina.<span style="mso-spacerun: yes;"> </span>The plot
was rather thin and the last 30 minutes or so seemed to drag on endlessly with
no real resolution.<span style="mso-spacerun: yes;"> </span>Basically, it seems
what makes Marina a fantastic woman is that she is a victim.</span></div>
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<br /></div>
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<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The films is very
skillfully and aesthetically photographed, a real pleasure to look at.<span style="mso-spacerun: yes;"> </span>Santiago, Chile, comes off looking bright,
sophisticated, and colorful.<span style="mso-spacerun: yes;"> </span>The acting
was fine, though I found Daniella Vega, who plays Marina, to be a bit
one-note, not really moving beyond a sort of dull melancholy.<span style="mso-spacerun: yes;"> </span>Overall, this wasn’t a bad
movie, really, just an overpraised one.<span style="mso-spacerun: yes;">
</span>Again, had the main character not been transgendered/transexual, I would have still
found Marina to be hard to like.<span style="mso-spacerun: yes;"> </span>But
while the Academy, the critics, and whoever wrote the film wanted the viewer to
find Marina to be “fantastic,” I did not.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTXuwHrfExEU9MgoSZ17ML0PcvfZjPLqC1DwAy20uZqWmsAFVnh4VdeWxKB_8p0sTDh2M_EIhfhQMYtx04BqCncx7f3ZdqiNf7AiXYZ5R2X7nsJL9EnmTBrmmG3j-gzQL1F8JNmm-iGVU/s1600/Fantastic-Woman-elevator.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="740" data-original-width="1586" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTXuwHrfExEU9MgoSZ17ML0PcvfZjPLqC1DwAy20uZqWmsAFVnh4VdeWxKB_8p0sTDh2M_EIhfhQMYtx04BqCncx7f3ZdqiNf7AiXYZ5R2X7nsJL9EnmTBrmmG3j-gzQL1F8JNmm-iGVU/s400/Fantastic-Woman-elevator.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Some guy stuck on an elevator with Marina and Orlando's wife: AWKWARD! </td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Una mujer fantastic</i>.<span style="mso-spacerun: yes;"> </span>We live in a time in which one has to be
careful when one discusses any LGBTQ in a manner that is anything but
fully accepting. <span style="mso-spacerun: yes;"></span>In many circles, it is
frowned upon, even illegal, to not accept a person’s gender as something other
than what they were born as.<span style="mso-spacerun: yes;"> </span>That said,
I found it interesting that the protagonist in this film is
labeled “fantastic,” a word which can be defined as “based on fantasy, not real.”<span style="mso-spacerun: yes;"> </span>I suppose the writer of the film, which very
much is sympathetic to Marina, may have been trying to be ironic, or witty, or
something.</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>First Best
Foreign Film winner from Chile, it comes off as a slightly less than
conservative country, with vestiges of its Catholic heritage intact.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Frankly,
I had a bit of a headache from being hit over the head with the message of the
film, which was that those who don’t accept trans-sexuality are numerous and
despicable.<span style="mso-spacerun: yes;"> </span>In one scene, a group of
thugs terrorize Marina with slurs and wrap her head in scotch tape.<span style="mso-spacerun: yes;"> </span>But even the people who seem to be polite to
Marina hold an obvious dislike for who she is or has chosen to be.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9OMS6MEE7bhhTFnqkgpD-UnZ3k2s2ekGi7B9fW4Bekm78ErNNsND1osHHRmMuOddu98JlsDLnaOVEjfts25xGXx6TmAmX5Z2GpI_vmqDW7siW0mJrzqpPro4TM-iuWWfLPPgkRO5Bx1w/s1600/Kiss-fish-800x600.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="465" data-original-width="620" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9OMS6MEE7bhhTFnqkgpD-UnZ3k2s2ekGi7B9fW4Bekm78ErNNsND1osHHRmMuOddu98JlsDLnaOVEjfts25xGXx6TmAmX5Z2GpI_vmqDW7siW0mJrzqpPro4TM-iuWWfLPPgkRO5Bx1w/s320/Kiss-fish-800x600.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Scene from <i>The Shape of Water</i></td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Shape of Water.<span style="mso-spacerun: yes;"> </span></i>Hoo boy, it seems
Oscar had a real agenda on its (his? her?) mind this year.<span style="mso-spacerun: yes;"> </span>This Guillermo del Toro film tells the story
of a woman who has a hankering for a fish.<span style="mso-spacerun: yes;">
</span>And I don’t mean she enjoys a good tuna fish sandwich every now and
again; I mean she enjoys getting boned by a fish man, obviously not a fillet.<span style="mso-spacerun: yes;"> </span>That story, while more “fantastic” than <i style="mso-bidi-font-style: normal;">A Fantastic Woman</i>, is even more blatant
in its message that all relationships of a sexual nature are equally acceptable.<span style="mso-spacerun: yes;"> </span>Even if one agrees with this concept wholeheartedly, it's hard not to feel preached to in watching these two films.</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>I didn’t
find this film fantastic by any definition.<span style="mso-spacerun: yes;">
</span>Mostly, it was a bore.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com1tag:blogger.com,1999:blog-6083253819963627851.post-23959067939763538942017-12-15T13:15:00.000-08:002017-12-17T07:14:09.529-08:00My BFF Wrap-Up: My Ranking<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2JHMXy55DbG7gui2L1aDVGzSg_Mym25JBjaZGPRS5KdOHwCbsuF9I9jiwHIGDHXNHekMHn6gQ2-FV3lD3vR3a2nQsP2eN7Azxi6moqrItOEVt_QqRLgMu6K13kSkO7DAOrHPu5vC9T6I/s1600/bff+logo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="1510" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2JHMXy55DbG7gui2L1aDVGzSg_Mym25JBjaZGPRS5KdOHwCbsuF9I9jiwHIGDHXNHekMHn6gQ2-FV3lD3vR3a2nQsP2eN7Azxi6moqrItOEVt_QqRLgMu6K13kSkO7DAOrHPu5vC9T6I/s400/bff+logo.png" width="400" /></a></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Starting in June 2016, I watched and
reviewed every winner of the Academy Award for Best Foreign Language Film, or
in short, Best Foreign Film (BFF), in reverse chronological order from the 2015
entry to the awards inception in 1947 (watching the 2016 winner at the end).<span style="mso-spacerun: yes;"> Part of the experiment was to see how many of these I would be able to find. </span>In
most cases, I was able to borrow the DVD of each film from the Cuyahoga County Library
system (<a href="http://www.cuyahogalibrary.org/About-Us/News/CCPL-tops-list-of-star-libraries-for-seventh-year.aspx">a consistently top rated system</a> in Northeast Ohio), and as things went further back in time, that meant using the
inter-library systems CCL employs, SearchOhio and OhioLINK.<span style="mso-spacerun: yes;"> </span>I did have to watch a couple on the dusty old VCR.<span style="mso-spacerun: yes;"> </span>On two or three occasions when I couldn’t
find the movie through the CCL system, I was able to get DVDs from the
Cleveland Public Library.<span style="mso-spacerun: yes;"> </span>Once I paid $2
to watch a movie on Amazon, and that was the grand total of money I spent on this project.<span style="mso-spacerun: yes;"> </span>I did find a couple rare films online, having
exhausted every other possibility<i style="mso-bidi-font-style: normal;">.</i><span style="mso-spacerun: yes;"> </span>Only once was I not able to find a film at
all, at least with English subtitles, and that was 1950’s <i style="mso-bidi-font-style: normal;">The Walls of Malapaga</i>.<span style="mso-spacerun: yes;"> </span>I
watched it only in French with Portuguese subtitles, and decided to review it
anyway.</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">My reviews were intended for people
who don’t normally watch foreign films, a group that included me not all that
long ago.<span style="mso-spacerun: yes;"> </span>I found a lot of the movies
worth watching, not just ones you might see at an art house, but movies I am
convinced would have been mainstream American favorites had they been in
English.<span style="mso-spacerun: yes;"> </span>I also sat through a lot of
tedious, self-admiring crap that got awards for having the right political or
social view to the voters of the Academy.<span style="mso-spacerun: yes;">
</span>But enough about <i style="mso-bidi-font-style: normal;">The Sea Inside</i>. My goal was to make the reviews be entertaining, especially when the movie wasn't, and to give American viewer something they could relate to.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The list here is my amateurish attempt
to rank what is perhaps the unrankable.<span style="mso-spacerun: yes;"> </span>There
are a variety of genres and so many different cultures represented here that it
is almost unfair to compare them against each other. <span style="mso-spacerun: yes;"> </span>But I did anyway, and the films are listed below from best to worst.<span style="mso-spacerun: yes;"> </span>Click any movie title to read the review. You can follow me on Twitter at <i>@hawley5150</i>. </span><br />
<br />
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Enjoy!</span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1989, <a href="http://mybffproject.blogspot.com/search?q=Cinema+Paradiso">Cinema Paradiso</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2006, <a href="http://mybffproject.blogspot.com/search?q=The+Lives+of+Others">The Lives of Others</a>, Germany</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1951, <a href="http://mybffproject.blogspot.com/search?q=Rashomon">Rashomon</a>, Japan</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1998, <a href="http://mybffproject.blogspot.com/search?q=Life+Is+Beautiful">Life Is Beautiful</a>,
Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1957, <a href="http://mybffproject.blogspot.com/search?q=La+Strada">La Strada</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1949, <a href="http://mybffproject.blogspot.com/search?q=The+Bicycle+Thief">The Bicycle Thief</a>,
Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2011, <a href="http://mybffproject.blogspot.com/search?q=A+Separation">A Separation</a>, Iran</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><br />
1975, <a href="http://mybffproject.blogspot.com/search?q=Dersu+Uzala">Dersu Uzala</a>, Soviet Union</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1967, <a href="http://mybffproject.blogspot.com/search?q=Closely+Watched+Trains">Closely Watched Trains</a>, Czechoslovakia</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1947, <a href="http://mybffproject.blogspot.com/search?q=Shoeshine">Shoeshine</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1964, <a href="http://mybffproject.blogspot.com/search?q=Yesterday%2C+Today+and+Tomorrow">Yesterday, Today and Tomorrow</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1963, <a href="http://mybffproject.blogspot.com/search?q=8%C2%BD">8½</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2009,<a href="http://mybffproject.blogspot.com/search?q=+The+Secret+in+Their+Eyes"> The Secret in Their Eyes</a>, Argentina</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1972, <a href="http://mybffproject.blogspot.com/search?q=The+Discreet+Charm+of+the+Bourgeoisie">The Discreet Charm of the Bourgeoisie</a>, France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1983,<a href="http://mybffproject.blogspot.com/search?q=+Fanny+and+Alexander"> Fanny and Alexander</a>, Sweden</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1962, <a href="http://mybffproject.blogspot.com/search?q=Sundays+and+Cybele">Sundays and Cybele</a>, France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1965, <a href="http://mybffproject.blogspot.com/search?q=The+Shop+on+Main+Street">The Shop on Main Street</a>, Czechoslovakia</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1986, <a href="http://mybffproject.blogspot.com/search?q=The+Assault">The Assault</a>, The Netherlands</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2000, <a href="http://mybffproject.blogspot.com/search?q=Crouching+Tiger+Hidden+Dragon">Crouching Tiger Hidden Dragon</a>,
Taiwan</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1987, <a href="http://mybffproject.blogspot.com/search?q=Babette%27s+Feast">Babette's Feast</a>, France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1960,<a href="http://mybffproject.blogspot.com/search?q=+The+Virgin+Spring"> The Virgin Spring</a>, Sweden</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2002 <a href="http://mybffproject.blogspot.com/search?q=Nowhere+in+Africa">Nowhere in Africa</a>,
Germany</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1958, <a href="http://mybffproject.blogspot.com/search?q=My+Uncle">My Uncle</a>, France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1971, <a href="http://mybffproject.blogspot.com/search?q=he+Garden+of+the+Finzi-Continis">The Garden of the Finzi-Continis</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1968, <a href="http://mybffproject.blogspot.com/search?q=War+and+Peace">War and Peace</a>,
Soviet Union</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1957, <a href="http://mybffproject.blogspot.com/search?q=Nights+of+Cabiria">Nights of Cabiria</a>,
Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2007, <a href="http://mybffproject.blogspot.com/search?q=Counterfeiters">The Counterfeiters</a>,
Austria</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1974, <a href="http://mybffproject.blogspot.com/search?q=Amarcord">Amarcord</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1952, <a href="http://mybffproject.blogspot.com/search?q=Forbidden+Games">Forbidden Games</a>, France</span><br />
<br />
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> </span><br /><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1961, <a href="http://mybffproject.blogspot.com/search?q=Through+a+Glass+Darkly">Through a Glass Darkly</a>, Sweden</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2014, <a href="http://mybffproject.blogspot.com/search?q=Ida">Ida</a>, Poland</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2016, <a href="http://mybffproject.blogspot.com/2017/10/2017-winner-saleman.html">The Salesman</a>, Iran</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1948, <a href="http://mybffproject.blogspot.com/search?q=Monsieur+Vincent">Monsieur Vincent</a>, France<span style="color: black;"></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2008, <a href="http://mybffproject.blogspot.com/search?q=Departures">Departures</a>, Japan</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2015, <a href="http://mybffproject.blogspot.com/search?q=Son+of+Saul">Son of Saul</a>,
Hungary</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1970, <a href="http://mybffproject.blogspot.com/search?q=Investigation+of+a+Citizen+Above+Suspicion">Investigation of a Citizen Above Suspicion</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1985, <a href="http://mybffproject.blogspot.com/search?q=The+Official+Story">The Official Story</a>, Argentina</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1969, <a href="http://mybffproject.blogspot.com/search?q=Z">Z</a>, Algeria</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1966, <a href="http://mybffproject.blogspot.com/search?q=A+Man+and+a+Woman">A Man and a Woman</a>,
France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1973, <a href="http://mybffproject.blogspot.com/search?q=Day+for+Night">Day for Night</a>,
France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1990, <a href="http://mybffproject.blogspot.com/search?q=Journey+of+Hope">Journey of Hope</a>, Switzerland<span style="color: black;"></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1980, <a href="http://mybffproject.blogspot.com/search?q=Moscow+Does+Not+Believe+in+Tears">Moscow Does Not Believe in Tears</a>, Soviet Union</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1982, <a href="http://mybffproject.blogspot.com/search?q=Begin+the+Beguine">Begin the Beguine</a>, Spain</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1993, <a href="http://mybffproject.blogspot.com/search?q=Belle+%C3%89poque">Belle Époque</a>, Spain</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1959, <a href="http://mybffproject.blogspot.com/search?q=Black+Orpheus">Black Orpheus</a>, France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1992, <a href="http://mybffproject.blogspot.com/search?q=Indochine">Indochine</a>, France<span style="color: black;"></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1988, <a href="http://mybffproject.blogspot.com/search?q=Pelle+the+Conqueror">Pelle the Conqueror</a>, Denmark</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2005, <a href="http://mybffproject.blogspot.com/search?q=Tsotsi">Tsotsi</a>, South
Africa</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1977, <a href="http://mybffproject.blogspot.com/search?q=Madame+Rosa">Madame Rosa</a>,
France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1981, <a href="http://mybffproject.blogspot.com/search?q=Mephisto">Mephisto</a>, Hungary</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1954, <a href="http://mybffproject.blogspot.com/search?q=Gate+of+Hell">Gate of Hell</a>, Japan<span style="color: black;"></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><br />
2010, <a href="http://mybffproject.blogspot.com/search?q=In+a+Better+World">In a Better World</a>, Denmark</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1955, <a href="http://mybffproject.blogspot.com/search?q=Samurai">Samurai, The Legend of Musashi</a>, Japan</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2001, <a href="http://mybffproject.blogspot.com/search?q=No+Man%27s+Land">No Man's Land</a>,
Bosnia and Herzegovina </span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1976, <a href="http://mybffproject.blogspot.com/search?q=Black+and+White+and+in+Color">Black and White and in Color</a>, Ivory Coast</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1979, <a href="http://mybffproject.blogspot.com/search?q=The+Tin+Drum">The Tin Drum</a>, West Germany</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1996, <a href="http://mybffproject.blogspot.com/search?q=Kolya">Kolya</a>, Czech Republic</span><br />
<br />
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1994, <a href="https://mybffproject.blogspot.com/search?q=burnt+by+the+sun">Burnt by the Sun</a>, Russia</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1978, <a href="http://mybffproject.blogspot.com/search?q=Get+Out+Your+Handkerchiefs">Get Out Your Handkerchiefs</a>,
France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2012, <a href="http://mybffproject.blogspot.com/search?q=Amour">Amour</a>, France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2013, <a href="http://mybffproject.blogspot.com/search?q=The+Great+Beauty">The Great Beauty</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1997, <a href="http://mybffproject.blogspot.com/search?q=Character">Character</a>, Netherlands</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2014, <a href="http://mybffproject.blogspot.com/search?q=The+Sea+Inside">The Sea Inside</a>, Spain</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1995, <a href="http://mybffproject.blogspot.com/search?q=Antonia%27s+Line">Antonia's Line</a>, Netherlands</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">2003, <a href="http://mybffproject.blogspot.com/search?q=The+Barbarian+Invasions">The Barbarian Invasions</a>,
Canada</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1991, <a href="http://mybffproject.blogspot.com/search?q=Mediterraneo">Mediterraneo</a>, Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1984, <a href="http://mybffproject.blogspot.com/search?q=Dangerous+Moves">Dangerous Moves</a>, France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1999, <a href="http://mybffproject.blogspot.com/search?q=All+About+My+Mother">All About My Mother</a>, Spain</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
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<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1950, <a href="http://mybffproject.blogspot.com/search?q=The+Walls+of+Malapaga">The Walls of Malapaga</a>, France/Italy (not ranked)</span></i></div>
<div class="MsoNormal">
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<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="font-size: x-large;">FINE! </span></span></i></div>
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<br /></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-68598775055734754412017-10-31T04:05:00.002-07:002022-09-29T12:29:59.760-07:002017 Winner, The Salesman<!--[if gte mso 9]><xml>
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<br />
<div align="center" class="MsoNormal" style="margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14pt; line-height: 115%;">The Salesman</span></b></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdIbL9na89aKbvnry9edHJp09v_BIh8nnZ3kojos_wI9AaWxWH2J1fexribuWZ4DWZ4L80zuimt3FKp3kOHSdLWe41YuKC4y7pHyplBlj_W3TiA7M6t0cFE9FoQlrMv7dm_om4rjEOSN4/s1600/The_Salesman.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="322" data-original-width="220" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdIbL9na89aKbvnry9edHJp09v_BIh8nnZ3kojos_wI9AaWxWH2J1fexribuWZ4DWZ4L80zuimt3FKp3kOHSdLWe41YuKC4y7pHyplBlj_W3TiA7M6t0cFE9FoQlrMv7dm_om4rjEOSN4/s320/The_Salesman.png" width="218" /></a></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Asghar Farhadi</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Filmiran/Memento Films Distribution</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>May 2016</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Iran</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt;">BERNARD: But sometimes, Willy, it’s
better for a man just to walk away.</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt;">WILLY: Walk away?</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt;">BERNARD: That’s right.</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt;">WILLY: But if you can’t walk away?</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt;">BERNARD (after a slight pause): I
guess that’s when it’s tough.<span style="mso-spacerun: yes;"> </span>Good-by,
Willy.</span></i></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-indent: 0.5in; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">--from Death of a Salesman, Arthur Miller</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">In <i style="mso-bidi-font-style: normal;">Death
of a Salesman</i>, Arthur Miller’s tragic 1949 play, Willy Loman
loves his sons, probably more than himself, but doesn’t know when to let their
failures be their failures, and not his.<span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">The Salesman</i>, 2016’s Best
Foreign Film winner, has its own Willy Loman character, a teacher and actor
named Emad.<span style="mso-spacerun: yes;"> </span>Like Willy, Emad will have a
difficult time understanding that he can only control so much, and that as much
as he may love his family, it is not always his place to protect them from
their own difficulties.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<tr><td class="tr-caption" style="text-align: center;">Emad and Rana</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Emad and his wife, Rana, live in an apartment
building that is literally falling apart.<span style="mso-spacerun: yes;">
</span>And when I say literally, I mean literally—one night they are forced to
evacuate because it seems like the foundation has shifted and the whole
structure may come down on them.<span style="mso-spacerun: yes;"> </span>The
couple have a friend named Babak who helps to set them up in a place where the
former tenant had unexpectedly bailed, literally leaving everything behind
her.<span style="mso-spacerun: yes;"> </span>And when I say literally, I mean figuratively,
because you can’t leave <i style="mso-bidi-font-style: normal;">everything</i>
behind.<span style="mso-spacerun: yes;"> </span>But this woman, it seems, left
more than her material things in the apartment she abandoned, as Emad and Rana
will soon learn.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Emad is a teacher of boys in a high school in
Iran.<span style="mso-spacerun: yes;"> </span>The kids think the world of him,
like Robin Williams’ students do in<i style="mso-bidi-font-style: normal;"> Dead
Poets Society</i>.<span style="mso-spacerun: yes;"> </span>They jokingly call
him a “salesman,” because his other job is as an actor in a local theater,
where his is starring as Willy Loman, with his wife as Willy’s wife Linda.<span style="mso-spacerun: yes;"> </span>Emad and Rana clearly adore each other, and
cheerfully are setting up themselves in their new place.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Their relationship will get tested, though, when
one day Rana, alone in the apartment, responds to the apartment bell by buzzing
in her husband, leaving the door slightly ajar and going in for a shower.<span style="mso-spacerun: yes;"> </span>Only it turns out it isn’t her husband at
all, and the next thing you know, Emad is walking into the apartment to find
blood on the shower floor and his wife nowhere to be seen.<span style="mso-spacerun: yes;"> </span>He learns from neighbors that she was taken to the hospital,
assaulted by the person Rana had let in.<span style="mso-spacerun: yes;">
</span>Rana will eventually be okay, at least physically.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoD96VQ-Dpp072iTiRrULLdpmi_s2U06rkxUDck1qtFrpzjeIM4QGZZLB8e29reyAHI4pa9G0_O5GbC_Q9qaHHw53DB5zIV_cJN__bh3h77rAleZaEotEJ9IpRXlqi0-2qAaA1sMDZBhQ/s1600/thesalesman_clip.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoD96VQ-Dpp072iTiRrULLdpmi_s2U06rkxUDck1qtFrpzjeIM4QGZZLB8e29reyAHI4pa9G0_O5GbC_Q9qaHHw53DB5zIV_cJN__bh3h77rAleZaEotEJ9IpRXlqi0-2qAaA1sMDZBhQ/s320/thesalesman_clip.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hey Babak, maybe you coulda told us a <i>hooker</i> lived there!</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: 0in; tab-stops: 126.6pt; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">This is where Emad has difficulty.<span style="mso-spacerun: yes;"> </span>Rana doesn’t want to report the incident, and
Emad does.<span style="mso-spacerun: yes;"> </span>He feels like she should
either report it so the police and handle it, or else drop it altogether. This strains their relationship.<span style="mso-spacerun: yes;"> </span>Emad
does some investigating, and it becomes apparent that the former occupant was a
prostitute.<span style="mso-spacerun: yes;"> </span>Learning this also strains
Emad’s friendship with Babak, whom he feels maybe could have mentioned that
the previous tenant was a <i style="mso-bidi-font-style: normal;">hooker.</i><span style="mso-spacerun: yes;"> </span>Emad will struggle with this situation with
agony:<span style="mso-spacerun: yes;"> </span>He loves his wife and feels like
he failed to protect her.<span style="mso-spacerun: yes;"> </span>But like the
guy he is portraying in <i style="mso-bidi-font-style: normal;">Death of a
Salesman</i>, he must understand that the past is the past, and that his family
has their own choices, and potentially mistakes, to make.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">This is the second Best Foreign Film for Iran, both directed by Asghar
Farhadi and starring</span><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"> Shahab Hosseini, who gives a wonderfully understated performance
as Emad.<span style="mso-spacerun: yes;"> </span>As in 2011’s <a href="https://mybffproject.blogspot.com/search?q=a+separation"><i style="mso-bidi-font-style: normal;">A Separation</i></a>, Farhadi allows the main
turning point in the film to be muted, allowing the consequences to be the focus
of the drama.<span style="mso-spacerun: yes;"> </span>In that film, Hosseini’s
character gently pushes a pregnant woman out of his apartment, and we only
later see how life-altering this event will be.<span style="mso-spacerun: yes;">
</span>In <i style="mso-bidi-font-style: normal;">The Salesman</i>, the assault
happens off-camera, but the tension builds gradually afterward, as Emad deals
with how his wife feels and his own need for vengeance.<span style="mso-spacerun: yes;"> </span>Taraneh Alidoosti is excellent as Rana, more
Biff than Linda in this story, having had to deal with a painful experience and
needing to handle it on her own terms.<span style="mso-spacerun: yes;"> </span></span>
</div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQO01TEAlwCQ7I0Y64V_3KRyecd1m3H0yUp0dStp1b-JsZNrN9Lyh0y3_X1O1C0XJyDictvakw8ecAIDnKq1SXSlzAeZV-IoG_1fdndqUcYu6PIR5ZQBhuAjLjzeJ_WQHOAW2eu0CUXGQ/s1600/snapshot.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="360" data-original-width="480" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQO01TEAlwCQ7I0Y64V_3KRyecd1m3H0yUp0dStp1b-JsZNrN9Lyh0y3_X1O1C0XJyDictvakw8ecAIDnKq1SXSlzAeZV-IoG_1fdndqUcYu6PIR5ZQBhuAjLjzeJ_WQHOAW2eu0CUXGQ/s320/snapshot.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">What if you can't walk away? I guess that's when it's tough</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Farhadi has a knack for telling a simple story with simple
characters, while raising complicated and thought-provoking questions.<span style="mso-spacerun: yes;"> </span>In <i style="mso-bidi-font-style: normal;">The
Salesman</i>, one of those complicated questions posed is when is it time to
walk away?<span style="mso-spacerun: yes;"> </span>Because if you can't, that
is when it gets tough.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">The Title:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"> فروشنده (in Persian),
or <i>Forušande</i>.<span style="mso-spacerun: yes;"> </span>Emad is the not a salesman
by any meaning of the word, except that he plays Willy Loman in his
neighborhood theater.<span style="mso-spacerun: yes;"> </span>He is not the
loser that Loman is, but like Loman, he acts irrationally, thinking he is
helping his family.<span style="mso-spacerun: yes;"> </span>The title of Miller’s
play is itself a major spoiler—Emad’s fate is not in question, but his
relationship with his wife is.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">The culture:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>As with <i style="mso-bidi-font-style: normal;">A
Separation</i>, what struck me most with this film was its looking people on
the other side of the world, seemingly so different from us as Americans, and
putting them in situations that we can identify with. <span style="mso-spacerun: yes;"> </span>Emad is a good man, and he is lucky to have
such a partner as Rana, but his temper and his inability to check himself may
lead to him losing her.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Agenda danger:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Famously, the director and actors boycotted
the Academy Awards as a result of President Trump’s order temporarily blocking
entry in the U.S. of Iranian citizens, as well as citizens of six other
countries.<span style="mso-spacerun: yes;"> </span>But this film has no
political agenda or message.<span style="mso-spacerun: yes;"> </span>It’s most
controversial message is in pointing out the difficulty in communication
between men and women, and in looking at when it is appropriate to forgive. </span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Best Picture that year:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"> <i style="mso-bidi-font-style: normal;"><span style="mso-spacerun: yes;"> </span><s>La La Land.</s><span style="mso-spacerun: yes;"> </span>Spotlight.</i></span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Rating:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Most early winners of the prize, from the
1940’s on, with the exception of some Japanese films, tended to be Italian,
French, or otherwise European.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The Salesman</i>, the second Iranian winner
of the prize, is characteristic of American appreciation of film throughout the
world (strangely though, India has never won the award).<span style="mso-spacerun: yes;"> </span>What makes <i style="mso-bidi-font-style: normal;">The Salesman</i> so interesting is how American it is, right down to
the Miller play that lends it its title.<span style="mso-spacerun: yes;">
</span>Like what I consider to be the best Best Foreign Film winners, it
provides a window into life in a place Americans may not be familiar with, and
does so in a way relatable to folks who may have never lived more than a few
miles from their birthplace.<span style="mso-spacerun: yes;"> </span>Films like <i style="mso-bidi-font-style: normal;">The Salesman</i> are the reason more
Americans should be willing to read subtitles when they go to the movies.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-73818805264076170432017-10-24T04:09:00.001-07:002017-10-31T12:29:19.619-07:001947 Winner, Shoeshine<!--[if gte mso 9]><xml>
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Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<br />
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Shoeshine</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Vittorio De Sica</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfgQD8RI0f-YyC3_Vo20hrhN9FF3axSqTEceDb9HzCpe0SgZv0tMqWzpA3-ApeXRG_d7Bpb2yayg4FEEZfOGg9rBIp1IfJgPI8uoF7oOqjyL4u5eyLha5alfwiPvYtFi2LbheEic7JNd0/s1600/shoeshine.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="475" data-original-width="335" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfgQD8RI0f-YyC3_Vo20hrhN9FF3axSqTEceDb9HzCpe0SgZv0tMqWzpA3-ApeXRG_d7Bpb2yayg4FEEZfOGg9rBIp1IfJgPI8uoF7oOqjyL4u5eyLha5alfwiPvYtFi2LbheEic7JNd0/s320/shoeshine.jpg" width="225" /></a></div>
<br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Lopert Pictures</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>April 1946</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">In 1956, Federico Fellini won the first competitive Academy Award
for Best Foreign Language Film for <a href="https://mybffproject.blogspot.com/search?q=La+Strada"><i style="mso-bidi-font-style: normal;">LaStrada</i></a>, and it made him internationally famous.<span style="mso-spacerun: yes;"> </span>He is the most widely known director from the
country, Italy, that has won the most Best Foreign Film statues.<span style="mso-spacerun: yes;"> </span>But before the Academy started the
competitive award, it handed out eight Honorary Awards to films made in a
language other than English in order to promote more of a relationship between
American and International film.<span style="mso-spacerun: yes;"> </span>The very
first one of these special awards was given to <i>Shoeshine</i>, a neorealist film by
Italian director and actor Vittorio De Sica.<span style="mso-spacerun: yes;">
</span>De Sica may not be as known to Americans as Fellini is, but <i style="mso-bidi-font-style: normal;">Shoeshine</i> is the first of four
Oscar winners De Sica would win during his long career. That's as many as Fellini won.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4slTfIJqg0bTRDacFfMlQw80FmwXaZXY-p5rgUhPPiuI8HKGZ-FL5qg1b3JeqtrnzNuWQEaiPCLQsZLYfEQTtpQkn3tdBkqXuQxug3dkzhORQuMYbYuveUNtus05VMvDMimziVwyuL7Q/s1600/x69LsogwsEwTU2kylogf0xNVqHk.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="300" data-original-width="533" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4slTfIJqg0bTRDacFfMlQw80FmwXaZXY-p5rgUhPPiuI8HKGZ-FL5qg1b3JeqtrnzNuWQEaiPCLQsZLYfEQTtpQkn3tdBkqXuQxug3dkzhORQuMYbYuveUNtus05VMvDMimziVwyuL7Q/s320/x69LsogwsEwTU2kylogf0xNVqHk.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pasquale and Giuseppe bargain with the fortune teller</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Shoeshine</span></i><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> is a film about two
young Italian chums, Giuseppe and Pasquale, who have a common goal: to own their own
horse.<span style="mso-spacerun: yes;"> </span>To earn money to achieve this,
they shine the shoes of passers-by on the streets of post-war Rome.<span style="mso-spacerun: yes;"> </span>They both know that they could shine a
thousand pairs apiece and still not have enough to buy and board the horse
they want, so when the opportunity comes to make some real dough, they jump on
it.<span style="mso-spacerun: yes;"> </span>Giuseppe’s older brother is in with
some crooks who ask the boys to sell some expensive (and presumably stolen) blankets to a nearby fortune
teller.<span style="mso-spacerun: yes;"> </span>The boys are told that the
higher they negotiate the price, the more they will get.<span style="mso-spacerun: yes;"> </span>But during the negotiations, the police swoop
in and accuse the boys of selling stolen goods, taking them away.<span style="mso-spacerun: yes;"> </span>Only the police look a heck of a lot like the
criminals who gave them the blankets to sell in the first place.<span style="mso-spacerun: yes;"> </span>The fake cops take the boys out of the
apartment and tell them to hit the bricks, allowing them to keep whatever the
woman gave them for the blankets.<span style="mso-spacerun: yes;"> </span>They
are so happy to have enough to buy their horse that they don’t even consider
what Giuseppe’s brother and his friends really had in mind—to rob the fortune
teller blind.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJOJzPYqumLfUDSqx4bt_eZrrGqziYVd90WHGBksmQbcA-1vv6z8f5caRXtQiTZGkjK9NTntTe-lo4Ge5RiYEVpBf_CS-KBf11KmGrZVMp1D320nl34inoDEH1BSxqw4JIT4rBZWLbKow/s1600/18_SHOESHINE2050.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="995" data-original-width="1600" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJOJzPYqumLfUDSqx4bt_eZrrGqziYVd90WHGBksmQbcA-1vv6z8f5caRXtQiTZGkjK9NTntTe-lo4Ge5RiYEVpBf_CS-KBf11KmGrZVMp1D320nl34inoDEH1BSxqw4JIT4rBZWLbKow/s320/18_SHOESHINE2050.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">No more shines for these two.</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">So Giuseppe and Pasquale are riding along on their new horse like
war heroes through the streets of Rome when some real police and the fortune
teller stop them.<span style="mso-spacerun: yes;"> </span>She insists these are
the boys that set up the robbery of her place, and not being stool pigeons,
they keep their mouths shut.<span style="mso-spacerun: yes;"> </span>Giuseppe,
the younger and the more plucky of the two, is adamant that they not rat out
his brother.<span style="mso-spacerun: yes;"> </span>The boys are put in
juvenile detention while they await their fate, split up and put into cells
with four other kids each.<span style="mso-spacerun: yes;"> </span>They will
have to make it without each other for a while, and make new friends and avoid
new enemies.<span style="mso-spacerun: yes;"> </span>You get the feeling it won’t
end well.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Shoeshine</span></i><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> is a story about
loyalty and what the definition of that word means.<span style="mso-spacerun: yes;"> </span>As a prime example of Italian neorealism,
like De Sica’s masterpiece of two years later, <a href="https://mybffproject.blogspot.com/search?q=The+Bicycle+Thief"><i style="mso-bidi-font-style: normal;">The Bicycle Thief</i></a>, the characters are played by non-actors, making
it seem all the more true-to-life.<span style="mso-spacerun: yes;">
</span>It’s hard not to hope for the best for these boys, yet there is always a
sinking feeling that it won’t work out.<span style="mso-spacerun: yes;">
</span>It’s like being a Cleveland sports fan.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6tKIVbnkoZhFUdDlGckY2WECkki5JIAtdckVyrUIS5yDfJgm9u-pRjgBtYbMC1XDKs-dzZay_K58y-dB9RUcB7dRzyhC-06qQYDlBxlGILA8oYCJfjFmkfnvOqtyjWaExAMepvOeX1fk/s1600/Goodfellas_188Pyxurz.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="462" data-original-width="640" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6tKIVbnkoZhFUdDlGckY2WECkki5JIAtdckVyrUIS5yDfJgm9u-pRjgBtYbMC1XDKs-dzZay_K58y-dB9RUcB7dRzyhC-06qQYDlBxlGILA8oYCJfjFmkfnvOqtyjWaExAMepvOeX1fk/s320/Goodfellas_188Pyxurz.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"Hey Tommy, now go home and get your !@#$% shinebox!" </td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> <i style="mso-bidi-font-style: normal;">Sciuscià.</i><span style="mso-spacerun: yes;"> </span>The job of a
shoeshine boy was important in post-war Italy, what with all the poverty.<span style="mso-spacerun: yes;">
</span>Believe it or not, there are a number of famous folks who started out as
shoeshine boys, such as Malcolm X, Sammy Sosa, and James Brown.<span style="mso-spacerun: yes;"> </span>Most notably, Tommy DeVito in Martin Scorsese’s
<i style="mso-bidi-font-style: normal;">Goodfellas</i> was a shoeshine boy when
he was a kid, as Billy Batts, mobster fresh out of prison, reminds him
repeatedly.<span style="mso-spacerun: yes;"> </span>Batts doesn’t make too many
more memories after that.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Poverty in post-war Europe led to desperation
in some cases, with crime rising as the best way to feed your family.<span style="mso-spacerun: yes;"> </span>Certainly the shoeshine boys mixed up in the
rip-off of the fortune teller looked the other way so they could forget about
their miserable lives for a little and live the dream of having their own
horse.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>The movie gives a hard look at how to deal with
kids who aren’t quite as bad as the <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9d1THdZGrnhyphenhyphenF5J-Nk3XXXWQSFF-IMfIrTnRUa_mAXt_J2PRiRe02lhDrg390XVwxPq5nojB7jlCBuyGhGmio3_Gvd_TgVKdXSgBjl2njDBZ8oPOEyxpOOTWENGXTgu5iXxg7w9X5y5U/s1600/the-kids-6.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1196" data-original-width="1600" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9d1THdZGrnhyphenhyphenF5J-Nk3XXXWQSFF-IMfIrTnRUa_mAXt_J2PRiRe02lhDrg390XVwxPq5nojB7jlCBuyGhGmio3_Gvd_TgVKdXSgBjl2njDBZ8oPOEyxpOOTWENGXTgu5iXxg7w9X5y5U/s320/the-kids-6.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Bowery Boys, a.k.a, the Dead End Kids</td></tr>
</tbody></table>
crimes they commit.<span style="mso-spacerun: yes;"> </span>Giuseppe and Pasquale both are good kids at heart,
but once they get thrown into a prison of kids that look like the Bowery Boys,
they have to adapt to survive.<span style="mso-spacerun: yes;"> </span>The film
pulls no punches in showing how bleak and soul-sucking such an atmosphere can
be for kids who one would hope still have a chance to turn things around.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Gentleman’s
Agreement</i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Bicycle Thief</i> is rightly and widely praised as one of the greatest films
ever made, but De Sica made three other films that won Best Foreign Film
(including <i style="mso-bidi-font-style: normal;"><a href="https://mybffproject.blogspot.com/search?q=Yesterday%2C+Today%2C+and+Tomorrow">Yesterday, Today, and Tomorrow</a>
</i>and <a href="https://mybffproject.blogspot.com/search?q=The+Garden+of+the+Finzi-Continis"><i style="mso-bidi-font-style: normal;">The Garden of the Finzi-Continis</i></a>),
and <i style="mso-bidi-font-style: normal;">Shoeshine</i> should not be
overlooked as one of Italy’s great films.<span style="mso-spacerun: yes;">
</span>Like De Sica is somewhat overlooked in comparison to Fellini, <i style="mso-bidi-font-style: normal;">Shoeshine</i> is overshadowed by the
greatness that is <i style="mso-bidi-font-style: normal;">The Bicycle Thief.</i><span style="mso-spacerun: yes;"> </span>And that is indeed a real crime.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-78054504558274800062017-10-17T03:57:00.000-07:002017-10-17T04:03:52.198-07:001948 Winner, Monsieur Vincent<!--[if gte mso 9]><xml>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14pt; line-height: 115%;">Monsieur Vincent</span></b></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPHubw3igQXo3xrto2ayWFblYdPYdNFCjaPgR6F-1t0C0Yla6t-Roa5RyzH9xclefntSFFGASm9PBFBNeQm42mh7i6TzhBiIdaurDdD_LE1v-jTXwsSb4L41ZH_Fr_coXMIOnK8mNtOUQ/s1600/monsieur-vincent-movie-poster-1947-10204585591.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="840" data-original-width="580" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPHubw3igQXo3xrto2ayWFblYdPYdNFCjaPgR6F-1t0C0Yla6t-Roa5RyzH9xclefntSFFGASm9PBFBNeQm42mh7i6TzhBiIdaurDdD_LE1v-jTXwsSb4L41ZH_Fr_coXMIOnK8mNtOUQ/s320/monsieur-vincent-movie-poster-1947-10204585591.jpg" width="220" /></a></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Maurice Cloche</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Lopert Pictures</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>December 1948 (in U.S.)</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>France</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">We cannot better assure
our eternal happiness than by living and dying in the service of the poor, in
the arms of Providence, and with genuine renouncement of ourselves in order to
follow Jesus Christ.<span style="mso-spacerun: yes;"> </span>–St. Vincent
DePaul, 1648</span></i></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">St. Vincent DePaul is the Catholic patron saint of charitable
institutions, and if you want to know why that is, this is the movie for
you.<span style="mso-spacerun: yes;"> </span><i>Monsieur Vincent</i> is a
straight-forward biopic, with none of the gloss or glamour that Hollywood gives
to anything of a religious nature.<span style="mso-spacerun: yes;"> </span>Vincent
was a French-born, highly-educated man who had a calling greater than even
the priesthood, though he didn’t know it at first.<span style="mso-spacerun: yes;"> </span>Five years after his ordination in 1600, he
was abducted by Barbary pirates and was sold into slavery, sold again twice,
and remained a slave until he was given his freedom seven years later.<span style="mso-spacerun: yes;"> </span>He then studied in Rome and after his return
to Paris, was assigned to be the spiritual advisor of a wealthy family in
nearby Clichy.<span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEdxxWGR5Qw3AFBv3nQkIeQBaAoY3_8SrzlOCCndUTflW12co-Az46jNs2cHwFaKr51NTRVAa8lE3FsPC5M0y7osctvqIUa7fSKPK0qN4LJ0Ry7Z-3eju7Gg4vgzaKLKEXftmtUWvtBaY/s1600/monsieur+vincent+fresnay.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="504" data-original-width="665" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEdxxWGR5Qw3AFBv3nQkIeQBaAoY3_8SrzlOCCndUTflW12co-Az46jNs2cHwFaKr51NTRVAa8lE3FsPC5M0y7osctvqIUa7fSKPK0qN4LJ0Ry7Z-3eju7Gg4vgzaKLKEXftmtUWvtBaY/s320/monsieur+vincent+fresnay.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pierre Fresnay as Vincent DePaul</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">This is the point <i>Monsieur Vincent</i> starts its story.<span style="mso-spacerun: yes;"> </span>Vincent arrives in the town looking for where
he needs to be, but everyone appears to be hiding out in their homes.<span style="mso-spacerun: yes;"> </span>A few take shots at him from their windows with
rocks.<span style="mso-spacerun: yes;"> </span>The village seems to have been
plagued with a later edition of the Black Death, and Vincent to them appears to
be someone who will do no good but to spread the disease around.<span style="mso-spacerun: yes;"> </span>He finds a little girl living with her dying
mother, whom no one is willing to risk helping.<span style="mso-spacerun: yes;">
</span>But St. Vincent is.<span style="mso-spacerun: yes;"> </span>He tends to
the woman, allowing her to die with dignity, and eventually takes on the
responsibility of the little girl.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">When Vincent finds the mansion of the family to whom he is
assigned to minister, they want him to stay with them and not venture out into
what would be his probable death.<span style="mso-spacerun: yes;">
</span>Vincent realizes this is not what God called him to do.<span style="mso-spacerun: yes;"> </span>When things simmer down a bit and the folks
come out to see who this crazy priest is, he challenges a crowd that has
gathered.<span style="mso-spacerun: yes;"> </span>He asks which family is at
their limit, which family cannot possibly take on another mouth to feed—that is who he
wants the little girl to go with.<span style="mso-spacerun: yes;"> </span>A
woman with a gaggle of kids around her steps forward—what’s one more?<span style="mso-spacerun: yes;"> </span>Vincent is showing what charity is—not only
for someone to being willing to give, but for someone else to ask the
impossible of them.<span style="mso-spacerun: yes;"> </span>This is the core of
whom St. Vincent DePaul is.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtn-ZmjGpdIy0MW4WxymqiYmV-Z0sdzu0PKfbzMX2oRcDY3W4S-IUxgYp6mGTgJIOhie6-VyuecssR8C294vRUin5L818nf9zZUvawGu0OFoIMyhfdLRHjz90M46YaOhRRyu5U0v1mvHY/s1600/Monsieur-Vincent-1947-3.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="464" data-original-width="640" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtn-ZmjGpdIy0MW4WxymqiYmV-Z0sdzu0PKfbzMX2oRcDY3W4S-IUxgYp6mGTgJIOhie6-VyuecssR8C294vRUin5L818nf9zZUvawGu0OFoIMyhfdLRHjz90M46YaOhRRyu5U0v1mvHY/s320/Monsieur-Vincent-1947-3.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"I'll be happy to give a few francs, as long as it's tax deductible."</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">The film continues on with Vincent’s life, with a stint aboard a ship
powered by convicts, where he volunteers to roll up his sleeves and grab an
oar.<span style="mso-spacerun: yes;"> </span>Vincent rubs elbows with the rich
and poor alike, asking more than all would like to give.<span style="mso-spacerun: yes;"> </span>He tolerates the rich who give what they do
to feel better about themselves, and challenges a rich woman, Louise de
Marillac, to give more than what makes her feel comfortable.<span style="mso-spacerun: yes;"> </span>Like the poor woman who took on the orphan
girl, Louise rises to the occasion, co-founding the Daughters of Charity with
Vincent, and eventually being canonized as a saint herself in 1934.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><i>Monsieur Vincent</i> is an inspirational movie about an inspirational
character.<span style="mso-spacerun: yes;"> </span>In watching the performance
by Pierre Fresnay, I was reminded by Liam Neeson’s portrayal of Oskar Schindler
in 1993’s <i style="mso-bidi-font-style: normal;">Schindler’s List</i>, w</span><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">hen at the end he
laments that, as much as he did, he could have done more, could have sold a car
or a pin to save just a few more lives, but didn’t.<span style="mso-spacerun: yes;"> </span>Vincent displays what charity is—giving and
giving, but always being able to do more.<span style="mso-spacerun: yes;">
</span>Like Schindler, who says, “I didn’t do enough,” Vincent always thinks he
could have done more.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhNZaP3aaO5EDgHXl1pECEeWai3s-DE4w0WqSA2hKaoIE6MSgt6WTNHCXwuhFctcayS6cia7i13-RRlfxaIUlaXbU6rNMqiUOXqrNxmMuiren8n73HQmuD705IgZV___1ONpF6qUSE_yI/s1600/f315a698ff76ab2ec8ed0fa31ede0919.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="317" data-original-width="564" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhNZaP3aaO5EDgHXl1pECEeWai3s-DE4w0WqSA2hKaoIE6MSgt6WTNHCXwuhFctcayS6cia7i13-RRlfxaIUlaXbU6rNMqiUOXqrNxmMuiren8n73HQmuD705IgZV___1ONpF6qUSE_yI/s320/f315a698ff76ab2ec8ed0fa31ede0919.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"This pin--two people."</td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">The Title:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"> I’m not sure why he is
Mister Vincent, and not Father DePaul.<span style="mso-spacerun: yes;"> </span>I
come from a time when you called priests by their last name, and no one
referred to Father Bill or Father Jason or whatever.</span></div>
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<br /></div>
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<span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"></span><span style="mso-spacerun: yes;"></span></span><br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">The culture:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Back in the Kingdom of France, in the early
days of the Bourbons, you had the haves and the have-nots.<span style="mso-spacerun: yes;"> </span>Vincent decided to provide for the latter by
asking and asking of the former.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK8JaV7E-TS_EJ-IBk7f7k1h43LoYmddqLtxlnyEtPnpUkhyyKUzovUY_Rv8SL1ETnZ2S4DtcgrFyXffmP4_oa8YVtacSMkK8FPmFuoJSwvUyuUpsvkjwo-1faGBuQ1NUeHHgD3qizgVY/s1600/Calvary-movie-review.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="864" data-original-width="1600" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK8JaV7E-TS_EJ-IBk7f7k1h43LoYmddqLtxlnyEtPnpUkhyyKUzovUY_Rv8SL1ETnZ2S4DtcgrFyXffmP4_oa8YVtacSMkK8FPmFuoJSwvUyuUpsvkjwo-1faGBuQ1NUeHHgD3qizgVY/s320/Calvary-movie-review.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Brendan Gleeson as Fr. James, <i>Calvary</i></td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Agenda danger:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>It is always a pleasant surprise to see
Catholic clergy in film treated with respect and reverence.<span style="mso-spacerun: yes;"> </span>Vincent had his flaws, but like Spencer Tracy’s
Father Flanagan in <i style="mso-bidi-font-style: normal;">Boys Town</i> (1938)
or Bing Crosby’s Father O’Malley in <i style="mso-bidi-font-style: normal;">The
Bells of St. Mary’s</i> (1945), he is portrayed as a regular guy who remembers
what the calling of the priesthood is.<span style="mso-spacerun: yes;">
</span>Though such portrayals may be rare these days, the few that exist are
notable. 1972’s <i style="mso-bidi-font-style: normal;">The Exorcist</i> focuses
on two priests, played by Jason Miller and frequent Best Foreign Film actor Max
von Sydow, who make great sacrifice in defeating the Devil.<span style="mso-spacerun: yes;"> </span>More recently, Brendan Gleeson’s Father James
in 2014’s <i style="mso-bidi-font-style: normal;">Calvary</i> is the embodiment
of sacrifice and forgiveness.<span style="mso-spacerun: yes;"> </span>It’s no
wonder the Vatican included <i style="mso-bidi-font-style: normal;">Monsieur
Vincent</i> on its 1995 list of 45 great films, right up there with <i style="mso-bidi-font-style: normal;">Schindler’s List</i> and Best Foreign Films <a href="http://mybffproject.blogspot.com/search?q=the+bicycle+thief"><i style="mso-bidi-font-style: normal;">The Bicycle Thief</i></a> (1949), <a href="http://mybffproject.blogspot.com/search?q=la+strada"><i style="mso-bidi-font-style: normal;">La Strada</i></a> (1954), <a href="https://mybffproject.blogspot.com/2017/07/1963-winner-8.html"><i style="mso-bidi-font-style: normal;">8½</i></a> (1963), <a href="https://mybffproject.blogspot.com/2017/04/1975-winner-dersu-uzala.html"><i style="mso-bidi-font-style: normal;">Dersu Uzala</i></a>
(1975), and <a href="https://mybffproject.blogspot.com/search?q=babette%27s+feast"><i style="mso-bidi-font-style: normal;">Babette’s Feast</i></a> (1987).</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Best Picture that year</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Hamlet.</i></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Rating:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>A inspiring film about a man who gives
to God by helping the poor.<span style="mso-spacerun: yes;"> </span>They don’t
make films like this anymore.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-82064488681569252802017-10-10T04:09:00.001-07:002017-10-10T12:17:55.934-07:001949 Winner, The Bicycle Thief<!--[if gte mso 9]><xml>
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<br />
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span></span><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">The Bicycle Thief</span></b></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUoQal-QJ-4HzqLkWjWPBlSjLTn1YUMpNchPekhLP3tuIIxN839VDNBO-v-eTPHWnv077nl_ceG6GRIqJTAtrH2_I2xSZps86JxexoBOlK6ueAP5WYo-eXkl-n1KKJIruq239iDdv5yQ8/s1600/bicyclethief_1052x1520-713x1030.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1030" data-original-width="713" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUoQal-QJ-4HzqLkWjWPBlSjLTn1YUMpNchPekhLP3tuIIxN839VDNBO-v-eTPHWnv077nl_ceG6GRIqJTAtrH2_I2xSZps86JxexoBOlK6ueAP5WYo-eXkl-n1KKJIruq239iDdv5yQ8/s320/bicyclethief_1052x1520-713x1030.jpg" width="221" /></a><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Vittorio de Sica</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Joseph Burstyn & Arthur Mayer</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>December 1949 (in U.S.)</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> <span style="mso-spacerun: yes;"> </span>Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">One time in seventh grade, finished with basketball practice, I
walked out of the gym to the bike rack and found that my Huffy ten-speed had
been swiped.<span style="mso-spacerun: yes;"> </span>The question I was asked
repeatedly, by the cops and by my parents, was whether I had locked the
bike.<span style="mso-spacerun: yes;"> </span>“Of course!” I insisted,
also repeatedly, though I was 99% certain that I hadn’t.<span style="mso-spacerun: yes;"> </span>Had anyone pursued the line of questioning,
they would have wondered why the bicycle thief had cut the chain, then stole
the ruined lock along with the bike.<span style="mso-spacerun: yes;"> Maybe everyone felt sorry enough for me to just let it go. </span>In
any case, I would have to walk to practice for a while, but life went
on, bicycle-less.<span style="mso-spacerun: yes;"> </span>The police put the
case on ice, and it remains unsolved to this very day.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNh9Z2X2lZc2RXkir9gJbWg-mc9etCI0Kbt8AwzomtNdqScCK1K455ily5F9y7tUigBMRXQIB5Ugp9Uh2bpVs5GPYs4Fkbi-sU-A8hJM3DEAngYNWfpv1wKd5Am775afo31DUWzeSEzh0/s1600/BICYCLE-THIEVES.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="995" data-original-width="1600" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNh9Z2X2lZc2RXkir9gJbWg-mc9etCI0Kbt8AwzomtNdqScCK1K455ily5F9y7tUigBMRXQIB5Ugp9Uh2bpVs5GPYs4Fkbi-sU-A8hJM3DEAngYNWfpv1wKd5Am775afo31DUWzeSEzh0/s320/BICYCLE-THIEVES.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Father and son during happy times</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">For Antonio Ricci, the loss of his mode of transportation would
have much more dire consequences in 1950’s Best Foreign Film, <i style="mso-bidi-font-style: normal;">The Bicycle Thief</i>.<span style="mso-spacerun: yes;"> </span>In post-war Italy, the unemployed men wait
around for work, hoping to hear their name called by a foreman of some kind, a
scene not unlike one that might be found in <i style="mso-bidi-font-style: normal;">On
the Waterfront</i> or Season Two of <i style="mso-bidi-font-style: normal;">The
Wire</i>.<span style="mso-spacerun: yes;"> </span>Antonio hears his name and
rushes to the front of the crowd—the man doling out the job says the gig is for
putting up posters all over town.<span style="mso-spacerun: yes;"> </span>The
one thing you need, though, is a bicycle.<span style="mso-spacerun: yes;">
</span>Antonio is in-between bikes at the present, but he can walk.<span style="mso-spacerun: yes;"> </span>No bike, no job, barks the foreman. Like I
said, Antonio retorts, my bike is in the shop so I’ll get it now.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Really, though, Antonio had hocked his bike to a pawn shop to feed
his family.<span style="mso-spacerun: yes;"> </span>What to do?<span style="mso-spacerun: yes;"> </span>His wife comes up with an idea—we don’t need
sheets to sleep on, and we have nice ones.<span style="mso-spacerun: yes;">
</span>So they go down and sell the sheets in order to get the bike back.<span style="mso-spacerun: yes;"> </span>“Our luck is changing, you’ll see,” assures
Antonio.<span style="mso-spacerun: yes;"> </span>One doesn’t get the impression
that will be the case.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy7OODdu7CqT5U3PZtmPEJr5F-743NhYKpRuoJQTLcubQLAllP8VPqSUejtyQPHm4E0kUSg0JXhb7Y9k6ogpCUNhQ2lBNKZiazL4alNbGx-BkEJPwPHZFBdBfvKlHs64GaB1Q01XnzF0g/s1600/theft.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy7OODdu7CqT5U3PZtmPEJr5F-743NhYKpRuoJQTLcubQLAllP8VPqSUejtyQPHm4E0kUSg0JXhb7Y9k6ogpCUNhQ2lBNKZiazL4alNbGx-BkEJPwPHZFBdBfvKlHs64GaB1Q01XnzF0g/s320/theft.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hey, that's <i>my</i> bike!</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">So Antonio gets his bike and rides out to do his job. As he puts up his first
poster, a crook comes out of nowhere and rides away with his only mode of
transportation and income.<span style="mso-spacerun: yes;"> </span>Antonio fails to chase him down, and spends
the rest of the movie trying to find the thief and get his bike back.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Antonio takes his young son Bruno with him, and the two of them do
their best so that Antonio can keep his job.<span style="mso-spacerun: yes;">
</span>They have a few leads, and make some unfounded accusations, but nothing
leads to the reunion with his bike.<span style="mso-spacerun: yes;"> </span>In
one heartbreaking scene, Antonio takes his frustrations out on Bruno, who seems
to idolize his pop.<span style="mso-spacerun: yes;"> </span>Antonio, as careless
with his son as he was with the bike, will soon discover that the way he reacts
to the theft, including how he treats his son, is what he should be worried
about more than the theft itself.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOZ3E29YOBr4yARpnmCKsF56aqvPeIHmo7b6FHfCsx1U6U54nqng021FJJJwdOi0anF_uK93n0zb8D1txQB89App0yYwSeazVBcFHyX4ZI0c6OBUJ-7gMuMY-7_elyDM9ltOGj44tuxds/s1600/Bicycle+Thieves+21.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="499" data-original-width="648" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOZ3E29YOBr4yARpnmCKsF56aqvPeIHmo7b6FHfCsx1U6U54nqng021FJJJwdOi0anF_uK93n0zb8D1txQB89App0yYwSeazVBcFHyX4ZI0c6OBUJ-7gMuMY-7_elyDM9ltOGj44tuxds/s320/Bicycle+Thieves+21.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Excuse me, sir, did you see my lost bicycle?</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Bicycle Thief</span></i><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> is a very simple movie,
with no plot twists or surprises.<span style="mso-spacerun: yes;"> </span>It is
about Man’s inhumanity to Man in times of crisis, but I think it is even more
about forgiveness for that inhumanity.<span style="mso-spacerun: yes;">
</span>De Sica used non-actors to play out the story, a staple of neorealism,
but I don’t think professionals could have elicited more sympathy than Lamberto
Maggiorani as Antonio and Enzo Staiola as Bruno do.<span style="mso-spacerun: yes;"> </span>There are multiple lessons to be learned:
one, be careful who you accuse of wrongdoing; two, don’t let misfortune affect
how you treat others; and three, spring for the $15 and invest in a decent
bicycle lock—and then, <i style="mso-bidi-font-style: normal;">use it</i>!</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> <i style="mso-bidi-font-style: normal;">Ladri di biciclette</i>.<span style="mso-spacerun: yes;"> </span>The
Italian title is actually, “<i style="mso-bidi-font-style: normal;">Bicycle
Thieves,</i>” which I think is the better title, since after the first theft,
which is of Antonio’s bike by one <i style="mso-bidi-font-style: normal;">goombah,</i>
you are left to wonder if there will be more larceny ahead.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>There are great films about the aftermath of
war, including 1939’s <i style="mso-bidi-font-style: normal;">Gone with the Wind</i>;
Carol Reed’s <i style="mso-bidi-font-style: normal;">The Third Man</i> (also from
1949), which shows a broken Vienna; and Kurosawa’s <i style="mso-bidi-font-style: normal;">I Live in Fear</i>, about the worry about another Big One being dropped
on Japan.<span style="mso-spacerun: yes;"> </span>But none is surpassed by <i style="mso-bidi-font-style: normal;">The Bicycle Thief</i> in terms of eliciting
pathos for the characters and hoping for the best for them.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>This film has been analyzed and championed by
Marxists, capitalists, and the Vatican, with each finding content that
supports their views.<span style="mso-spacerun: yes;"> </span>What I took away
from the movie is how Antonio is essentially a good man, prone to descending into
despair, self-pity, and ruthlessness, but also needing to be graced with
forgiveness for his own transgressions.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
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<tr><td class="tr-caption" style="text-align: center;">Tequila!</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">All The
Kings’ Men</i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="color: black; font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>A classic that should be seen by anyone who
likes films.<span style="mso-spacerun: yes;"> But </span>if you can’t sit through a
foreign film, check out 1985’s <i style="mso-bidi-font-style: normal;">Pee-wee's
Big Adventure</i>, which is (very) loosely based on <i style="mso-bidi-font-style: normal;">The Bicycle Thief</i>.<span style="mso-spacerun: yes;"> </span>There’s
not as much Italian neo-realism in that film, but on the other hand, it does feature
Pee Wee Herman dancing to <i style="mso-bidi-font-style: normal;">Tequila</i>. </span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-48844640440191925072017-10-03T04:14:00.000-07:002017-10-31T12:53:09.012-07:001950 Winner, The Walls of Malapaga<!--[if gte mso 9]><xml>
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Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
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<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
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<div align="center" class="MsoNormal" style="margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14pt; line-height: 115%;">The Walls of Malapaga</span></b></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtbHRWDse9zwFFAM309iCcC4UwjcGohcfmyVXbTTOwZ3ixsS8ZXFViCiZGxSdYpGFtYatkdVZWEucBXcDKBGEkoypq8DyiDzGaHuKejorK_Vn-rK_m27e60xcxBdzXgeY2zIRvYnHu114/s1600/walls.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="317" data-original-width="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtbHRWDse9zwFFAM309iCcC4UwjcGohcfmyVXbTTOwZ3ixsS8ZXFViCiZGxSdYpGFtYatkdVZWEucBXcDKBGEkoypq8DyiDzGaHuKejorK_Vn-rK_m27e60xcxBdzXgeY2zIRvYnHu114/s1600/walls.jpg" /></a></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>René Clément</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Films International</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>March 1950 (in U.S.)</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"> <span style="mso-spacerun: yes;"> </span>France/Italy</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">To
this point, beginning with the 2015 Best Foreign Film <i style="mso-bidi-font-style: normal;">Son of Saul</i> going backward to 1950, I've been able to locate and
watch, either from a library or online, every Best Foreign Film <i>with English
subtitles</i>.<span style="mso-spacerun: yes;"> </span>1951 winner <i style="mso-bidi-font-style: normal;">The Walls of Malapaga</i> is my first fail,
as it were.<span style="mso-spacerun: yes;"> </span>I looked on Amazon and
Overstock and eBay; and I looked on every rare film website and library site I
knew of; and I even asked for help on Reddit.<span style="mso-spacerun: yes;">
</span>Nothing.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">However,
my efforts weren’t a complete loss, as good ol’ YouTube has the French film
posted . . . but with Portuguese subtitles instead of English.<span style="mso-spacerun: yes;"> </span>I don’t speak Portuguese, but I did take five
years of French in high school and college, so I know some colors, numbers,
swear words, and food words.<span style="mso-spacerun: yes;"> </span>I also know
how to ask where the swimming pool, beach, and bathroom are—pretty much the
essentials if you go abroad.<span style="mso-spacerun: yes;"> </span>But past
that I’m pretty lost.<span style="mso-spacerun: yes;"> </span>Still, my goal has
been to watch them all and review them all, so I watched every bit of the 90-minute
film, directed by René Clément, who directed the wonderful Best Foreign Film <a href="http://mybffproject.blogspot.com/search?q=forbidden+games"><i style="mso-bidi-font-style: normal;">Forbidden Games</i></a> from two years
later.<span style="mso-spacerun: yes;"> </span>You’ll have to give me a little
slack on this one. Here goes:</span></div>
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<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg54uxiNoZhh3ymkIzpRLi4KT6Bzh0FGj3ssarD3YGqnippPAWPhXUUKqRF1j5DCctfs3S0HM2pGEa87PYCi-znzUCw1UlYAJCLxdxb4BqiNEYEMFGa9aqwtVPvPEuiCO2mi_6_-HRen1E/s1600/pierre+and+marta.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg54uxiNoZhh3ymkIzpRLi4KT6Bzh0FGj3ssarD3YGqnippPAWPhXUUKqRF1j5DCctfs3S0HM2pGEa87PYCi-znzUCw1UlYAJCLxdxb4BqiNEYEMFGa9aqwtVPvPEuiCO2mi_6_-HRen1E/s320/pierre+and+marta.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pierre and Marta</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Our
story starts with a guy on a ship, and IMDb tells me his name is Pierre.<span style="mso-spacerun: yes;"> </span>Pierre gets off and it is apparent he has a
toothache because he holds his mouth and utters a “<i>Zut alors</i>” a time or<i> deux</i> while
walking down the street.<span style="mso-spacerun: yes;"> </span>He gets to the
dentist, who seems to fix him up in no time; then he pops into a restaurant and
makes eyes at a waitress named Marta (again, thanks, IMDb!).<span style="mso-spacerun: yes;"> </span>He can’t pay his bill but they let him go anyway.<span style="mso-spacerun: yes;"> </span>It’s about then we realize Pierre is somehow
wanted by the law because the cops are after him.<span style="mso-spacerun: yes;"> </span>He gets away and eventually spends the night
at Marta’s house, where he meets </span><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Cecchina, </span><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Marta’s young daughter, </span><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">or else just some
random girl that seems to be living with Marta.<span style="mso-spacerun: yes;">
</span>Suddenly . . . . a chicken falls out of the ceiling, which leads Pierre to decide
to take a nap.<span style="mso-spacerun: yes;"> </span>The chicken falls out of
the ceiling again, although I am uncertain if it was the same chicken.<span style="mso-spacerun: yes;"> </span>I’m positive it is a chicken, by the way,
because the word <i>poulet</i> is used several times and I remember that one from high
school.<span style="mso-spacerun: yes;"> </span><i>Merci, Pere Petkash</i>!</span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY5yKy6fdYC49eHALP5G6lu6T4HhBWKbvjAvK4nUKDNS8nu99k2jWyQgHLg3oP5KwGaeuPt1UTRUvKQTlfGlXIDsgr7t3PcncjudKfaXCyqRf_Suk6an43vdN7EosTYVntKQL1O7cCXuY/s1600/smart.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="360" data-original-width="488" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY5yKy6fdYC49eHALP5G6lu6T4HhBWKbvjAvK4nUKDNS8nu99k2jWyQgHLg3oP5KwGaeuPt1UTRUvKQTlfGlXIDsgr7t3PcncjudKfaXCyqRf_Suk6an43vdN7EosTYVntKQL1O7cCXuY/s320/smart.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cecchina about to smart off</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">The
next morning, Marta walks her daughter to school as a cop follows
her.<span style="mso-spacerun: yes;"> </span>Next thing you know, the cop is
grabbing Marta, but a nun from the school fights him off.<span style="mso-spacerun: yes;"> </span>Marta goes back home, where Pierre is, and has an argument with a guy, either a judge or her husband?<span style="mso-spacerun: yes;"> </span>The daughter comes in and realizes her mom is
hiding Pierre, but plays along.<span style="mso-spacerun: yes;"> </span>Mom
shows Cecchina a dress she got for her; then the daughter smarts off and mom
smacks her across the chops.<span style="mso-spacerun: yes;"> </span>The French of
1949 apparently believe in corporal punishment.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">So
for some reason, despite the cops on Pierre's trail, they are all okay to walk around down by the pier and Marta
pops in the restaurant, maybe to get her check?<span style="mso-spacerun: yes;">
</span>The policeman is still looking for Pierre and goes into talk to the
dentist to see if the dentist can fill him in on his whereabouts.<span style="mso-spacerun: yes;"> </span>The policeman goes to the restaurant too, but
they pretend or don’t pretend to have no idea where he is.<span style="mso-spacerun: yes;"> </span>Meanwhile, Pierre seems to feel free to walk
anywhere he wants, so it would seem he’s not really worried about the police
all that much.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheV1QxePuBPkJ68LrII4RxUZsCdmP-UFvhn50MXBOy4AixiElalrpXmjpTImcqPB0haDxdRMG4KEAtQIPcFvInUZlhqPL2McanYCa5Q-x2KGgAbs_imqb3nIRhpqIHhZ_3J0qVs_nyOXk/s1600/smack.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="360" data-original-width="488" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheV1QxePuBPkJ68LrII4RxUZsCdmP-UFvhn50MXBOy4AixiElalrpXmjpTImcqPB0haDxdRMG4KEAtQIPcFvInUZlhqPL2McanYCa5Q-x2KGgAbs_imqb3nIRhpqIHhZ_3J0qVs_nyOXk/s320/smack.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">In Genoa, this is how we say Shut Up.</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">At
some point, while they are all sitting around at home, the daughter runs away,
I guess thinking she’ll rat out Pierre.<span style="mso-spacerun: yes;">
</span>Pierre and Marta look for her.<span style="mso-spacerun: yes;">
</span>Much to their chagrin, it leads to Pierre getting nabbed by the cops and
Marta and her daughter walking away. Someone shouts, "Pierre! Pierre!"<span style="mso-spacerun: yes;"> </span>Suddenly,
out of nowhere a big fat “FINE” is next and that’s the
end of that.<span style="mso-spacerun: yes;"> </span>Talk about a shock ending.</span></div>
<div class="MsoNormal" style="margin-bottom: 0in; text-align: justify;">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">If there are
<i style="mso-bidi-font-style: normal;">The Walls of Malapaga</i> fanatics out
there that want to disagree with me on my synopsis, I am open to it, but I have
to tell you, I <i>know</i> that was a chicken falling out the ceiling that I saw.<span style="mso-spacerun: yes;"> </span>It was suggested that I look to Wikipedia or
other websites to get a better handle on what happened, but the pickings were
slim online.<span style="mso-spacerun: yes;"> </span>Wikipedia’s total summary goes
like this:<span style="mso-spacerun: yes;"> </span>“[Jean] Gabin is a French criminal,
Pierre Arrignon, on the run who finds himself in Genoa, Italy, and falls in
love with a local girl, Marta Manfredini (played by Isa Miranda). The film is
set in Italy but the dialogue is primarily in French.” <i>Zut!</i> No spoilers in <i>that</i> summary.</span></div>
<div class="MsoNormal">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLurZkYfC-C-RnpKLyYHoFz0kv6oeqFnGMAMhCKei8ucqvaoNSjouNMN3ZihjorUAP_H8Rn4BlLb8Hpg9xt7xm-iCzI0nq4elmbivLO9irdyduhNf6uXQoJAuzl2m0MbXITTBWDLsIfTk/s1600/fine.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="360" data-original-width="488" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLurZkYfC-C-RnpKLyYHoFz0kv6oeqFnGMAMhCKei8ucqvaoNSjouNMN3ZihjorUAP_H8Rn4BlLb8Hpg9xt7xm-iCzI0nq4elmbivLO9irdyduhNf6uXQoJAuzl2m0MbXITTBWDLsIfTk/s320/fine.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The film's startling conclusion</td></tr>
</tbody></table>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"> <i style="mso-bidi-font-style: normal;">Au-delà
des grilles</i>, or <i style="mso-bidi-font-style: normal;">Beyond the Gates</i>.<span style="mso-spacerun: yes;"> </span>Urbandictionary.com says a “malapaga” is
someone who owes money or is a bad credit risk.<span style="mso-spacerun: yes;">
</span>So it would stand to reason that Pierre is caught in the end for owing
people money, especially given his track record of not paying for his food at
the restaurant.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">The culture</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">:<span style="mso-spacerun: yes;">
</span>What I knew about Genoa before this movie was that Christopher Columbus
was born here and that’s pretty much it.<span style="mso-spacerun: yes;">
</span>Now I know they have defensive walls around the city and that some
people keep their chickens in the ceiling.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>“Crime does not pay” isn’t really a bad message, except that all I know
Pierre did wrong is to be delinquent in not paying for his meal and possibly
for some dental work.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">All About Eve</i></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>I guess “Incomplete” is the best grade I can give this one, but I can again recommend </span><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Clément's earlier film,</span></span><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><a href="http://mybffproject.blogspot.com/search?q=forbidden+games"><i style="mso-bidi-font-style: normal;"> Forbidden Games.</i></a></span></span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-19387972441380104972017-09-26T04:09:00.002-07:002017-10-31T13:02:13.589-07:001951 Winner, Rashomon<!--[if gte mso 9]><xml>
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<br />
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Rashomon</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCZHwPHeW-En7TIDp6D5G2wq-u1fMtzkMgj3lSqVwhPD3GB3EYEPDQO6ILUvl5YqWX0ZRKLCgqw4ElO1c5VU3CLZFbwizs1UWo-e_uZJR7AypbDdZuGaZ5-rf8hmObPG9eLyLv6VS5LGI/s1600/91BT34MLA5L._SL1500_.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1055" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCZHwPHeW-En7TIDp6D5G2wq-u1fMtzkMgj3lSqVwhPD3GB3EYEPDQO6ILUvl5YqWX0ZRKLCgqw4ElO1c5VU3CLZFbwizs1UWo-e_uZJR7AypbDdZuGaZ5-rf8hmObPG9eLyLv6VS5LGI/s320/91BT34MLA5L._SL1500_.jpg" width="225" /></a></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Akira Kurosawa</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Toho Studios</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>August 1950</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> <span style="mso-spacerun: yes;"> </span>Japan</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">What is Truth?</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Is Truth unchanging law?</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">We both have truths.</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Are mine the same as yours?</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">--Pontius Pilate, Jesus Christ
Superstar</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Moral
relativism is a belief that there is no one truth, that each point of view has
a truth is as true as another.<span style="mso-spacerun: yes;"> </span>But when
you think of it, no one can make a case for relativism with any certainty
because to the arguer, it could be just as true that he is dead wrong.<span style="mso-spacerun: yes;"> </span>Certainly, it is true, then, that there is
one Truth.<span style="mso-spacerun: yes;"> </span>It’s in our perceptions and
biases, though, that we see and experience this one Truth, and therein lies the
problem.<span style="mso-spacerun: yes;"> </span>The Academy awarded <i style="mso-bidi-font-style: normal;">Rashomon</i> the Best Foreign Film Honorary
Award in 1950 for telling a story that examines this concept.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_BB2qGyGiWBYfJ2M9nNDRjl4mUK9C0XsYMM_f2yzCa22J-KXwAgP_6eG59A23vx1tTBxRRXBwrbjZRnxk0jOB4FORb0X3SdUbqmdH8pE3zyD-1-yRz7k2ZsUkmHdWQIbClsCSweqRacA/s1600/mifune.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="411" data-original-width="640" height="205" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_BB2qGyGiWBYfJ2M9nNDRjl4mUK9C0XsYMM_f2yzCa22J-KXwAgP_6eG59A23vx1tTBxRRXBwrbjZRnxk0jOB4FORb0X3SdUbqmdH8pE3zyD-1-yRz7k2ZsUkmHdWQIbClsCSweqRacA/s320/mifune.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The bandit hamming it up at the tribunal</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">This
was the film that put famed Japanese director Akira Kurosawa on the map, and
the iconic movie has become part of the culture, lending its name to the “Rashomon
effect” concept of perceiving the truth through different lenses.<span style="mso-spacerun: yes;"> </span>The story is extremely simple:<span style="mso-spacerun: yes;"> </span>A samurai and his wife are traveling through
the woods of 12<sup>th</sup> century Japan, she on horseback and he walking
beside her.<span style="mso-spacerun: yes;"> </span>A bandit, played by Kurosawa
regular Toshiro Mifune, comes out of hiding and attacks them for their
loot.<span style="mso-spacerun: yes;"> </span>The bandit leaves the scene,
having taken the samurai’s money and life, and having violated the wife.<span style="mso-spacerun: yes;"> </span>He is eventually captured and has to tell
what happened to a tribunal who will decide his fate.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnjk4R3vYlXczl59tQRLbqVxIZMlhMlr_KzUKXNKMVI23cKJZa-e1R3OrPX0n0bCc0hBP5rtTHaxuvHsI9u1nVIA98il7rf9I1MEuZiGmDUKa8laeqGTVHWzxPiDfIV0Mhmo3iRnHFJKQ/s1600/shimura.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1233" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnjk4R3vYlXczl59tQRLbqVxIZMlhMlr_KzUKXNKMVI23cKJZa-e1R3OrPX0n0bCc0hBP5rtTHaxuvHsI9u1nVIA98il7rf9I1MEuZiGmDUKa8laeqGTVHWzxPiDfIV0Mhmo3iRnHFJKQ/s320/shimura.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Takashi Shimura as the Woodcutter</td></tr>
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Here
is where the multiple versions of the Truth are put forth.<span style="mso-spacerun: yes;"> </span>The bandit and the woman, who is also found,
give witness to what they experienced, and their stories are very
different.<span style="mso-spacerun: yes;"> </span>Oddly, a third version of
what happened is given by the dead man through a medium, with all three
versions contradicting each other as to who is truly at fault.<span style="mso-spacerun: yes;"> </span>A seemingly objective opinion is later told
to us by a woodcutter, played by another stock Kurosawa player, Takashi
Shimura.<span style="mso-spacerun: yes;"> </span>The woodcutter saw everything
but never reported his completely different version to the tribunal.<span style="mso-spacerun: yes;"> </span>His motive for not providing testimony just
might show that his version isn’t quite as objective he would lead us to
believe.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Beside
the philosophical angle, there is a good reason this film is so well-regarded.<span style="mso-spacerun: yes;"> </span>Firstly, Kurosawa is masterful in the way he
presents the story.<span style="mso-spacerun: yes;"> </span>The story is
introduced at a building/gate called Rashomon during a severe downpour
(Kurosawa likes rain!), with Shimura’s woodcutter discussing what happened with
a Buddhist priest, played by still another Kurosawa regular, Minoru Chiaki.<span style="mso-spacerun: yes;"> </span>Kurosawa uses the elements of the rain and
sun to illustrate moral peril of the whole concept of there being multiple
truths.<span style="mso-spacerun: yes;"> </span>The way he paces the film is
perfect, with the story told in parts, jumping back and forth from the hazy, muggy
grove where the crimes took place to the torrential loudness of rain at the
gate.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheGsqQS-k1pDBhyphenhyphenO4HjSmGGZwrTLKltZ-UFP_SEGNsgwL3PySYZDAHhojjizPLIIDR_2p1EZA7bafRLugzKYXX9MVN2EAeHQqqCwXyt2bkVlKY1saDpW-DieLBko-xSMnG67Rwk6qzJqc/s1600/wife.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="553" data-original-width="720" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheGsqQS-k1pDBhyphenhyphenO4HjSmGGZwrTLKltZ-UFP_SEGNsgwL3PySYZDAHhojjizPLIIDR_2p1EZA7bafRLugzKYXX9MVN2EAeHQqqCwXyt2bkVlKY1saDpW-DieLBko-xSMnG67Rwk6qzJqc/s320/wife.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="font-size: x-small;">Machiko Kyō as the wife, testifying</span></span></td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Additionally,
the acting performances are as good as it gets.<span style="mso-spacerun: yes;">
</span>Mifune’s frequent overacting might be off-putting at first, until you
realize that the reason for it is that his persona is being related by another’s
perspective.<span style="mso-spacerun: yes;"> </span>Shimura, who best shines in
1952’s <i style="mso-bidi-font-style: normal;">Ikiru</i> (a personal favorite
of mine from Kurosawa), and Chiaki provide a solid base for the film.<span style="mso-spacerun: yes;"> </span>But Machiko Kyō, as the wife (and who also
appeared in the 1953 winner <a href="https://mybffproject.blogspot.com/search?q=gate+of+hell"><i>Gate of Hell</i></a>), gives perhaps the most impressive
performance, or more accurately, <i style="mso-bidi-font-style: normal;">performances</i>,
with subtle but discernible differences in her character showing up in the
different versions of what happened.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rashomon
is the film that got me watching Kurosawa films long ago, and over the years, I
would have a hard time sticking to one favorite:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Seven
Samurai</i>, <i style="mso-bidi-font-style: normal;">Ikiru</i>, <i style="mso-bidi-font-style: normal;">Throne of Blood</i>, <i style="mso-bidi-font-style: normal;">Yojimbo</i>, and <i style="mso-bidi-font-style: normal;">Ran</i> have all
topped my list over time (and <i style="mso-bidi-font-style: normal;"><a href="https://mybffproject.blogspot.com/2017/04/1975-winner-dersu-uzala.html">Dersu Uzula</a>
</i>won Best Foreign Film in 1972). Each has its own greatness and I could make
a valid, subjective argument as to why each should be considered Kurosawa’s
best.<span style="mso-spacerun: yes;"> </span>But objectively speaking, <i style="mso-bidi-font-style: normal;">Rashomon</i> was the movie that affected me
first and made me want to see the others.<span style="mso-spacerun: yes;">
</span>There is no disputing that Truth.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK98LJ978PfQIhGSe-Vxv35gtRsfOhPHo0PPt5HBNnIYCeoMH-UW4WuwdjpIhUSYotFt3soGEO18-VF-Xx__pITB0XkpGZpE8XTNv3_pRCa8fteVIHIdUJihDcFiaRuup7wyHXPPBxWWg/s1600/Frame15a-Pilate01a.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="359" data-original-width="610" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK98LJ978PfQIhGSe-Vxv35gtRsfOhPHo0PPt5HBNnIYCeoMH-UW4WuwdjpIhUSYotFt3soGEO18-VF-Xx__pITB0XkpGZpE8XTNv3_pRCa8fteVIHIdUJihDcFiaRuup7wyHXPPBxWWg/s320/Frame15a-Pilate01a.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"We both have truths. Are mine the same as yours?"</td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> </span><span lang="JA" style="font-family: "ms mincho" , serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-language: JA;">羅生</span><span lang="JA" style="font-family: "ms mincho" , serif; mso-ascii-font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic"; mso-fareast-language: JA; mso-hansi-font-family: "MS Gothic";">門</span><span lang="JA" style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> <span style="mso-spacerun: yes;"> </span></span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The name comes from a short story by Japanese writer Ryūnosuke
Akutagawa, and is the name of an actual gate in Tokyo, but the story is adapted
from another Akutagawa short story, <i style="mso-bidi-font-style: normal;">In a
Grove</i>, published in 1922.</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The setting of the film isn’t as important as the story, which has been
told in other forms over the years, including the 1964’s <i style="mso-bidi-font-style: normal;">The Outrage</i>, starring Paul Newman as the bandit.<span style="mso-spacerun: yes;"> </span>But the “Japanese” element of the film is important
to this film, with the juxtaposition of the wealth and status of the samurai
and his wife to the ruthless bandit.<span style="mso-spacerun: yes;">
</span>There is a falseness to the honor of the higher class characters and a
central moral strength in the Buddhist priest.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Pope John Paul II wrote, “Although each individual has a right to be
respected in his own journey in search of the truth, there exists a prior moral
obligation, and a grave one at that, to seek the truth and to adhere to it once
it is known.”<span style="mso-spacerun: yes;"> </span>I think Kurosawa would
agree.<span style="mso-spacerun: yes;"> </span>The priest in the film laments, “Because men
are weak, they lie to deceive themselves.”<span style="mso-spacerun: yes;">
</span>It is the central horror of the film that Truth is so malleable.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">An American in Paris.</i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>German director Werner Herzog called <i style="mso-bidi-font-style: normal;">Rashomon</i>
“the closest to ‘perfect’ a film can get.”<span style="mso-spacerun: yes;">
</span>I don’t disagree.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-63385464812784111302017-09-19T04:06:00.001-07:002017-09-19T04:06:37.657-07:001952 Winner, Forbidden Games<!--[if gte mso 9]><xml>
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<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Forbidden Games</span></b></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYzlwaX3dGqBVT-rCrMjJPVXOP5hEsXSiBVvrc5sZVjW90jat3ORLXjHWiuTVSFKXoE9Ox0i0G7vWfS6MPICjg9PuX07FBJIdseQYerj2lozI86qBWAQvWDxEcZ-9XvtW9KS4T6CQp7xI/s1600/1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="400" data-original-width="350" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYzlwaX3dGqBVT-rCrMjJPVXOP5hEsXSiBVvrc5sZVjW90jat3ORLXjHWiuTVSFKXoE9Ox0i0G7vWfS6MPICjg9PuX07FBJIdseQYerj2lozI86qBWAQvWDxEcZ-9XvtW9KS4T6CQp7xI/s320/1.jpg" width="280" /></a><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>René Clément</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Times Films Corporation</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>December 1952 (in USA)</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">William
Tecumseh Sherman, Union General in the American Civil War, is credited with the
succinct but meaningful bon mot, “War is Hell.”<span style="mso-spacerun: yes;">
</span>Perhaps less famous but only slightly less concise is the cryptic title
of a song by the chanteuse Pat Benatar:<span style="mso-spacerun: yes;">
</span>“Hell is For Children.”<span style="mso-spacerun: yes;"> </span>Using the
capability to construct a syllogism, as taught to me during my eight years of
Jesuit education, I thus deduce the following:<span style="mso-spacerun: yes;">
</span>War is for Children.<span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Okay,
that doesn’t really a lot of sense, but <i style="mso-bidi-font-style: normal;">Forbidden
Games</i>, 1953’s Best Foreign Film, is a movie that shows that while the
grown-ups may be the ones shooting and bombing each other, the kids certainly
get mixed up in the unpleasant business that war is.</span></div>
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<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit8XplcmYhtkNFQC4qn6k5iEVi_U9p54kUG1XdMHWHkLqB-gaiX2X78fNIXORBdXBoKxAhZHDfbAzqgMj5wy_ngPI3U5fo0N2PgLZfZ2q4dFgQEldQXQRcyucyA2r-y29zNagabvrCfLQ/s1600/Forbidden-Games-5.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit8XplcmYhtkNFQC4qn6k5iEVi_U9p54kUG1XdMHWHkLqB-gaiX2X78fNIXORBdXBoKxAhZHDfbAzqgMj5wy_ngPI3U5fo0N2PgLZfZ2q4dFgQEldQXQRcyucyA2r-y29zNagabvrCfLQ/s320/Forbidden-Games-5.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Paulette with her dead dog</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">We
start with an air attack by the Nazis on the fleeing Parisians during the 1940
Battle of France.<span style="mso-spacerun: yes;"> </span>A macabre parade of
cars exits the city into unknown country, with desperate and frightened
families taking what they can squeeze in, trying to escape the destruction of
the France they once knew.<span style="mso-spacerun: yes;"> </span>One dad picks a bad time to forget to fill the gas tank, and he, along his wife and
young daughter, Paulette, appear to be stuck.<span style="mso-spacerun: yes;">
</span>To add to the panic, Paulette’s dog runs away and the five-year-old
cute-as-can-be blonde girl rushes after him.<span style="mso-spacerun: yes;">
</span>Which of course means papa and mama have to rush after Paulette, which
results in everyone but Paulette being casualties of the attack, including the
dog.<span style="mso-spacerun: yes;"> </span>Paulette is traumatized, seemingly
thinking they are all sleeping and cannot be woken.<span style="mso-spacerun: yes;"> </span>As the caravan moves on, Paulette is taken
on, extremely reluctantly, by another family, only able to carry the dead pooch
with her. The mother on the car thinks that's one dead dog too many in their car and heaves him out into the fields.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> Paulette jumps off the car to retrieve her pet and then makes her way on her own into the country.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU3tYFSji2hgNGTyIq4vp9WtzLuhZCwFeQZAv4Zp7w-95SHwOO5pt6qJhyphenhyphensAYLRki5a4PtO5jPCC73PepJXKtzVMfCUJF5bW1A5JRmVf61wGF0PNSbZh6o0S_TkftAcntD96nxFFsQw1s/s1600/forbidden-games-the-criterion-collection-20060515023248756-000.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="368" data-original-width="460" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU3tYFSji2hgNGTyIq4vp9WtzLuhZCwFeQZAv4Zp7w-95SHwOO5pt6qJhyphenhyphensAYLRki5a4PtO5jPCC73PepJXKtzVMfCUJF5bW1A5JRmVf61wGF0PNSbZh6o0S_TkftAcntD96nxFFsQw1s/s320/forbidden-games-the-criterion-collection-20060515023248756-000.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Planning the pet cemetery</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">She soon happens upon a ten-year-old boy named Michel.<span style="mso-spacerun: yes;">
</span>Michel lives on a farm along with his family, and though she is a bit on
the young-side for him, they instantly bond, almost romantically.<span style="mso-spacerun: yes;"> </span>Michel looks out for her and his family takes
her in.<span style="mso-spacerun: yes;"> </span>Becoming aware of the pet she is
still toting around, Michel tells Paulette her pretty little pet has to be
buried.<span style="mso-spacerun: yes;"> </span>Paulette is upset—won’t he be
all alone?<span style="mso-spacerun: yes;"> </span>Good point, Michel
responds.<span style="mso-spacerun: yes;"> </span>The next step will be to find
other dead animals to keep him company, and if they can’t find them dead, they
can make them dead.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">If
all this sounds a bit comical, it isn’t really.<span style="mso-spacerun: yes;">
</span>Paulette is clearly expressing her confused grief for her parents in her
caring for the dog.<span style="mso-spacerun: yes;"> </span>In essence, death is
treated so casually by everyone, it is quite unsettling.<span style="mso-spacerun: yes;"> </span>This is the product of war.<span style="mso-spacerun: yes;"> </span>Paulette and Michel will bond over their
shared experience of death, becoming more and more reliant on each other.<span style="mso-spacerun: yes;"> </span>Their pet cemetery won’t be looked at with
any fondness by Michel’s family or by the authorities, but to them, it is what
has bound them together.</span></div>
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<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-yL2mtTQi1yhIg9hnR9rN7b6DLykaTeIAdAd3e3nsZXHW_f1Zycut9nfw9093pL78vQnL4NB79LpMAQKpxZaLJEjabt9iBQICKP0PQzGDk-TDZv6-YOcuHnB2melkEv9vtZzCgUyga-Q/s1600/001e9c7f.jpeg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-yL2mtTQi1yhIg9hnR9rN7b6DLykaTeIAdAd3e3nsZXHW_f1Zycut9nfw9093pL78vQnL4NB79LpMAQKpxZaLJEjabt9iBQICKP0PQzGDk-TDZv6-YOcuHnB2melkEv9vtZzCgUyga-Q/s320/001e9c7f.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Paulette has Michel wrapped around her finger</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Forbidden Games</span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> is really a touching film, sweet
and sad with just a little bit of humor.<span style="mso-spacerun: yes;">
</span>Paulette, played by Brigitte Fossey (who would appear as a character in
the extended version of 1990’s Best Foreign Film <a href="http://mybffproject.blogspot.com/search?q=cinema+paradiso"><i style="mso-bidi-font-style: normal;">Cinema Paradiso</i></a>), is about a cute a kid as you are going to find,
and it’s easy to see why Michel becomes so attached to her so quickly.<span style="mso-spacerun: yes;"> </span>As disconcerting as it is to see how war
affects the way the lower-class French folks see death, there is something
beautiful in the innocence of the children as they have the hell of war thrust
upon them.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title: </span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Jeux
interdits</i>.<span style="mso-spacerun: yes;"> </span>An oddly titled film, if
you ask me.<span style="mso-spacerun: yes;"> </span>I believe it refers to the
children’s attempt to understand and deal with death by creating their pet
cemetery.<span style="mso-spacerun: yes;"> </span>The adults don’t see the way
they go about things as appropriate, but it is their innocence that is being
stripped away by the adults who supposedly know better.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The Battle of France, which resulted in the Nazi victory over and
occupation of their <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_pVXszwLObSk597b36jhaxwCg64wZd3LF8OqFd97WmZYpwKo_xkij_3yOfMshERiqzjRQy6uXldxu74jIvpK0JbFfpyidYA8EMwUu4GNp_85qKaaRZKREaYYIRBeMWqUGzTr-sgUIk2I/s1600/cinemaelenaoud1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="424" data-original-width="667" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_pVXszwLObSk597b36jhaxwCg64wZd3LF8OqFd97WmZYpwKo_xkij_3yOfMshERiqzjRQy6uXldxu74jIvpK0JbFfpyidYA8EMwUu4GNp_85qKaaRZKREaYYIRBeMWqUGzTr-sgUIk2I/s320/cinemaelenaoud1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Brigitte Fossey in <i>Cinema Paradiso</i>, <i>still </i>crying</td></tr>
</tbody></table>
neighboring country, is one that hasn’t been the subject of
much in film, at least in American cinema.<span style="mso-spacerun: yes;"> </span>It must have been
unimaginably horrific for the average peasantry in France, having lived through
the hell of World War I only a quarter of a century earlier.<span style="mso-spacerun: yes;"> </span>The opening scene of the families fleeing
their home city to escape the Germans is very moving.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>This isn’t quite the anti-war movie you might expect.<span style="mso-spacerun: yes;"> </span>But certainly, the film’s main theme is how a
culture of death caused by war can lead to the end of the innocence for the
young folks just starting their lives.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">The Greatest Show on Earth.</i><span style="mso-spacerun: yes;"> </span>Some consider this film to be the worst film
to ever win Best Picture.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>A very moving story, fueled by great performances by the kids.<span style="mso-spacerun: yes;"> </span>It’s a war film that shows the horrors of war
without the blood and guts of it.<span style="mso-spacerun: yes;"> </span>The
horror is less in the tragedy of death during war than it is in the matter-of-fact
acceptance of death necessitated by the culture that war brings. </span><br />
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><br /></span>
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Note: There was no Best Foreign Film awarded in 1953. </span></div>
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<br /></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-84148881699058223172017-09-12T04:08:00.000-07:002017-09-12T13:12:03.517-07:001954 Winner, Gate of Hell<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
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<br />
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Gate of Hell</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmsNdRwwvolJI84283Ex6aMHAeveg04ATaRmbHmbB7Sh_a8cJ7C-e8V18TzLU5RLLBVVcjJoA4y3mPbuxbF6RE7wOGO_SOzBL7-z7TElKc40yTCFc4bCigRTK7vQejyq-F0h64a_BGn9E/s1600/35a.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="878" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmsNdRwwvolJI84283Ex6aMHAeveg04ATaRmbHmbB7Sh_a8cJ7C-e8V18TzLU5RLLBVVcjJoA4y3mPbuxbF6RE7wOGO_SOzBL7-z7TElKc40yTCFc4bCigRTK7vQejyq-F0h64a_BGn9E/s320/35a.jpg" width="218" /></a></div>
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Teinosuke Kinugasa</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Daiei Film</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>October 1953</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Japan</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">“He soon felt that the fulfillment
of his desires gave him only one grain of the mountain of happiness he had
expected. This fulfillment showed him the eternal error men make in imagining
that their happiness depends on the realization of their desires.”</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">― Leo Tolstoy, Anna Karenina</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Gate of Hell</span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> is a title that sounds like a
horror movie, but it isn’t, unless you consider Man’s quick willingness to abandon
his morality to be horrific.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Gate of Hell</i> is about love, or rather,
about one thinks love is rather than what it actually is.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Two
stories came to mind when I watched this film.<span style="mso-spacerun: yes;">
</span>One is of Salome in the New Testament, who after doing a strip tease of
some sort, was promised by her creepy stepfather Herod anything up to half the
kingdom.<span style="mso-spacerun: yes;"> </span>He was so heated up by her
gyrations that just stuffing a few shekels down her skivvies wouldn’t do, and
it cost John the Baptist his head.<span style="mso-spacerun: yes;"> </span>The other story I thought of was Tolstoy’s <i style="mso-bidi-font-style: normal;">Anna
Karenina</i>, a tale about a married woman who falls in love at a ball with a military man
named Count Vronsky.<span style="mso-spacerun: yes;"> </span>They are
so into each other that they abandon all they care for just to be with each
other, thinking love will conquer all.<span style="mso-spacerun: yes;">
</span>Spoiler alert:<span style="mso-spacerun: yes;"> </span>It doesn’t.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKqNwXIkmHAkgwlDU1o3b0YACgEHDGV036Do1jr0Dx1udvZwDiyj1wtFPb_SkDFxPZ3cYMxorw5QUMEf6pHq-AhGQc337w51N8Dg6lZwsXXzD69okaE-g0TeRxKqoab7NQlzJ9iuvwwFk/s1600/gateofhell2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="290" data-original-width="397" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKqNwXIkmHAkgwlDU1o3b0YACgEHDGV036Do1jr0Dx1udvZwDiyj1wtFPb_SkDFxPZ3cYMxorw5QUMEf6pHq-AhGQc337w51N8Dg6lZwsXXzD69okaE-g0TeRxKqoab7NQlzJ9iuvwwFk/s320/gateofhell2.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kazuo Hasegawa as Morito</td></tr>
</tbody></table>
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">In
1954’s Best Foreign Film, <i style="mso-bidi-font-style: normal;">Gate of Hell</i>,
centers around a Japanese samurai named Morito, who at first appears to be the embodiment
of loyalty.<span style="mso-spacerun: yes;"> </span>His brother is a leader of
an uprising against a 13<sup>th</sup> century Japanese emperor.<span style="mso-spacerun: yes;"> </span>Morito refuses to join the rebellion and is
aghast at his brother’s behavior.<span style="mso-spacerun: yes;"> </span>While
the fighting rages, Morito is assigned to protect and move a lovely royal miss named Lady Kesa.<span style="mso-spacerun: yes;"> </span>Morito sees her
and reacts like Herod and Vronsky did to their respective lust-at-first-sights.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
battle ends and the royal family’s forces come out on top.<span style="mso-spacerun: yes;"> </span>For his loyalty and bravery, especially for
siding against his own brother, the emperor tells Morito he can ask for
anything he wants and his wish will be granted.<span style="mso-spacerun: yes;">
</span>Morito ponders this offer for about three seconds and says the prize he
wants is none other than Lady Kesa.<span style="mso-spacerun: yes;"> </span>The
ruler confers with his pals and chucklingly says to Morito, “Well, you are a
little late to the party—didn’t you see the rock on her finger?<span style="mso-spacerun: yes;"> </span>She’s married.”<span style="mso-spacerun: yes;"> </span>Morito’s response is pretty simple:<span style="mso-spacerun: yes;"> </span>“So?”<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht_AkySMDflifmHaQZYM3RrZTOcd3COPy2LhdNi0dj3BtFO9zrnQgZwtb6pqOu6pQEgJpeYtXveFPA21fo-fWRlX6jS52gx4x-6ECPajMEdAuOqSPU9uR1KsLoprdc9Z-gEQwbrPgPDrc/s1600/keso.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="536" data-original-width="736" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht_AkySMDflifmHaQZYM3RrZTOcd3COPy2LhdNi0dj3BtFO9zrnQgZwtb6pqOu6pQEgJpeYtXveFPA21fo-fWRlX6jS52gx4x-6ECPajMEdAuOqSPU9uR1KsLoprdc9Z-gEQwbrPgPDrc/s320/keso.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lady Kesa, the object of Morito's desires</td></tr>
</tbody></table>
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Morito
makes a pest of himself and eventually he is given permission by the ruler to
discuss the issue with Lady Kesa, but if she is not interested in leaving her
man, a nice enough guy named Waturu, he has to take a cold shower or find a
more available lady to exact his urges upon.<span style="mso-spacerun: yes;">
</span>Morito doesn’t really seem to care what Lady Keso thinks; all he knows
is she will be his—oh, yes—she will be his.<span style="mso-spacerun: yes;">
</span>The problem is, Lady Keso kind of likes her husband.<span style="mso-spacerun: yes;"> </span>Morito meets him and frankly he seems like a
pretty good guy, but he is in the way and so he decides something has to be done about the
"Waturu Problem."</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Gate of Hell</span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> is a pretty film, full of color and
movement.<span style="mso-spacerun: yes;"> </span>It’s a fairly short film,
clocking in at 86 minutes, but that underscores the tightness of the story—there
is no time wasted on subplots or characters that don’t mean much.<span style="mso-spacerun: yes;"> </span>Both main players do their jobs well-- Kazuo
Hasegawa as Morito certainly isn’t a good-looking fellow, and you get the
feeling it would indeed take the granting of a wish by an emperor for him to get a
lovely woman for a wife.<span style="mso-spacerun: yes;"> </span>Machiko Kyō,
who also plays an important role in Akira Kurosawa’s <i style="mso-bidi-font-style: normal;">Rashomon </i>(winner of the 1952 Best Foreign Film award)<i style="mso-bidi-font-style: normal;">,</i> plays Lady Keso, a woman who didn’t
ask for this attention.<span style="mso-spacerun: yes;"> </span>The movie is a simple
tale of a man allowing his weaknesses to get the best of him—his personal
quality of loyalty gets chucked in a hurry the second he sees a pretty
face.<span style="mso-spacerun: yes;"> </span>Morito isn’t the first to make that choice and he certainly will not be the last.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv0lV6ylOPZcj5zmSSySSctwQYr8y9nMn4MbZENcRn7GmFBS0LUJ_avh9K2S_Ld9srb7OiuejKHANsnBTJP7sjqmpwH85lOQ789J8OA57piPaYHcsA_O2Gbt2xtsblSkHnYaHVD7KZ7jE/s1600/Gate-of-Hell-court+asking.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="351" data-original-width="600" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv0lV6ylOPZcj5zmSSySSctwQYr8y9nMn4MbZENcRn7GmFBS0LUJ_avh9K2S_Ld9srb7OiuejKHANsnBTJP7sjqmpwH85lOQ789J8OA57piPaYHcsA_O2Gbt2xtsblSkHnYaHVD7KZ7jE/s320/Gate-of-Hell-court+asking.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Asking the Emperor for Lady Keso</td></tr>
</tbody></table>
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span></span><span style="font-family: "ms gothic"; font-size: 12.0pt; line-height: 115%;">地獄門,
</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">also called <i style="mso-bidi-font-style: normal;">Jigokumon.</i> <span style="mso-spacerun: yes;"> </span>It’s a physical
place in the film to be protected, but Morito’s letting his passions dictate
his behavior is what will lead him to be willing to go through the proverbial
gate into the dark side.</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>This is Japan’s first color film export and it’s a treat to look
at.<span style="mso-spacerun: yes;"> </span>With <i style="mso-bidi-font-style: normal;">Rashomon</i> winning Best Foreign Film a few years earlier and <i style="mso-bidi-font-style: normal;">Samurai I: Musashi Miyamoto</i> winning the
following year, this truly was a golden age of Japanese cinema.<span style="mso-spacerun: yes;"> </span>Also important during this period are
directors Kenji Mizoguchi (who directed the classics <i style="mso-bidi-font-style: normal;">Ugetsu</i> [1953] and <i style="mso-bidi-font-style: normal;">Sansho the
Bailiff</i> [1954]) and Yasujirō Ozu (1953’s <i style="mso-bidi-font-style: normal;">Tokyo Story</i>).</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Certainly there is a message here, and unfortunately and tragically,
Morito doesn’t learn it until the end of the film.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span><i>On the Waterfront.</i></span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The aforementioned films by Kurosawa, Mizoguchi, and Ozu certainly are
more noteworthy and important when it comes to Japanese cinema.<span style="mso-spacerun: yes;"> </span>But <i style="mso-bidi-font-style: normal;">Gate
of Hell</i> is well-directed, with great performances and a succinct story.<span style="mso-spacerun: yes;"> </span>It’s a cautionary tale about subject matter
that will apply to any culture and time, as long as there are people who confuse
love and lust.<span style="mso-spacerun: yes;"> </span>And there always will be.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-33445805783287265222017-09-05T03:52:00.000-07:002017-09-09T09:10:49.186-07:001955 Winner, Samurai I: Musashi Miyamoto<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Samurai I: Musashi Miyamoto</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirprBbYe9bMAm0T2d0yLTGQYfnoGWfI9RKqEfh_HHOC3BKNOOKtLK0TpXP3r0LxKriHrjnSekaEoovjrpkgol19RmMEkgrBXOelMrxFqtmWAQagaNEnIcO1JXDCkld2VYWyd6atpM9tHg/s1600/Samurai1_mm.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1233" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirprBbYe9bMAm0T2d0yLTGQYfnoGWfI9RKqEfh_HHOC3BKNOOKtLK0TpXP3r0LxKriHrjnSekaEoovjrpkgol19RmMEkgrBXOelMrxFqtmWAQagaNEnIcO1JXDCkld2VYWyd6atpM9tHg/s320/Samurai1_mm.jpg" width="263" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Hiroshi Inagaki</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Toho Studios</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>November 1955 (U.S.)</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Japan</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">From
an American perspective, there are few well-known actors who don’t speak
English as their primary language.<span style="mso-spacerun: yes;"> </span>Americans know folks like Max
von Sydow, Gerard Depardieu, and Sophia Loren, but mostly because
we have seen them in American films.<span style="mso-spacerun: yes;"> </span>Yes,
Japanese actor Toshiro Mifune did a few American projects—<i style="mso-bidi-font-style: normal;">Grand Prix</i> (1966), Steven Spielberg’s <i style="mso-bidi-font-style: normal;">1941</i> (1979), and the miniseries <i style="mso-bidi-font-style: normal;">Shogun</i> (1981 come to mind—but he is a
star for his Japanese work, especially with the great director Akira Kurosawa.<span style="mso-spacerun: yes;"> </span>Mifune is truly a special actor, as anyone who
has seen <i style="mso-bidi-font-style: normal;">The Seven Samurai </i>(1954), <i style="mso-bidi-font-style: normal;">Throne of Blood</i> (1957), or <i style="mso-bidi-font-style: normal;">Yojimbo</i> (1961) knows, but from 1954 to
1956, Mifune worked with Director Hiroshi Inagaki to make the highly-regarded <i style="mso-bidi-font-style: normal;">Samurai Trilogy</i>, the first of which, <i style="mso-bidi-font-style: normal;">Samurai I: Musashi Miyamoto</i>, was awarded
a Special/Honorary Academy Award for outstanding foreign film, the last time
the award was given non-competitively.</span></div>
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<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF3m3Th9B7WBOW6Mo6FIjybGJH5bPvMrrVnb4LveasyAGWZ6p4QvH19TJYc2XfhTPvVNUsX_9jS_627Yoo_gxtBDhP-w6V8CnJr3FViEFOvKilEpNzJnobp7a2H0GgBrhFgZeLKFKzwOc/s1600/images.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="168" data-original-width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF3m3Th9B7WBOW6Mo6FIjybGJH5bPvMrrVnb4LveasyAGWZ6p4QvH19TJYc2XfhTPvVNUsX_9jS_627Yoo_gxtBDhP-w6V8CnJr3FViEFOvKilEpNzJnobp7a2H0GgBrhFgZeLKFKzwOc/s1600/images.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mifune not buying the damsel-in-distress bit</td></tr>
</tbody></table>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
story starts with the end of a battle.<span style="mso-spacerun: yes;"> </span>Takezo,
played by Mifune, and his buddy Matahachi are young up-and-comers, ambitious
warriors who want to make names for themselves.<span style="mso-spacerun: yes;">
</span>Unfortunately for them, they are on the losing side of the Battle of
Sekigahara, a real battle that took place in 1600 Japan.<span style="mso-spacerun: yes;"> </span>Being on the losing side means they are on
the run, hiding from the victors.<span style="mso-spacerun: yes;"> </span>They
take up with a mother and daughter who are somehow mixed up with a gang of thieves.<span style="mso-spacerun: yes;"> </span>Takezo fights off the bad guys, protecting
these two damsels-in-distress.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Only
these women aren’t quite as innocent as they seem.<span style="mso-spacerun: yes;"> </span>Almost right away the daughter hits on
Takezo, but he resists his urges because of his samurai code, not wanting to
dishonor himself.<span style="mso-spacerun: yes;"> </span>So now with the
daughter rejected, her widowed mother decides to take a crack at him.<span style="mso-spacerun: yes;"> </span>Takezo essentially tells the mother that he
didn’t want the daughter, so why would he want her, and what’s the deal with
all the horny women around here?<span style="mso-spacerun: yes;"> </span>In this case,
the spurned woman takes things personally, and tells everyone, including
Matahachi, that Takezo sexually assaulted her.<span style="mso-spacerun: yes;">
</span>Matahachi has a serious girl, Otsu, back home waiting for him, but has
had his eye on the daughter and is willing to be less honorable with her when she shifts her interests to him.<span style="mso-spacerun: yes;"> </span>He takes the women’s side against his friend,
and Takezo, now on the run, thinks his chum has turned on him.<span style="mso-spacerun: yes;"> </span>This eventually leads to Takezo being
justified in setting his sights on Otsu.<span style="mso-spacerun: yes;"> I mean, she's fair game now, right?
</span>As for Matahachi, before long he is wishing he had kept his proverbial samurai
sword sheathed.<span style="mso-spacerun: yes;"> </span>He has to marry the annoying
girl and deal with a nagging mother-in-law.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div style="text-align: left;">
</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQfThixQJ6yK2RJh-8tylIknvSjG21dbMttTSfCLsdhTUK8Wk4W2HmX7Y512j4l93PBvECPsjRknO8o4JyugK2r6Azt6LdRa_ft9s7ScFjTQZlN1s5YiHmjj02oFPky2tKRCYSeimz7NE/s1600/a208.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="426" data-original-width="670" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQfThixQJ6yK2RJh-8tylIknvSjG21dbMttTSfCLsdhTUK8Wk4W2HmX7Y512j4l93PBvECPsjRknO8o4JyugK2r6Azt6LdRa_ft9s7ScFjTQZlN1s5YiHmjj02oFPky2tKRCYSeimz7NE/s320/a208.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Yojimbo: Mifune is much more fun to watch as a ronin</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">As
the title indicates, <i style="mso-bidi-font-style: normal;">Samurai I</i> is the
first film, and so the story is going to be left unfinished.<span style="mso-spacerun: yes;"> </span>The film is entertaining enough as a set-up,
but I left unsatisfied, waiting for another time to catch Parts I and
II.<span style="mso-spacerun: yes;"> </span>Watching Mifune act is always a
pleasure, but it seems to me his potential is untapped in this film, admittedly
allowing for growth of the character in the next two films.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Samurai
I</i> is a good-looking film, with colorful fight scenes and good photography,
and the trilogy was an influence on Quentin Tarantino’s <i style="mso-bidi-font-style: normal;">Kill Bill</i> movies (2003-4).<span style="mso-spacerun: yes;">
</span>With the caveat of only having seen the first film, I couldn’t help but think
it didn’t compare well to Kurosawa’s samurai films, even though the ones with Mifune
are all black and white.<span style="mso-spacerun: yes;"> Color cannot take the place of masterful direction.</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span></span><span style="font-family: "ms gothic"; font-size: 12.0pt; line-height: 115%;">宮本武蔵.<span style="mso-spacerun: yes;"> </span></span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The trilogy is based on a Japanese novel from the 1930’s. The titular character, Musashi Miyamoto, who goes by Takezo in this film, was a real person. He identified himself as Shinmen Musashi-no-Kami Fujiwara no Harunobu in his
own book, <i style="mso-bidi-font-style: normal;">The Book of Five Rings</i>, written
about 1645.<span style="mso-spacerun: yes;"> </span>Miyamoto is considered Japan’s
most famous and greatest swordsman, probably because he wrote a book about
it.<span style="mso-spacerun: yes;"> </span>Marketing is everything, even in
feudal era Japan.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div style="text-align: right;">
</div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The philosophy of the Samurai is on full display, before the
modernization of Japanese society and Western influence.<span style="mso-spacerun: yes;"> </span>Incidentally, a “ronin” is a samurai without
a master, and is really what the Mifune characters in <i style="mso-bidi-font-style: normal;">Seven Samurai</i> and <i style="mso-bidi-font-style: normal;">Yojimbo</i>
are.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Takezo and his pal Matahachi definitely get the short end of the stick
in regards to their dealings with the sneaky mother/daughter combo they
help.<span style="mso-spacerun: yes;"> </span>The false rape accusation doesn’t
put the women in the greatest of lights, but Otsu balances out any misogyny the viewer may feel coming on, by
being an all-around Japanese girl you’d want to bring home to your mama-san.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Marty. </i>Ma! I'm ugly, Ma!<br /><i style="mso-bidi-font-style: normal;"></i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>I feel like I have to give this one an I for Incomplete.<span style="mso-spacerun: yes;"> </span>I’m not sure why the Academy chose to honor
this film with the series just getting started—imagine <i style="mso-bidi-font-style: normal;">Lord of the Rings: The Fellowship of the Ring</i> winning Best Picture
and not <i style="mso-bidi-font-style: normal;">The Return of the King</i>.<span style="mso-spacerun: yes;"> </span>Still, if you are looking for some violence
with a little romance thrown in and some great acting (like say, <i style="mso-bidi-font-style: normal;">From Here to Eternity</i>), you’ll enjoy
this one.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-45416902846484830502017-08-29T03:02:00.000-07:002017-09-09T09:24:08.640-07:001956 Winner, La Strada<!--[if gte mso 9]><xml>
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<br />
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">La Strada</span></b></div>
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<br /></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1CiTG72bzE5upUV41FkuI1KvVSEHZrlVhdQ7kUYd0ydY2aQ7Vo8I4s7RDP7A6Tram2hplCH6IKseXEsu5jxeScyaqAJ-v9zZgtsPxUzyifp7EBzQaba0xeA-R5uFhP-eFAallGmCZC4g/s1600/lastrada.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="798" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1CiTG72bzE5upUV41FkuI1KvVSEHZrlVhdQ7kUYd0ydY2aQ7Vo8I4s7RDP7A6Tram2hplCH6IKseXEsu5jxeScyaqAJ-v9zZgtsPxUzyifp7EBzQaba0xeA-R5uFhP-eFAallGmCZC4g/s320/lastrada.jpg" width="240" /></a><span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Federico Fellini</span></span></div>
<span style="background-color: white;">
</span><br />
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Lopert Pictures Corporation</span></span></div>
<span style="background-color: white;">
</span><br />
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto;">May 1957</span></span></span></div>
<span style="background-color: white;">
</span><br />
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Country:</span></b><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Italy</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Well, life is a road, it's a
motorway</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">And the road gets rocky along the
way</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">But if it gets too smooth it's time
to call it a day</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">--“The
Road,” by The Kinks</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">“The
Road,” or in Italian, “La Strada,” is used as a metaphor for “Life” in
literature, in song, and in film.<span style="mso-spacerun: yes;"> </span>Life is
full of anger, of innocence, and of course, of silliness. And sometimes those
three experiences exist for us simultaneously, each at battle with the
others for superiority within ourselves.<span style="mso-spacerun: yes;">
</span>That’s maybe too heady for an amateur film reviewer like myself to
ponder, but I think it is exactly what Federico Fellini’s 1956 film <i style="mso-bidi-font-style: normal;">La Strada</i> is dealing with.</span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ8umKANdMPlBXOaF2LmSUwdLJF6gEKMe_Y1vrE1yXOBh3sThvAo8t-6Rss-wyPoyPB6czCeVBN7yL9XXL81NZVjpu8ZxfTYYysexzb8pIeYVLrXw3juZf6QR0RvXUYlEub0pzKoXFXHI/s1600/anthony-quinn-in-la-strada-%25281954%2529-large-picture.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1231" data-original-width="1600" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ8umKANdMPlBXOaF2LmSUwdLJF6gEKMe_Y1vrE1yXOBh3sThvAo8t-6Rss-wyPoyPB6czCeVBN7yL9XXL81NZVjpu8ZxfTYYysexzb8pIeYVLrXw3juZf6QR0RvXUYlEub0pzKoXFXHI/s320/anthony-quinn-in-la-strada-%25281954%2529-large-picture.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anthony <span style="font-size: x-small;">Qu</span>inn a<span style="font-size: x-small;">s <span style="font-family: "times new roman" , serif; line-height: 115%;">Zampanò</span></span></td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The story centers on Zampanò, played by </span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">American actor Anthony Quinn</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">. He is a brutal and
angry street performer whose main talents seem to be bullying and getting
drunk.<span style="mso-spacerun: yes;"> </span>His performing assistant
has died, so he is replacing her, pretty involuntarily, with her sister
Gelsomina, played by Giulietta Masina, Fellini’s actress-wife.<span style="mso-spacerun: yes;"> </span>Gelsomina isn’t all that bright, but she is
sweet and sincere, which is what Zampanò needs in his life.<span style="mso-spacerun: yes;"> </span>The two of them stop every so often to perform
their act, which includes her comedic intro to his show of strength, in which
he wraps chains around himself and puffing his muscles out, breaks out of them. She isn’t thrilled with his brutishness, but
he teaches her how to play an instrument or two and she begins to take to him a
little, the way a mistreated dog might take to its master.<span style="mso-spacerun: yes;"> </span>Zampanò is determined to be the same lout he
has always been, but he can’t help but benefit a bit from Gelsomina’s wide-eyed
innocence.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDX9f1vcH5Nqgdzt3FKELeYtWZAVaYtOA4O7faRlum72pCFrL6I61G0ND0LzMdJWi1QUqH1HLpr77WwJz2LHn9C1dSBaQh3lPC2JffKhj8HGEn28mIeEiJmQwV6woAFp-IbFBMGg4P3SA/s1600/giulietta-masina-la-strada.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="284" data-original-width="328" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDX9f1vcH5Nqgdzt3FKELeYtWZAVaYtOA4O7faRlum72pCFrL6I61G0ND0LzMdJWi1QUqH1HLpr77WwJz2LHn9C1dSBaQh3lPC2JffKhj8HGEn28mIeEiJmQwV6woAFp-IbFBMGg4P3SA/s320/giulietta-masina-la-strada.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Giulietta Masina as Gelsomina</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Eventually,
she has enough of his boorishness and tries to escape Zampanò, running away and joining a
traveling carnival.<span style="mso-spacerun: yes;"> </span>There, she meets a
clownish tightrope-walker simply referred to as “The Fool,” played by
another American, Richard Basehart.<span style="mso-spacerun: yes;"> </span>When
Zampanò comes looking for his assistant to get her back, he encounters The
Fool, and it’s clear they know each other.<span style="mso-spacerun: yes;">
</span>Zampanò cannot stand The Fool, as he has no sense of humor; The Fool
doesn’t seem to dislike Zampanò really, but cannot stop himself from constantly
mocking him constantly. <span style="mso-spacerun: yes;"> </span>Gelsomina
eventually goes back with Zampanò, but she wishes he could lighten up a little.<span style="mso-spacerun: yes;"> </span>The Fool, really a friend to Gelsomina, and Zampanò
will collide again, and Gelsomina will have to decide if Zampanò is worth
staying with.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">When
the anger of Zampanò encounters the innocence and naiveté of Gelsomina, the
question that could be asked is which will be affected by the other more?<span style="mso-spacerun: yes;"> </span>By the movie’s end, the question will be
answered fully, though perhaps not giving the viewer much satisfaction.<span style="mso-spacerun: yes;"> </span>I will say that though this was one of those
endings that confused me for its abruptness, after some thought, I believe it
to be brilliant.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNTMP9gcmtg3WrGb1XTnmwjRNcLdPaNz8_YtyihFWRLc3GtnVCrlaZGQXdy8HU8F6kAMeDwulcRz7B9rEmD2YMf8Ky_JLdX92OIqQ1RcNLKxBsSG7ZPzVCsrb237yLvYe51qWzzQlUbj0/s1600/La-Strada---Richard-Basehart.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="230" data-original-width="350" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNTMP9gcmtg3WrGb1XTnmwjRNcLdPaNz8_YtyihFWRLc3GtnVCrlaZGQXdy8HU8F6kAMeDwulcRz7B9rEmD2YMf8Ky_JLdX92OIqQ1RcNLKxBsSG7ZPzVCsrb237yLvYe51qWzzQlUbj0/s320/La-Strada---Richard-Basehart.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Basehart as The Fool</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">La Strada </span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">deserves the distinction of being
the first Best Foreign Film to win the award in competition with other nominees
(the first eight movies given an award were given Honorary Awards with no
competition).<span style="mso-spacerun: yes;"> </span>Fellini was still in the
neo-realism phase of his career, so while there is some symbolism in this
story, it’s gritty and real with no dreams or bizarre asides.<span style="mso-spacerun: yes;"> </span>Fellini’s frequent musical collaborator, Nino
Rota, composed a score that included a <a href="https://www.youtube.com/watch?v=QCYUda7-ZgM">lilting tune</a> that his wife, Giulietta
Masina, requested be played at her funeral.<span style="mso-spacerun: yes;">
</span>The pretty tune seems an appropriate sendoff for when the actress, who
represents innocence in this film, came to the end of her road.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">The Road.</i></span></span></div>
<span style="background-color: white;">
</span><br />
<span style="background-color: white;">
</span><br />
<div style="text-align: right;">
</div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto;">It’s interesting how
when Gelsomina’s sister dies at the beginning of the film, her mother
essentially sells her to </span>Zampanò for 10,000 lire.<span style="mso-spacerun: yes;"> </span>The country was still suffering vast abject
poverty following the war.<span style="mso-spacerun: yes;"> </span>Also
interesting is Fellini’s use of American actors.<span style="mso-spacerun: yes;"> </span>If you watch the film in Italian, Quinn and
Basehart are dubbed; watch the English version and you will hear their voices,
with Masina’s voice oddly dubbed.<span style="mso-spacerun: yes;">
</span>Fellini had no issue using actors who didn’t speak Italian, a method
used later by Sergio Leone.<span style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto;"></span></span></span></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Agenda
danger:</span></b><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Unlike
earlier neo-realist films, like De Sica’s <i style="mso-bidi-font-style: normal;">The
Bicycle Theives</i>, this film is largely without a political bent.<span style="mso-spacerun: yes;"> </span>While there is a real theme—the co-existence
in society of brutality and innocence—Fellini doesn’t appear to be hitting us
with a message.</span></span></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Best
Picture that year:</span></b><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Around the World in 80 Days.</i><span style="mso-spacerun: yes;"> </span></span></span></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<span style="background-color: white;">
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white;"><b style="mso-bidi-font-weight: normal;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;">Rating:</span></b><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; font-family: "times new roman" , serif; font-size: 12pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Martin Scorsese asserts that this film is the
best introduction to Fellini, and having seen <i style="mso-bidi-font-style: normal;">Nights of Cabaria</i>, <i style="mso-bidi-font-style: normal;">8½</i>,
and <i style="mso-bidi-font-style: normal;">Amacord</i>, I agree. </span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The characters draw you in, and
while his is vile and hateful, Zampanò is someone you cannot help but hope the
best for.<span style="mso-spacerun: yes;"> </span>His own self-loathing is what
harms him, and his introduction to the simple Gelsomina is his chance for
redemption.<span style="mso-spacerun: yes;"> </span>I thought this was a
terrific movie.</span></span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-89608726203696562352017-08-22T04:04:00.000-07:002017-08-22T04:04:39.498-07:001957 Winner, Nights of Cabiria<!--[if gte mso 9]><xml>
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Nights of Cabiria</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9cPN35GvCpx0KdS3MTlqV_Z0THPsG0UGNZWYm36vXhs2R9nUbSsc-5p8Q0iEPwKZow1kD3MMLqztCLMsZg4oP4c0YBpO-4wQLfTTMcPZjirCeFEFlkj4_pjloPCsJLPUZgDjGlFBT3wY/s1600/nights+of+cabiria.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="445" data-original-width="312" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9cPN35GvCpx0KdS3MTlqV_Z0THPsG0UGNZWYm36vXhs2R9nUbSsc-5p8Q0iEPwKZow1kD3MMLqztCLMsZg4oP4c0YBpO-4wQLfTTMcPZjirCeFEFlkj4_pjloPCsJLPUZgDjGlFBT3wY/s320/nights+of+cabiria.jpg" width="224" /></a></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Federico Fellini</span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Lopert Pictures Corporation</span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>May 1957</span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Italy</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Giulietta
Masina is a name you probably never heard of.<span style="mso-spacerun: yes;">
</span>She was Fellini’s wife of 50 years and one day.<span style="mso-spacerun: yes;"> </span>They fell in love after he picked her for a
radio serial he had written and they were married shortly after in 1943.<span style="mso-spacerun: yes;"> </span>She died just five months after he did in 1993.<span style="mso-spacerun: yes;"> </span>She was his muse, his inspiration, and his
partner.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">But
she was also a great actress in her own right, starring in a number of movies
directed by her husband, including 1957’s Best Foreign Film, <i style="mso-bidi-font-style: normal;">Nights of Cabiria</i>.<span style="mso-spacerun: yes;"> </span>For her performance in this film, she won several awards,
including Best Actress awards from the Italian National Syndicate of Film
Journalists and from the Cannes Film Festival.<span style="mso-spacerun: yes;">
</span>She starred in two of Fellini’s Best Foreign Films—this one and the more
known <i style="mso-bidi-font-style: normal;">La Strada</i> from 1956.<span style="mso-spacerun: yes;"> </span>She’s very good in that film, but it’s rare when you
see a performance as moving as when she plays the prostitute Cabiria in this
film.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Nights of Cabiria</span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> starts with a scene that shows
exactly how things are going for Cabiria.<span style="mso-spacerun: yes;"> </span>She
is frolicking (yes, frolicking) with a young man, Giorgio, on the banks of a river,
swinging her purse and gazing at him with one of those “I wish someone looked
at me like that” looks. <span style="mso-spacerun: yes;"> </span>Then Giorgio points
to the river: Looky there!<span style="mso-spacerun: yes;"> </span>She looks,
and in one motion grabs the purse and pushes her into the drink.<span style="mso-spacerun: yes;"> </span>Turns out their relationship was nothing but a con to
get what little money she had.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSvm3fsGboAE9BUuS5phVUDreILdmGzOgQ-9WbAxRqyIbFtHGgD0z7f6ehBirqssD7iUjGt1553-Y07su-Mi_p3K0iSpmpSqD-f4jS18bpO22WWEmRwwt6ewmxOR1QGWnYi4cGyXnn0Gw/s1600/Nights+of+Cabiria+star.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="528" data-original-width="694" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSvm3fsGboAE9BUuS5phVUDreILdmGzOgQ-9WbAxRqyIbFtHGgD0z7f6ehBirqssD7iUjGt1553-Y07su-Mi_p3K0iSpmpSqD-f4jS18bpO22WWEmRwwt6ewmxOR1QGWnYi4cGyXnn0Gw/s320/Nights+of+Cabiria+star.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cabiria with her movie star john</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Cabiria
almost drowns, but is saved by some locals. She is hurt and angry, but she moves on in her dreary life.<span style="mso-spacerun: yes;"> </span>She has a small home, more than most of the
other prostitutes she knows have.<span style="mso-spacerun: yes;"> </span>She’s
not very attractive, but she never seems to be without a smile, except of
course when men are stealing all her money and nearly killing her.<span style="mso-spacerun: yes;"> </span>She has friends, but they’re all prostitutes
too, and she wants more out of life.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">She
is exposed to more.<span style="mso-spacerun: yes;"> </span>She briefly is under
the “employ” of a rich movie star who is on the outs with his glamorous
girlfriend.<span style="mso-spacerun: yes;"> </span>He invites her to his place
but makes no advances.<span style="mso-spacerun: yes;"> </span>She is wowed at
how the other half lives, and he genuinely seems to like her. <span style="mso-spacerun: yes;"> </span>But he eventually makes up with his girl and
she is again back to reality.<span style="mso-spacerun: yes;"> </span>Another
time, she is impressed by a group of nuns that come through the prostitute
neighborhood.<span style="mso-spacerun: yes;"> </span>She wonders if this is the
life she should choose, but again, in her gritty world, such things don’t seem
realistic.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFsLN3SPewJf82uVSVYMbJ0A7wclmJPKniWO4pHD7VxDFvmRoCj_Pir7vLNkJ9rS2sNJ3ZsqNo8OWorUrca3FIpPsv7qd5AaUsgtWiiBc51wJ3st_fsqW9AGQe2kB8xUPgqy9dcHys7U0/s1600/Nights+of+Cabiria+hyop.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="514" data-original-width="698" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFsLN3SPewJf82uVSVYMbJ0A7wclmJPKniWO4pHD7VxDFvmRoCj_Pir7vLNkJ9rS2sNJ3ZsqNo8OWorUrca3FIpPsv7qd5AaUsgtWiiBc51wJ3st_fsqW9AGQe2kB8xUPgqy9dcHys7U0/s320/Nights+of+Cabiria+hyop.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Humiliated by a hypnotist</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">All
this is prelude to what happens to her at a carnival.<span style="mso-spacerun: yes;"> </span>She is “volunteered” at one of those cheap
carny acts, a hypnotist having her acting out her desires.<span style="mso-spacerun: yes;"> </span>Her desires, as we all know, is for her to
lead a normal life, with a kind husband and maybe some kids and household
chores to attend to.<span style="mso-spacerun: yes;"> </span>She is on stage, pantomiming
the gestures of her naïve ideas of what love is, and her performance ends with
her realizing the audience is all laughing at her.<span style="mso-spacerun: yes;"> </span>It’s awful, but saved by one man, Oscar, who
approaches her after the show, taking her side and letting her know her ideas
are not so naïve.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
relationship between Cabiria and Oscar forms the film’s third act.<span style="mso-spacerun: yes;"> </span>Without telling you how it goes, there are
two scenes that stand out.<span style="mso-spacerun: yes;"> </span>The first is
about one of the most heartbreaking scenes you will see on film, and Masina
acts it masterfully.<span style="mso-spacerun: yes;"> </span>Like Al Pacino’s
famous scene in <i style="mso-bidi-font-style: normal;">The Godfather</i> as he
ponders his first assassination, Masina’s feelings are all told in the
eyes.<span style="mso-spacerun: yes;"> </span>The scene is followed by a scene
full of hope, again the product of a great performance by Masina.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKiQumUriioCM_BE-yAIxbu_EdJfKwb5TrHEZvOb5nZSg1hbhXZrOlphCom6qveybfInePku5cpNnK7QI7KTNXpTdk7xu5IIeHZmMEZliF6VidPWIkOTYe0qlbdYko5_NsxfWKkMhLSlI/s1600/eyes.gif" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="572" data-original-width="1024" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKiQumUriioCM_BE-yAIxbu_EdJfKwb5TrHEZvOb5nZSg1hbhXZrOlphCom6qveybfInePku5cpNnK7QI7KTNXpTdk7xu5IIeHZmMEZliF6VidPWIkOTYe0qlbdYko5_NsxfWKkMhLSlI/s320/eyes.gif" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">It's all in the eyes</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Fellini
deserves all the praise in the world for his directing in this film.<span style="mso-spacerun: yes;"> </span>But he must have given his wife Giulietta Masina
a few “I wish someone looked at me like that” looks as he watched her give a
performance that made this film a pleasure to watch.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Le notti di Cabiria</i>.<span style="mso-spacerun: yes;"> </span>Cabiria was actually a character in an earlier
film, the first one directed solely by Fellini, <i style="mso-bidi-font-style: normal;">The White Sheik</i> (or <i style="mso-bidi-font-style: normal;">Lo
sceicco bianco</i>) from 1952.<span style="mso-spacerun: yes;"> </span>The part
was played by Mesina in that film as well.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>This film is Fellini before he turned from neo-realism to art films
filled with symbolism, like 1963’s <a href="https://mybffproject.blogspot.com/search?q=8%C2%BD"><i style="mso-bidi-font-style: normal;">8½</i></a>.<span style="mso-spacerun: yes;"> </span>None of the prostitutes are beautiful, and
their lives sure aren’t.<span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8vmyBLH3kikmbWKTGusbg9wB6UraanpT52NqVP7iXt17wrxCuTgzLUgMnk5DYlMRqhyphenhyphenCZ9yHpzxffImDq_e9D98quIJgMB72ckDW0wYSsCIb2eu_JXeR6Hiyr8Zx1suZCAhDBi3WVtoo/s1600/The-Bridge-on-the-River-Kwai-Colonel-Nicholson-9.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="340" data-original-width="852" height="127" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8vmyBLH3kikmbWKTGusbg9wB6UraanpT52NqVP7iXt17wrxCuTgzLUgMnk5DYlMRqhyphenhyphenCZ9yHpzxffImDq_e9D98quIJgMB72ckDW0wYSsCIb2eu_JXeR6Hiyr8Zx1suZCAhDBi3WVtoo/s320/The-Bridge-on-the-River-Kwai-Colonel-Nicholson-9.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">More acting with the eyes: Alec Guiness, <i>The Bridge on the River Kwai</i></td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The film also includes a popular topic for Fellini, the Catholic Church.<span style="mso-spacerun: yes;"> </span>It’s clear Fellini, who was Catholic, has
mixed feelings about the traditions and beliefs of the Church.<span style="mso-spacerun: yes;"> </span>Cabiria’s brief encounter with the Church
does offer her a bit of hope for redemption and a better life, but she never pursues
that chance seriously.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">The Bridge on the River Kwai</i>.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>I’m not saying this is Fellini’s best film—I would chose 1956’s <i style="mso-bidi-font-style: normal;">La Strada</i> as my favorite—but it is a
great character study, featuring a wonderful performance by Mesina.<span style="mso-spacerun: yes;"> </span>The story is a sad one, but Mesina’s Cabiria
isn’t someone you feel sorry for, despite her being a down-on-her-luck prostitute.<span style="mso-spacerun: yes;"> </span>To me, that’s great acting.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-65142742556484910132017-08-15T05:13:00.001-07:002017-08-15T05:13:35.314-07:001958 Winner, Mon Oncle<!--[if gte mso 9]><xml>
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<br />
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Mon Oncle</span></b></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbcBFGWYw00TPOQ9TEoKxf1iAUhfaV8bDb35dtpx3QA2Y_XEPXzfIMsXXk84C162dpnW979AfOrIzVAiJQ9r-S36X0y5oRvE6-6S9iW4gLRO0F5z5hwsrED0MRwmKrYRCJzLbVdUgaeW0/s1600/mononcle-poster.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="640" data-original-width="446" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbcBFGWYw00TPOQ9TEoKxf1iAUhfaV8bDb35dtpx3QA2Y_XEPXzfIMsXXk84C162dpnW979AfOrIzVAiJQ9r-S36X0y5oRvE6-6S9iW4gLRO0F5z5hwsrED0MRwmKrYRCJzLbVdUgaeW0/s320/mononcle-poster.jpg" width="223" /></a><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Jacques Tati</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Continental Distributing</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>May 1958</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">If
your issue with foreign films is having to do all that reading, then your best
bet is to watch a foreign film made in the silent era.<span style="mso-spacerun: yes;"> </span>I haven’t watched a ton of them, but a couple
classics stand out:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The Cabinet of Dr. Caligari</i> (1921) and <i style="mso-bidi-font-style: normal;">Nosferatu</i> (1922), both from Germany and both dark expressionist
films from the Wiemar Republic days.<span style="mso-spacerun: yes;"> </span>The
former is especially a good film, creepy and strange and having an ending that
M. Night Shyamalan would be proud of.</span></div>
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<br /></div>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Both
of those films predated the Best Foreign Film award given by the Academy, and
both are very different in tone and content from 1958’s Best Foreign Film, <i style="mso-bidi-font-style: normal;">Mon Oncle.</i><span style="mso-spacerun: yes;"> </span>Now to clarify, <i>Mon Oncle</i> is not a silent
film—it is a full color “talkie”</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">—</span>but it might as well be a silent film.<span style="mso-spacerun: yes;"> </span>It's
is a comedy, not unlike the films of Charlie Chaplin or Harold Lloyd, but with
sound.<span style="mso-spacerun: yes;"> </span>The closest modern day comparison
would be the Rowan Atkinson’s "Mr. Bean" shorts and films.<span style="mso-spacerun: yes;"> </span>But perhaps more like Chaplin, <i style="mso-bidi-font-style: normal;">Mon Oncle</i> has social commentary running
through it.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaP4RgyHF-VsIzXYflw0qD0GS8wOxdzCuHK7PHVEFMnpwTkWWHszkmvK97UTQx6UO5K7w2LEli5c9sQX97IAgQ8uFeiGYL26sDA3XyAXU4dJuF-WFCKm2BYxF1CyKGTYbTQW7CF8POKBU/s1600/mon-oncle_43662_3.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="272" data-original-width="352" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaP4RgyHF-VsIzXYflw0qD0GS8wOxdzCuHK7PHVEFMnpwTkWWHszkmvK97UTQx6UO5K7w2LEli5c9sQX97IAgQ8uFeiGYL26sDA3XyAXU4dJuF-WFCKm2BYxF1CyKGTYbTQW7CF8POKBU/s320/mon-oncle_43662_3.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Monsieur Hulot and his nephew, G<span style="font-family: "times new roman" , serif; line-height: 115%;">é</span>rard</span></td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
main character is Monsieur Hulot, played by director Jacques Tati, who never
really drives the plot but somehow insinuates himself into every situation.<span style="mso-spacerun: yes;"> </span>He is sponging off his sister and her middle-management
husband, Monsieur Arpel, a short-tempered, but good-intended, modern man.<span style="mso-spacerun: yes;"> </span>Also living in the home is Hulot’s nephew </span><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Gérard</span>.<span style="mso-spacerun: yes;"> </span>Gérard loves his uncle, much to the frustration
of Arpel, since Hulot is a major-league screw-up and Arpel wants his son to
grow up with the aspirations and drive that he has.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Those
may be the main human characters of the film, but perhaps more important as a
character is the house in which they live.<span style="mso-spacerun: yes;">
</span>The home is a strange-looking place of right-angles and unfortunate
modernity.<span style="mso-spacerun: yes;"> </span>It is filled with gadgets
intended to make cooking and cleaning easier, but which have the unintended
consequence of sucking the life out of those who live there.<span style="mso-spacerun: yes;"> </span>There is the garage-door opener that traps
the Arpels when the dog hits the wrong button; the art deco-inspired stepping
stones and shrubbery; and most amusingly, the standing fish in the small pool that
spouts out water to be turned on whenever guests arrive.<span style="mso-spacerun: yes;"> </span>Mrs. Arpel is most proud of all the “conveniences”
of the home, wanting to show off her home to whomever visits.<span style="mso-spacerun: yes;"> </span>Yet living in such a home seems like it would
bring more work than leisure.</span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYPNEFfbWfHLzayX0n8YG5xYEn9RByb0ocCAgEVgou_EiHUpcZU0W7EugYEl9S67Jg1QBhmjZwlHFdiQnThwEZZKdvvPIRIksk-hp6jJAgBhoJ8zx7KXbGahru1CQZrBFJbwAzw-f7W4E/s1600/mon_oncle.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1158" data-original-width="1600" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYPNEFfbWfHLzayX0n8YG5xYEn9RByb0ocCAgEVgou_EiHUpcZU0W7EugYEl9S67Jg1QBhmjZwlHFdiQnThwEZZKdvvPIRIksk-hp6jJAgBhoJ8zx7KXbGahru1CQZrBFJbwAzw-f7W4E/s400/mon_oncle.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Arpels at home, complete with standing fish and eye windows</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Mon Oncle </span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">is filled with sight gags and long
dialogue-less scenes that make this seem like a modern-day silent talkie.<span style="mso-spacerun: yes;"> </span>One especially funny visual joke:<span style="mso-spacerun: yes;"> </span>Hulot is outside the home at night, trying to
get back into the gated yard.<span style="mso-spacerun: yes;"> </span>As he
struggles, the lights come on in the house, two round windows with heads
looking out.<span style="mso-spacerun: yes;"> </span>As Hulot continues making
noise, the heads move in unison, making them look like eyes looking around the
neighborhood.<span style="mso-spacerun: yes;"> </span>It’s that kind of subtle gag
that fills this film (if you aren't watching carefully, you may miss some of them), and Tati perfectly blends this humor with his message.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">And
there most definitely is a message.<span style="mso-spacerun: yes;">
</span>Hulot might be lazy and useless, but he is living life without worry,
which is why Gérard loves him so much.<span style="mso-spacerun: yes;">
</span>He joins in the young boys’ tricks and doesn’t worry about whether he
has a job or not.<span style="mso-spacerun: yes;"> </span>Meanwhile, the Arpels
are social climbers, and look ridiculous over and over again in being that
way.<span style="mso-spacerun: yes;"> </span>Monsieur Arpel considers himself
important at his job, yet has to take the humiliating meetings with his boss
like the rest of us.<span style="mso-spacerun: yes;"> </span>Madame Arpel turns
on the fish whenever the doorbell rings, then turns it off just after a guest
leaves.<span style="mso-spacerun: yes;"> </span>It’s all pretty silly.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEXU_DY_MQXo5NS9KcgQ8VXyol0Yit0LdPoBYMqnD8Zosbi_gUNiKT7U95tAQx-4S1K0pC62LqLg29ZI6VJaKblEbrnYF-QTJZtoDbr5ZWlqYKGoQt7atIto1xhyphenhyphenrcjE6piBeyQbgaEwU/s1600/monopoly.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="319" data-original-width="374" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEXU_DY_MQXo5NS9KcgQ8VXyol0Yit0LdPoBYMqnD8Zosbi_gUNiKT7U95tAQx-4S1K0pC62LqLg29ZI6VJaKblEbrnYF-QTJZtoDbr5ZWlqYKGoQt7atIto1xhyphenhyphenrcjE6piBeyQbgaEwU/s200/monopoly.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rich Uncle Pennybags (The Monopoly Guy)</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">When
the film came out, many were critical of the film’s anti-modern message, but no
matter if you like water-spitting fishes or odd-looking furniture, the bottom
line is this is a funny movie.<span style="mso-spacerun: yes;"> </span>Tati
directed a number of films with Hulot, played by himself, as the main
character, and this one is considered by some as the best of the series.<span style="mso-spacerun: yes;"> </span>And this, I might reiterate, is the perfect film
for anyone who has decided they don’t like foreign films because of all the
reading.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>My Uncle.<span style="mso-spacerun: yes;"> </span>No, this is not a movie
about the eyewear of another uncle, Rich Uncle Pennybags, a.k.a, the Monopoly guy.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6elkEZQ9P28lpt9SQmKwfgdUtXK5YeUIQ9GJ_Zn6YGCjPP6EPvimLPVzWgENTxSIW-3qgnhHtco4oVY2UxlWVEctQGN-fcmr073_AJZ9RZn-AcIi051zG6g5EJLMMqb1hl1F9hzdhngw/s1600/lloyd.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1098" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6elkEZQ9P28lpt9SQmKwfgdUtXK5YeUIQ9GJ_Zn6YGCjPP6EPvimLPVzWgENTxSIW-3qgnhHtco4oVY2UxlWVEctQGN-fcmr073_AJZ9RZn-AcIi051zG6g5EJLMMqb1hl1F9hzdhngw/s320/lloyd.jpg" width="233" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Harold Lloyd in <i>Safety Last</i></td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>There is a juxtaposition of the charm of Old World France, which seems
to be the realm of Hulot, with its crumbling buildings and dogs running through
its streets, and that of the modern post-war sterility of the Arpel’s
home.<span style="mso-spacerun: yes;"> </span>Tati starts with a gag—the actor’s
names are shown on the signposts of the streets, with the cutest dogs you ever
saw running all over the place.<span style="mso-spacerun: yes;"> </span>There
doesn’t seem to be room for that sort of creativity and warmth in the confines
of the Arpel compound.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Those that took offense to the film’s criticisms of modern consumerism
must have been real fun at parties.<span style="mso-spacerun: yes;"> </span>This
is a funny movie, poking fun at all of us who feel we need the latest car or
computer gadget.<span style="mso-spacerun: yes;"> </span>Nothing would ever get
done in a world of Hulots, but it would be a sad and dull place living with the
Arpels.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Ben Hur</i>.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The jokes may come off as corny from time to time, like watching Harold
Lloyd with his clock in <i style="mso-bidi-font-style: normal;">Safety Last</i> (1923)
or the slapstick of the Marx Brothers or Three Stooges.<span style="mso-spacerun: yes;"> </span>Be that as it may, I like the Marx Brothers
and the Three Stooges, and I liked this film a lot.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-69580248713507941282017-08-08T05:28:00.000-07:002017-08-08T05:28:02.803-07:001959 Winner, Black Orpheus<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Black Orpheus</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4qglNO_ai-pRtdC3CBII2WeReCXEjzyGfuL0-zZ-g7zscC7DA7vtyZTHKdrjSn1b6hiA7NkNt9WCqPFq8t_0OJxhySphT_H1HX1w3Jn4xKthNyMv0rc3JURVdMwZCOubAUQZXOs9lk9M/s1600/black+orf.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="317" data-original-width="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4qglNO_ai-pRtdC3CBII2WeReCXEjzyGfuL0-zZ-g7zscC7DA7vtyZTHKdrjSn1b6hiA7NkNt9WCqPFq8t_0OJxhySphT_H1HX1w3Jn4xKthNyMv0rc3JURVdMwZCOubAUQZXOs9lk9M/s1600/black+orf.jpg" /></a></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Marcel Camus</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Lopert Pictures</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>June 1959</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Brazil</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Brazil’s
only winner of the Best Foreign Film award looks, sounds, and feels like you
would think a movie set in Rio would look, sound, and feel.<span style="mso-spacerun: yes;"> </span>Not that I know much about Brazil or about
movies about Brazil.<span style="mso-spacerun: yes;"> </span>If you pressed me,
I can think of only two films with Brazil as a setting:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Boys from Brazil</i> from 1978 and <i style="mso-bidi-font-style: normal;">Blame
in on Rio</i> from 1984, both which I watched while still in high school.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The Boy
from Brazil</i> seemed cool because it was about uncovering a plot to clone a
bunch of Hitlers using <i style="mso-bidi-font-style: normal;">der Fuehrer</i>’s
DNA.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Blame
it on Rio</i>, which was one of those films I caught on HBO without my parents
knowing it, was even cooler since it featured the bare breasts of actress
Michelle Johnson.<span style="mso-spacerun: yes;"> </span>Neither movie, in
fact, is really very good, but both attracted the sensibilities of the
17-year-old I was at the time.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
Best Foreign Film from 1959 is a very different movie from either of these two
films, but it is one that is meant to appeal to a certain sensibility, one that
could not be further from that of 17-year-old Me.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Black
Orpheus</i> isn’t a musical, per se, in that the characters don’t sing their
lines to each other, but music is at the center of it.<span style="mso-spacerun: yes;"> </span>Specifically, it’s a film that incorporates
the music and emotions of the Brazilian Carnival, that country’s version of
Mardi Gras, with the dancing and costumes of the annual festival.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlQPkySPjYCbFlw3iObewZQxufpAixmkXOz3K_PMHC0MSpbd2gIq8RNvPPTsYVJjsmxswnzp7ycFBWaIT2rNZou6IlMLgamnjfJP36BxWTcYgg0sshUJhs8S6BOexli7IuT0JRCMGCNhA/s1600/orfeu-negro-1959-03-g.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="897" data-original-width="1200" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlQPkySPjYCbFlw3iObewZQxufpAixmkXOz3K_PMHC0MSpbd2gIq8RNvPPTsYVJjsmxswnzp7ycFBWaIT2rNZou6IlMLgamnjfJP36BxWTcYgg0sshUJhs8S6BOexli7IuT0JRCMGCNhA/s320/orfeu-negro-1959-03-g.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Orfeu wooing Eurydice</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
story is simple and based on the Greek legend of Orpheus and Eurydice.<span style="mso-spacerun: yes;"> Don't worry, </span>I had never heard of it either.<span style="mso-spacerun: yes;"> </span>Orfeu is a trolley conductor and we are
introduced to him when he gives Eurydice, a girl from out of town visiting her
cousin, a ride.<span style="mso-spacerun: yes;"> </span>Orfeu hits on Eurydice bigtime
from the beginning, even though he is engaged to another girl, the somewhat
possessive Mira.<span style="mso-spacerun: yes;"> </span>We don’t know it at
first, but Eurydice has fled her home town to avoid this strange stalker who
dresses in a skeleton costume and won’t leave her alone.<span style="mso-spacerun: yes;"> </span>Eurydice sees this guy as Death and doesn’t want
him to catch up with her; Orfeu starts to see Mira as someone he would like to
avoid.<span style="mso-spacerun: yes;"> </span>The question the plot poses is
whether Orfeu and Eurydice will ever get together.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikcxdNgVy5-DyPuyqVWhDy2GT_CtzfK-LtgszDcQCvzc6pUr25HFGcuSp837WTTEf2RHshBGV6MGthm4-LyDWbdEggrKTuCNC4h72qHVtxcDaiRteJPplb0Vk1R7UunUqRJ2sNTuczBdM/s1600/lourdes_de_oliveira.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1260" data-original-width="1600" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikcxdNgVy5-DyPuyqVWhDy2GT_CtzfK-LtgszDcQCvzc6pUr25HFGcuSp837WTTEf2RHshBGV6MGthm4-LyDWbdEggrKTuCNC4h72qHVtxcDaiRteJPplb0Vk1R7UunUqRJ2sNTuczBdM/s320/lourdes_de_oliveira.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jealous Mira</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Orfeu
has one special talent—he plays the guitar like nobody’s business, and his
musical skills are what he intends to use to get the girl.<span style="mso-spacerun: yes;"> </span>Through the first two thirds of the film
there is singing and dancing, all in the music of the Carnival.<span style="mso-spacerun: yes;"> </span>It’s toward the end this film gets a little
weird, with less about a potential romance and more about the skeletal Death
character breaking it up.<span style="mso-spacerun: yes;"> </span>I won’t give
the end of the thin plot away, but if you want to Google the Greek legend you’ll
see how it all ends.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">All
but one character are played by non-actors, and it shows.<span style="mso-spacerun: yes;"> </span>The guy who plays Orfeu, Breno Mello, was a Brazilian
soccer player, and his singing is dubbed.<span style="mso-spacerun: yes;">
</span>The other main characters are cartoonish and over-the-top, like one might
expect in a musical.<span style="mso-spacerun: yes;"> </span>The film was
renowned for its cinematography, which I suppose may have dazzled some folks in
the time before everyone had a color TV in their homes and which probably
showed up better on a 1959 theater screen than from the DVD I watched this
from.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">In
short, this is one of those films that I didn’t quite connect with, but I can
say wasn’t without its<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgweaTVZIGOXAJmp1FLi_pK9cIaLP7pPP8G97XbcWByCWOAWMpOPxSxHWcXSs5JTXkYSJeein6oh1HiF9XcGccl_W_WrcrL8yfQnJlI-ea7zDebpB-9d9b6t0vyfyvKcGsrOzFY9yXOwFM/s1600/blame-it-on-rio-1984-girl-michael-caine.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="535" data-original-width="580" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgweaTVZIGOXAJmp1FLi_pK9cIaLP7pPP8G97XbcWByCWOAWMpOPxSxHWcXSs5JTXkYSJeein6oh1HiF9XcGccl_W_WrcrL8yfQnJlI-ea7zDebpB-9d9b6t0vyfyvKcGsrOzFY9yXOwFM/s400/blame-it-on-rio-1984-girl-michael-caine.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Michelle Johnson couldn't act either, but Michael Caine didn't seem to care</td></tr>
</tbody></table>
</span><br />
<div style="text-align: right;">
</div>
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">
charms.<span style="mso-spacerun: yes;"> </span>Again,
not a true musical, the tone and story reminded me just a little of one of
those American musicals from the 50’s that I don’t care all that much for
either.<span style="mso-spacerun: yes;"> </span>I wasn’t much for it, but had
there been some cloning or bare breasts, I might have been a bit more
enthusiastic about it.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Orfeu Negro.</i><span style="mso-spacerun: yes;"> </span>It’s an adaptation of a story about Orpheus,
only this guy’s black.<span style="mso-spacerun: yes;"> </span>Get it?<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Black </i>Orpheus?</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The spectacle of the Brazilian Carnival is central to the film.<span style="mso-spacerun: yes;"> </span>Like <i style="mso-bidi-font-style: normal;">Mardi
Gras</i>, there is a large dose of paganism that mingles with the Catholic
origins.<span style="mso-spacerun: yes;"> </span>Voodoo and superstition dominate
the culture in a way that seems almost pejorative to Brazil.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Barack Obama discusses his mother’s love for this film in his book <i style="mso-bidi-font-style: normal;">Dreams of My Father</i>.<span style="mso-spacerun: yes;"> </span>Apparently, her feelings were off-putting and
embarrassing for him because he saw this movie as patronizing.<span style="mso-spacerun: yes;"> </span>He said, “I suddenly realized that the
depiction of childlike blacks I was now seeing on the screen, the reverse image
of Conrad's dark savages, was what my mother had carried with her to Hawaii all
those years before.”<span style="mso-spacerun: yes;"> </span>Watching it with
her, he thought he saw in her what attracted her to his father, an affinity to
for the exotic and forbidden.<span style="mso-spacerun: yes;"> </span>Whatever.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Ben Hur</i>.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>An entertaining
enough movie, if not my cup of tea.<span style="mso-spacerun: yes;"> </span></span>Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-91728192932826329372017-08-01T01:12:00.000-07:002017-08-01T01:12:22.466-07:001960 Winner, The Virgin Spring<!--[if gte mso 9]><xml>
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<br />
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">The Virgin Spring</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqYnVqCQlBXLMySf7AYzpBNxKAB3I8oPZfo2qoQailOqcFTs95VmnehmejrDAhj91itRjK1u9TVtttOryM0GXaI-isnhD0r1t4eKLVrWEGoPWI6CaPYNPwGWnuXNSfd-ladrsK8XQg1b0/s1600/virgin.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1000" data-original-width="722" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqYnVqCQlBXLMySf7AYzpBNxKAB3I8oPZfo2qoQailOqcFTs95VmnehmejrDAhj91itRjK1u9TVtttOryM0GXaI-isnhD0r1t4eKLVrWEGoPWI6CaPYNPwGWnuXNSfd-ladrsK8XQg1b0/s320/virgin.jpg" width="231" /></a><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Director:</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Ingmar Bergman</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Distributed by:</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;">
</span>Janus Films</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Released:</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;"> </span>February 1960</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Country:</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;">
</span>Sweden </span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">If
Ingmar Bergman were a director-for-hire today, and Lifetime approached him to
do a TV movie for them, <i style="mso-bidi-font-style: normal;">The Virgin Spring</i>,
the 1960 Best Foreign Film, would be what he would come up with.<span style="mso-spacerun: yes;"> </span>Lifetime is known for putting out movies with
soap-opera-style plots that include sex, and usually violence that is somehow
related to the sex.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The Virgin Spring</i> doesn’t feature some model in high heels
murdering some face man for dumping her to be with his perfect wife, but the
sex and violence are sure there.<span style="mso-spacerun: yes;"> </span>The
difference is, <i style="mso-bidi-font-style: normal;">The Virgin Spring</i>
includes philosophy, thoughts on God, and commentary on society’s imposition of
the feelings of guilt.<span style="mso-spacerun: yes;"> </span>Those kinds of
themes are generally not found in movies like, <i style="mso-bidi-font-style: normal;">My Stepson, My Lover</i> or <i style="mso-bidi-font-style: normal;">The
Babysitter’s Seduction</i>—at least I didn’t pick up anything like that during
my multiple viewings.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1MgB5T_u06ZTe9Q07gMLOwTR-Kqhx7gdn-1z1o34KoGjnRgyQwdDhBQuVX88iy-fhJEZWsUxjYQo-LZBoHy-WtcZUIP6hfxyulvBgupRop7Y1gWeo_XBODNZ34B2bTV3p_YgbUbhjtok/s1600/Film_321w_VirginSpring_original.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="252" data-original-width="448" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1MgB5T_u06ZTe9Q07gMLOwTR-Kqhx7gdn-1z1o34KoGjnRgyQwdDhBQuVX88iy-fhJEZWsUxjYQo-LZBoHy-WtcZUIP6hfxyulvBgupRop7Y1gWeo_XBODNZ34B2bTV3p_YgbUbhjtok/s320/Film_321w_VirginSpring_original.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "Times New Roman",serif; line-height: 115%;">Töre</span> </span>and his golden-haired daughter, Karin<i><br /></i></td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">The Virgin Spring</span></i><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"> is also a period piece, set in 13<sup>th</sup>
century Sweden.<span style="mso-spacerun: yes;"> </span>Töre, played by Bergman
favorite Max von Sydow, is the head of a very Christian family, and a rather
well-off one at that.<span style="mso-spacerun: yes;"> </span>Töre has a young,
pretty daughter named Karin that he spoils to some degree, at least as much as
you can spoil a girl in 13<sup>th</sup> century Sweden.<span style="mso-spacerun: yes;"> </span>She is, in relation to the title, the virgin
of the story.<span style="mso-spacerun: yes;"> </span>One morning, Töre sends Karin
to take candles to the closest Christian church, some miles away.<span style="mso-spacerun: yes;"> </span>She is happy to do it.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Going
with her will be Ingeri, the servant girl who lives with the family.<span style="mso-spacerun: yes;"> </span>Ingeri is for sure not a virgin, obviously
somewhere in the middle of a pregnancy by someone we don’t know, and probably
neither does anyone else.<span style="mso-spacerun: yes;"> </span>Behind the
scenes, we see Ingeri praying to the Norse god Odin, not for anything nice but
for a little disaster of some kind to fall upon Karin.<span style="mso-spacerun: yes;"> </span>Clearly, Ingeri is a little jeal of her
blonde friend and her life on the primrose path.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Riding
up to the church on horseback, Ingeri and Karin part ways, which is not the
greatest idea.<span style="mso-spacerun: yes;"> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOufhlzaHn0d-cIldSoRL7VopDbf28IXEWkHH9Q8ddeqrcR5ijjBU4BzgSpqQXYFh-zoIPZyMUSPojHtu8wfyj96Iv-Khyphenhyphen4JmeHLjlO_BRx3Bxow91mz0G0d6GF6owI9Fy7VyEjpFbt7M/s1600/virginspringherdsman.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="456" data-original-width="638" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOufhlzaHn0d-cIldSoRL7VopDbf28IXEWkHH9Q8ddeqrcR5ijjBU4BzgSpqQXYFh-zoIPZyMUSPojHtu8wfyj96Iv-Khyphenhyphen4JmeHLjlO_BRx3Bxow91mz0G0d6GF6owI9Fy7VyEjpFbt7M/s320/virginspringherdsman.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The herdsmen: They seem nice.</td></tr>
</tbody></table>
</span>Then again, it isn’t
nearly as dumb as when Karin runs into three goat herds and asks them if they
want to join her for some cucumber sandwiches her mother packed with her for
the ride.<span style="mso-spacerun: yes;"> </span>A couple of the gentlemen look
at Karin with the yellow hair like she’s a cup of cold water in the
Sahara.<span style="mso-spacerun: yes;"> </span>In a very tense, well-shot
scene, two of the men take advantage of the situation in a sexually violent
way.<span style="mso-spacerun: yes;"> </span>Ingeri, though, is nearby, hiding
and watching the whole thing, feeling really like she wished she hadn’t said
that prayer to Odin at the beginning of the day.<span style="mso-spacerun: yes;"> </span>I’ll leave it there in terms of specifics,
but we will again see old Töre, and so will the herdsmen.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Like
with 1961’s Best Foreign Film, <a href="https://mybffproject.blogspot.com/search?q=glass"><i style="mso-bidi-font-style: normal;">Through a Glass Darkly</i></a>, also directed by Bergman, this simple plot is full of things to
think on.<span style="mso-spacerun: yes;"> </span>Töre is a good Christian man,
but what how will he react when he learns about his precious daughter?<span style="mso-spacerun: yes;"> </span>Ingeri truly wished evil on Karin, but hey,
she didn’t mean it, so what is her responsibility?<span style="mso-spacerun: yes;"> </span>What will happen to the goatherds?<span style="mso-spacerun: yes;"> </span>And who is Ingeri’s baby’s father?<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgphjTKsuZgM-uq8yTMmI8CTau97LAOJKERn4DbvMhlT_8q2RrzegjX3Sr_MhA267uc-islGSCECpx_0lCi5tJTirLQRsz-htWc0lHXr8PGi-C0S4OlQKks6Opg6SYGhx2Lj000CnDn2dk/s1600/vlcsnap-2012-06-24-17h19m45s194.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgphjTKsuZgM-uq8yTMmI8CTau97LAOJKERn4DbvMhlT_8q2RrzegjX3Sr_MhA267uc-islGSCECpx_0lCi5tJTirLQRsz-htWc0lHXr8PGi-C0S4OlQKks6Opg6SYGhx2Lj000CnDn2dk/s320/vlcsnap-2012-06-24-17h19m45s194.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ingeri and Karin: Feel the love.</td></tr>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">The Virgin Spring</span></i><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"> is no cheap exploitation film,
regardless of what the plot may sound like.<span style="mso-spacerun: yes;">
</span>The acting is terrific, and the pacing of the film feels just
right.<span style="mso-spacerun: yes;"> </span>There is something almost
artificial about the scenic design, as if the story is just a parable or a
fable being told.<span style="mso-spacerun: yes;"> </span>That underscores the
presumption that this film has themes and ideas to ruminate on.<span style="mso-spacerun: yes;"> </span>And if Bergman would have just left that
aspect out of it, I’m sure he could have pitched it as a featured Lifetime
movie of the week.</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">The Title</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">:<span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Jungfrukällan</i>.<span style="mso-spacerun: yes;"> </span>We are talking about a spring coming out of
the ground, not the time of year.<span style="mso-spacerun: yes;"> </span>The
title is from a Swedish ballad from about the time of the setting of the story.<span style="mso-spacerun: yes;"> </span>The lyrics include the chilling lines:</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">They met three highwaymen:</span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">"You either be highwaymen's
wives,</span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Or would you lose your young
lives?"</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">The culture:</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;">
</span>The theme that stuck out to me was that of Christianity versus paganism
in medieval times.<span style="mso-spacerun: yes;"> </span>Which is
greater?<span style="mso-spacerun: yes;"> </span>I think Bergman is attempting
to answer that question at a very basic level in the film, but in a broader
context philosophically.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Agenda danger:</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;">
</span>This one would make a good PSA-type film for the dangers of letting your
kids out too long, even if they are just out delivering candles to a church.<span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Best Picture that year:</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">The Apartment</i></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">Rating:</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;">
</span>A simple story with great acting.<span style="mso-spacerun: yes;">
</span>Bergman doesn’t get too fancy, like the likes of Fellini, yet the
material is as heady the Italian’s.<span style="mso-spacerun: yes;">
</span>Bergman himself called this “a wretched imitation of Kurosawa,” most
specifically of the Japanese director’s philosophical parable <i style="mso-bidi-font-style: normal;">Rashomon</i>, 1951’s Best Foreign Film.<span style="mso-spacerun: yes;"> </span>He’s wrong.<span style="mso-spacerun: yes;">
</span>This is no <i style="mso-bidi-font-style: normal;">Rashomon</i>, but it
should be seen as a classic in its own right.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com1tag:blogger.com,1999:blog-6083253819963627851.post-13206342586409355302017-07-25T04:31:00.002-07:002017-08-01T01:19:37.377-07:001961 Winner, Through a Glass Darkly<!--[if gte mso 9]><xml>
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<br />
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Through a Glass Darkly</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEd2y8crpKryn1l3wvYcx3OzEFYb-o98F-qK8ninuv6FCddZsI_7Y-yXs7Vn8as9FsImDBjAtX0J_OpH017PvVxbE40HQxvSem4VRmIkhE15-JamT4bI-nlBBLZYncbiMtEDYQaEfsrOc/s1600/glass.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="268" data-original-width="182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEd2y8crpKryn1l3wvYcx3OzEFYb-o98F-qK8ninuv6FCddZsI_7Y-yXs7Vn8as9FsImDBjAtX0J_OpH017PvVxbE40HQxvSem4VRmIkhE15-JamT4bI-nlBBLZYncbiMtEDYQaEfsrOc/s1600/glass.jpg" /></a></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Ingmar Bergman</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Janus Films</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>October 1961</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Sweden </span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
idea of a family vacation can often be far superior to an actual family
vacation.<span style="mso-spacerun: yes;"> </span>Someone gets the idea that it
will be great to spend days together in a little cottage near the water
somewhere to get away from the pressures and boredom of regular life at
home.<span style="mso-spacerun: yes;"> </span>A lot of the time, the vacation is
just what was needed, but going home to sleep in one’s own bed is a concept
that should not be underestimated.<span style="mso-spacerun: yes;"> </span>There
is something confining about spending time in a little house with people who
don’t have jobs to go to or errands to run. <span style="mso-spacerun: yes;"> </span>A week in a cabin isolated from the rest of
the world might just lead to a bit of craziness.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">In
<i style="mso-bidi-font-style: normal;">Through a Glass Darkly</i>, 1961’s Best
Foreign Film by legendary Swedish director Ingmar Bergman, we have a family of
four off on a getaway to remote island to spend some quality time together.<span style="mso-spacerun: yes;"> </span>There indeed is craziness, but the kind that
existed before this get-together and goes deeper than a few days of isolation.<span style="mso-spacerun: yes;"> </span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Martin (Max von Sydow) and Karin (Harriet Andersson)</td></tr>
</tbody></table>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
family consists of four:<span style="mso-spacerun: yes;"> </span>There is the
father, David, who is a novelist and an absentee dad always away working.<span style="mso-spacerun: yes;"> </span>There is his son, Minus, who has an
inferiority complex that reflects his unfortunate name.<span style="mso-spacerun: yes;"> </span>David’s friend Martin is with them, a man
roughly David’s age but married to David’s daughter, Karin, who initially seems
like the stabilizer in the family, but in reality is certainly not.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
four of them joke around and make conversation like any family would at the
start of spending time together.<span style="mso-spacerun: yes;"> </span>Things
get a little dicey when Minus, who is an aspiring writer, and Karin put on a play for the other two. It's something Minus wrote
with the thinly-veiled message that Minus thinks Dad is a bigtime jerk.<span style="mso-spacerun: yes;"> </span>David has a hard time relating to his kids
and only shares his deepest feelings with his friend Martin, played by Max von
Sydow (who also stars in 1983’s <a href="http://mybffproject.blogspot.com/search?q=fanny"><i style="mso-bidi-font-style: normal;">Pelle the Conqueror</i></a>, and the soon to be reviewed <i style="mso-bidi-font-style: normal;">The
Virgin Spring</i>).<span style="mso-spacerun: yes;"> </span>Cryptically, they
discuss Karin’s previous illness.<span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcC_ZDnnL4Hl6xlYje2AWkYG62IzB2svw9MVmqe2zs-2nLSt7Ur_ibuNsD0jXwmQtll-ddsfJkSxkHSRQs7sxeEpgvzqGw8_I5XP3DLU53oL5fbYVHLR8ADWkO42Bjixgg6c4Tnqp577M/s1600/ex.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="499" data-original-width="736" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcC_ZDnnL4Hl6xlYje2AWkYG62IzB2svw9MVmqe2zs-2nLSt7Ur_ibuNsD0jXwmQtll-ddsfJkSxkHSRQs7sxeEpgvzqGw8_I5XP3DLU53oL5fbYVHLR8ADWkO42Bjixgg6c4Tnqp577M/s320/ex.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>The Exorcist:</i> Max von Sydow has had to deal with worse</td></tr>
</tbody></table>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">And
Karin’s illness is the center of the film.<span style="mso-spacerun: yes;">
</span>It seems she is having difficulty keeping a grip on reality, and things
don’t look promising that she will get better.<span style="mso-spacerun: yes;">
</span>And perhaps because she is a key relationship for each of the three men
around her, things don’t really look promising for this family.<span style="mso-spacerun: yes;"> </span>Even though Karin’s mental illness is the
subject, to me the real story is how it affects the other family members, both
tragically and with an ounce of hope.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Through a Glass Darkly</span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"> is a talky film, centering on the
individual relationships within the family and how the family exists as a
unit.<span style="mso-spacerun: yes;"> </span>But this is an Ingmar Bergen movie,
so the subject matter is much broader than a summary of the film would provide—like
in <a href="http://mybffproject.blogspot.com/search?q=fanny"><i>Fanny and Alexander</i></a>, Bergman's 1983 Best Foreign Film winner (released in 1982), religious themes abound, carefully woven into the story
and into the characters.<span style="mso-spacerun: yes;"> </span>In the end,
though this family endures the tragedy that mental illness can bring, since a
God exists, there is always hope that will endure.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Såsom i en spegel</i>, which
literally means, “as in a mirror.”<span style="mso-spacerun: yes;"> </span>The
title is a reference to 1Corinthians 13, “At present we see indistinctly, as in
a mirror, but then face to face. At present I know partially; then I shall know
fully, as I am fully known.”<span style="mso-spacerun: yes;"> </span>This is
from the <a href="http://usccb.org/bible/1corinthians/13">“love” epistle of Paul</a>, frequently used at weddings, with the chapter
ending with: “So faith, hope, love remain, these three; but the greatest of
these is love.”</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Things often go wrong on a family vacation</td></tr>
</tbody></table>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The movie is set on Fårö, a Swedish island popular to vacationers and a
location to a number of Bergman films.<span style="mso-spacerun: yes;">
</span>The island may be quite beautiful, but the black and white photography
makes it appear stark and devoid of warmth, reflective of the family and of the
mental illness that isolates Karin.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The movie is grim, but the message is less so.<span style="mso-spacerun: yes;"> </span>In some ways, mental illness is not only
confined to the daughter, but to the entire family, both individually and as a
group.<span style="mso-spacerun: yes;"> </span>But the relationships survive,
and especially redeeming is the final conversation between Minus and his
father.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:<span style="mso-spacerun: yes;"> </span></span></b><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">West Side Story</span></i><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>The film is essentially a three-act play with lots of dialogue and
little action, and if you go into this understanding that, I think it is quite
good and thought-provoking.<span style="mso-spacerun: yes;"> </span>A nice short
little film by a master director.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-27475527075813019332017-07-18T03:36:00.000-07:002017-07-18T03:36:14.814-07:001962 Winner, Sundays and Cybele<!--[if gte mso 9]><xml>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Sundays and Cybele</span></b></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfSmDzICKqF7F6L0M1s5cqI2XEvKx7El6YeWYn0BnY4eICAZMIgE5-2NGloNaSMlAYG-yI4G0vgahlL2t2e5S0j9s0rsRwEz9Tx7fA8pT0RqcMuGjfjDDxRqmBwFu9WUP91e7mZxHZQMY/s1600/sundaysandcybeleposter.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="674" data-original-width="450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfSmDzICKqF7F6L0M1s5cqI2XEvKx7El6YeWYn0BnY4eICAZMIgE5-2NGloNaSMlAYG-yI4G0vgahlL2t2e5S0j9s0rsRwEz9Tx7fA8pT0RqcMuGjfjDDxRqmBwFu9WUP91e7mZxHZQMY/s320/sundaysandcybeleposter.jpg" width="213" /></a><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Director:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Serge Bourguignon</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Columbia Pictures</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>November 1962</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>France</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">In
the movies, it’s very common to see love stories in which the man is
significantly older than the woman.<span style="mso-spacerun: yes;">
</span>Somehow it doesn’t seem as unrealistic as it is in real life—imagine some
grandpa who looks like Humphry Bogart (56) ending up with a young girl who
looks like Audrey Hepburn (25)—it of course happened in Billy Wilder’s <i style="mso-bidi-font-style: normal;">Sabrina</i> (1954).<span style="mso-spacerun: yes;"> </span>Honestly, it would probably be weird to see a
post-1980 movie with Jack Nicholson hooking up with anyone in his general age
bracket.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">1962’s
Best Foreign Film <i style="mso-bidi-font-style: normal;">Sundays and Cybele</i>
gives us a relationship in which the age difference is a little more on the
unacceptable side, with the guy in his mid-30’s and the girl being a lot
younger.<span style="mso-spacerun: yes;"> </span>As in 12-years-old.<span style="mso-spacerun: yes;"> </span>Now that’s weird.<span style="mso-spacerun: yes;"> </span>But this movie isn’t like Lolita, the Stanley
Kubrick dark comedy of the same year.<span style="mso-spacerun: yes;">
</span>Oddly enough, the man in this relationship, Pierre, isn’t a perv like
the old man in that book by Nabakov, and this is definitely not a comedy but an
out-and-out tragedy.</span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8UblrsOOfDB7QDjYuY7XVp8ZPqrmGrpcZ6yWta2QZxfFi3UfGaBxYj4maMbE_EJacnxinBr5m53vBZ2m39xyV6YkYWXuiHiuwUrkO80paotu8sgkw0uhVcvDZv6Onsj4ytdbTYtsv1gk/s1600/sundays-and-cybele-screenshot.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="264" data-original-width="400" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8UblrsOOfDB7QDjYuY7XVp8ZPqrmGrpcZ6yWta2QZxfFi3UfGaBxYj4maMbE_EJacnxinBr5m53vBZ2m39xyV6YkYWXuiHiuwUrkO80paotu8sgkw0uhVcvDZv6Onsj4ytdbTYtsv1gk/s320/sundays-and-cybele-screenshot.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pierre and Cybele</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
film starts with an action scene:<span style="mso-spacerun: yes;"> </span>Pierre
is a fighter pilot in Indochina (now Vietnam, and the subject of 1992’s Best
Foreign Film winner, <i>Indochine</i>, starring Catherine Deneuve), flying over a
small village and finding he will have to crash land right on a little
Vietnamese girl.<span style="mso-spacerun: yes;"> </span>We next see Pierre back
in France some time later, having a pretty nurse girlfriend, Madeleine, but greatly damaged by
his past.<span style="mso-spacerun: yes;"> </span>He doesn’t really remember who
he is and despite Madeleine’s best efforts, it seems he’s lost his sexual
mojo.<span style="mso-spacerun: yes;"> </span>But in 1962 France they don’t have
Viagra or side-to-side-bathtubs, so Madeleine, faithfully in love with the
vacant Pierre, has to take up knitting or kick boxing to work out her
frustrations.<span style="mso-spacerun: yes;"> </span>She has a male doctor colleague,
Bernard, who is more than willing to step into the adjoining tub with her.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">But
the main focus is on Pierre.<span style="mso-spacerun: yes;"> </span>Pierre
meets a little girl, Cybele, who is being dumped by her father into a convent
to be raised.<span style="mso-spacerun: yes;"> </span>It seems the dad was stuck
with her somehow and wants nothing to do with her.<span style="mso-spacerun: yes;"> </span>Pierre learns of this and feels bad for his
new friend.<span style="mso-spacerun: yes;"> </span>He poses as her father and
picks her up one day so that she can have some time away from her new hated
home.<span style="mso-spacerun: yes;"> </span>Soon, they make it a regular
thing, with Pierre taking her to the park and hanging out and chatting with her
for hours every Sunday.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3JTfFgvFpkVjQbTKXEdMhsbI2iG6JB6vFq2iDHKNB-tdCeA89bhseQkmwW0qkD8KPUNP9rH0AmNH49ol87Hj2sBMidJW0LLR5aRBQarTqnKBInEa0DgXKBtiMzLwQsnzXIBecXScZDPE/s1600/10780_4.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="409" data-original-width="728" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3JTfFgvFpkVjQbTKXEdMhsbI2iG6JB6vFq2iDHKNB-tdCeA89bhseQkmwW0qkD8KPUNP9rH0AmNH49ol87Hj2sBMidJW0LLR5aRBQarTqnKBInEa0DgXKBtiMzLwQsnzXIBecXScZDPE/s320/10780_4.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pierre and Madeleine</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">He
is very innocent about it, no creepy hugs or lingering looks or anything icky
like that.<span style="mso-spacerun: yes;"> </span>Still, this is a romance of
sorts—Cybele calls Pierre her fiancé and he gets intensely jealous when he sees
another 12-year old, a boy, chatting with her.<span style="mso-spacerun: yes;">
</span>As clueless as he is, Pierre knows to conceal the relationship from
Madeleine.<span style="mso-spacerun: yes;"> </span>Still, they are out in public
all the time, so you know this isn’t going to end well.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><i>Sundays
and Cybele</i> is really a sweet movie, and you cannot help hoping for the best for
these two lovebirds.<span style="mso-spacerun: yes;"> </span>It’s not Pierre’s
fault where he is mentally, and Patricia Gozzi as Cybele is such a charming and
intelligent girl, it seems odd any father would want to dump her off at a
convent.<span style="mso-spacerun: yes;"> </span>Hardy Krüger plays Pierre
perfectly, a completely sympathetic figure having a relationship that would
seem so abhorrent to an outsider.<span style="mso-spacerun: yes;"> </span>French
composer Maurice Jarre, who won an Oscar for Best Score for Lawrence of Arabia
that same year, was also nominated for “Best Music, Scoring of Music,
Adaptation or Treatment” for Sundays and Cybele.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<tr><td class="tr-caption" style="text-align: center;">"Grandpa, you smell like whiskey and cigars"</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Les dimanches de Ville d'Avray</i>
(Sundays in Ville d'Avray).<span style="mso-spacerun: yes;"> </span>Ville d’Avray
in the suburb where Pierre takes Cybele to hang out every week.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>France was out of Vietnam after 1954, when Dien Bien Phu fell, so this
must take place sometime in the early 1950’s.<span style="mso-spacerun: yes;">
</span>Given Pierre’s state after his crash, this movie can be construed to be
one of the earliest anti-Vietnam war movies, in a way.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Whatever your view on the vast changes in the past decade or less on
American views on sexuality and appropriate relationships, the views on
pedophilia largely remain unchanged.<span style="mso-spacerun: yes;"> </span>This
movie is not an attempt at normalizing this kind of relationship.<span style="mso-spacerun: yes;"> </span>The point is, Pierre is really a child like
Cybele, and Cybele needed someone who cared about her.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">:<span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Lawrence of Arabia</i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:<span style="mso-spacerun: yes;"> </span></span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The story is as unique as the relationship between Pierre
and Cybele.<span style="mso-spacerun: yes;"> </span>Honestly, I didn’t much buy
into Pierre’s relationship with Madeleine, as it didn’t really make sense to me
why she was with him in the first place.<span style="mso-spacerun: yes;">
</span>But as potentially disturbing as relationship between the adult man and
girl is, they both were realistic about who they were.<span style="mso-spacerun: yes;"> </span>Cybele talks about them getting married years
from now, when they are both of appropriate age, and for his part, Pierre seems
to never have an untoward thought about her in his head.<span style="mso-spacerun: yes;"> </span>For my money, their relationship seemed a lot
more likely than Grandpa Bogart and fresh-out-of-cooking-school Sabrina.</span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-3880939395363493102017-07-11T04:02:00.000-07:002017-07-11T04:02:04.558-07:001963 Winner, 8½<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
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<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
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<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
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<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
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<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">8½</span></b></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuKBDqdZtuXC5h9yVKlYoKL6Pd6fl36pftHB5dCDVPmsK2Qy02tHnZtlLoXpQJMcRBlH6FWEskQIjMpX92mCviW4hNvjP-s774mNAsy-8JLX9xhCaVenjrEWhclVRX231Ocjw1kdMC78s/s1600/8+and+a+half.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="582" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuKBDqdZtuXC5h9yVKlYoKL6Pd6fl36pftHB5dCDVPmsK2Qy02tHnZtlLoXpQJMcRBlH6FWEskQIjMpX92mCviW4hNvjP-s774mNAsy-8JLX9xhCaVenjrEWhclVRX231Ocjw1kdMC78s/s320/8+and+a+half.jpg" width="219" /></a></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Directors:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><span style="mso-tab-count: 1;"> </span>Federico Fellini</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Distributed
by:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Embassy Pictures (in U.S.)</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Released:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>February 1963</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Country:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>Italy</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Anyone
who has ever had to write anything of any length, be it an assignment or
something done voluntarily, knows what “writer’s block” is.<span style="mso-spacerun: yes;"> </span>Staring at a blank page, trying to come up
with an idea to start things off, is the worst.<span style="mso-spacerun: yes;">
</span>And I can tell you, reviewing a Fellini movie like <i style="mso-bidi-font-style: normal;">8½</i>, 1963’s Best Foreign Film, is a good way to come up with
writer’s block.<span style="mso-spacerun: yes;"> </span>Not only is this movie
is a tough nut to crack, but it is considered a masterpiece.<span style="mso-spacerun: yes;"> </span>What can I possibly add?</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Well,
the honest answer is nothing.<span style="mso-spacerun: yes;"> </span>However,
I’m not alone in my writer’s block.<span style="mso-spacerun: yes;"> </span>The
film is about a director, Guido, who essentially has writer’s block, only it’s
in relation to his being a director.<span style="mso-spacerun: yes;">
</span>Presumably, Guido is really a stand-in for Fellini himself, trying to
figure out what he wanted to say in this big budget science fiction he is
doing.<span style="mso-spacerun: yes;"> </span>Guido is unsure of himself and
his relationship with the women in his life. In other words, he’s just like
every other guy, except he needs to figure out a way to translate his feelings
into film.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijWisaneIFzSf0RtfDhTviP4qmemnkV43G_-4gd0KO3HXdI5p9DCRvCxiBwM01VRPvV8TMFCm6LPUNcjTOKDX2Xv5Pw0SCk_Hmxi7de7xNCAtorV0EZgiLo1aFMf74pOvdePppNQv7qyY/s1600/034-8-1-2-theredlist.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1195" data-original-width="1600" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijWisaneIFzSf0RtfDhTviP4qmemnkV43G_-4gd0KO3HXdI5p9DCRvCxiBwM01VRPvV8TMFCm6LPUNcjTOKDX2Xv5Pw0SCk_Hmxi7de7xNCAtorV0EZgiLo1aFMf74pOvdePppNQv7qyY/s320/034-8-1-2-theredlist.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mastroianni and Aimee</td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The
movie starts with a traffic jam.<span style="mso-spacerun: yes;"> </span>But
unlike the singing, dancing kind in Damien Chazelle’s <i style="mso-bidi-font-style: normal;">La La Land</i>, this one is stifling and claustrophobic to the point of
suffocating Guido in his car.<span style="mso-spacerun: yes;"> </span>He cannot
breathe, but finally escapes the death trap automobile and floats to the
clouds.<span style="mso-spacerun: yes;"> </span>Next, he’s a human kite with a
rope around his leg, and when he returns to earth, he does so violently and at
the hand of his critics.<span style="mso-spacerun: yes;"> </span>This is what
“director’s block” is for Guido, and this is the movie where Fellini abandoned
neo-realism for imagery and symbolism.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Essentially,
Guido is trying to figure out what to put in his film.<span style="mso-spacerun: yes;"> </span>He is played sympathetically, and often comically,
by Marcello Mastroianni, one of Italy’s biggest stars.<span style="mso-spacerun: yes;"> </span>Intertwined with this “director’s block” of
Guido’s is his relationship to all the women of his life.<span style="mso-spacerun: yes;"> </span>First, there’s his mistress, the curvaceous
and uncouth Carla, whom he keeps around for one obvious reason.<span style="mso-spacerun: yes;"> </span>His wife Luisa, played by <a href="https://mybffproject.blogspot.com/search?q=+a+man+and+a+woman"><i style="mso-bidi-font-style: normal;">A Man and a Woman</i></a>’s Anouk Aimée, comes
to visit him on the set, and his hopes that the two can reconcile don’t seem
too promising.<span style="mso-spacerun: yes;"> </span>Then there’s his “Ideal
Woman,” who is at first just a fantasy, but materializes late in the film as
the actress he’s been waiting for.<span style="mso-spacerun: yes;"> </span>She’s
played by Claudia Cardinale, perhaps best known to American audiences for her
role in Sergio Leone’s <i style="mso-bidi-font-style: normal;">Once Upon a Time
in the West</i>.<span style="mso-spacerun: yes;"> </span>Guido’s views on women
are best shown in his extended fantasy that begins with a harem of women existing
only to serve him, ending a whole lot less enjoyably.<span style="mso-spacerun: yes;"> </span>As confused as Guido is, it’s hard not to
envy him just a little for having all these women revolve around him.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2O8_MijO-vs0jE_rcxg3IcxBiFQc95OmiTfS-Qb3GAChgBNctzsvQWMbhsHk1OL-a77603OZd1i2jAafwRvzko7XbClLeIjGED8HY3dkHVR2Fc1HuPuWTityeM3sTio3tkPh3t0Lnd9Q/s1600/claudia.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="436" data-original-width="1024" height="136" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2O8_MijO-vs0jE_rcxg3IcxBiFQc95OmiTfS-Qb3GAChgBNctzsvQWMbhsHk1OL-a77603OZd1i2jAafwRvzko7XbClLeIjGED8HY3dkHVR2Fc1HuPuWTityeM3sTio3tkPh3t0Lnd9Q/s320/claudia.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Claudia Cardinale in <i>Once Upon a Time in the West</i></td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">No
doubt this is an odd film, from its strange start to its bizarre finish.<span style="mso-spacerun: yes;"> </span>Martin Scorsese said in an interview once
that in introducing his daughter to this movie, he knew he first had to show
her some of Fellini’s earlier, more accessible works, like 1960’s <i style="mso-bidi-font-style: normal;">La Dolce Vita</i>, because <i style="mso-bidi-font-style: normal;">8½</i> is such a tough one to get your head
around.<span style="mso-spacerun: yes;"> </span>Well, I don’t know about
that.<span style="mso-spacerun: yes;"> </span>What I can tell you is you cannot
expect to pick up on everything when you first watch it; but significantly, you
can get the point of the movie without necessarily understanding every
scene.<span style="mso-spacerun: yes;"> </span>This is film as art: a well-shot,
black-and-white masterpiece about relationships and directing and yes, writer’s
block.<span style="mso-spacerun: yes;"> </span>If you just type away, or in
Guido’s case, direct away, you’ll get through it, even if in the end it isn’t
as good as you would have liked it to be.<span style="mso-spacerun: yes;">
</span>Like this review.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiweZSrZ7PcsZpKeKIB_YjfBPIElvZwQlZkvCuFYMvMY2rRUtN8ifir2RVQWlwvtGGCq7pfu91WK1BQpZ0-mPr1A0B2sctOvVWoagTw1fo5_Z-ujOnwTOm2_aM-HP3XqscDKmEn07zGPSQ/s1600/la+la.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiweZSrZ7PcsZpKeKIB_YjfBPIElvZwQlZkvCuFYMvMY2rRUtN8ifir2RVQWlwvtGGCq7pfu91WK1BQpZ0-mPr1A0B2sctOvVWoagTw1fo5_Z-ujOnwTOm2_aM-HP3XqscDKmEn07zGPSQ/s320/la+la.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Opening scene in <i>La La Land</i></td></tr>
</tbody></table>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The Title:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Otto e mezzo</i>.<span style="mso-spacerun: yes;"> </span>Previous to this movie, Fellini did six
feature films, two short films, and co-directed a film; by his math, that’s 7½
pictures.<span style="mso-spacerun: yes;"> </span>This one would be his 8½th.<span style="mso-spacerun: yes;"> </span>I guess he had writer’s block when coming up
with the title. </span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">The culture:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span>There is some Italian culture from the early ‘60’s in here, but more to
the point, this is a movie about the culture of filmmaking.<span style="mso-spacerun: yes;"> </span>Roger Ebert called it “the best film ever
made about filmmaking.”<span style="mso-spacerun: yes;"> </span>Certainly it
surpasses Truffaut’s film <a href="https://mybffproject.blogspot.com/search?q=day+for+night"><i style="mso-bidi-font-style: normal;">Day for Night</i></a>,
Best Foreign Film from 1973, a pleasant enough movie also about a director
dealing with the difficulties of directing a film.<span style="mso-spacerun: yes;"> </span>But what I kept thinking about was the
terrific documentary <i style="mso-bidi-font-style: normal;">Hearts of Darkness:
A Filmmaker’s Apocalypse</i>, made by Eleanor Coppola.<span style="mso-spacerun: yes;"> </span>That movie is about how her famed director-husband,
Francis Ford Coppola, just about went off his rocker making his epic Vietnam
War drama <i style="mso-bidi-font-style: normal;">Apocalypse Now</i>.<span style="mso-spacerun: yes;"> </span>In that movie, Coppola also has director’s
block, not knowing how to finish the movie, and plowing through anyhow.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGbr57wpCQe61TQylw3yCa3JO8Y0GxaVN1D5AHCJhJUM7syVrpUGNZGV82W6_-a7uTxpSUBwSMbum0W0VKoH47PGIbqh7vOEy8zTrWqEtvYwNbwTiUvanBIOBSftz7IvIgwdn_pIFrBNY/s1600/8+traffic.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="1280" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGbr57wpCQe61TQylw3yCa3JO8Y0GxaVN1D5AHCJhJUM7syVrpUGNZGV82W6_-a7uTxpSUBwSMbum0W0VKoH47PGIbqh7vOEy8zTrWqEtvYwNbwTiUvanBIOBSftz7IvIgwdn_pIFrBNY/s320/8+traffic.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "times new roman" , serif; line-height: 115%;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><i>8½ </i>opening scene</span><i><br /></i></span></span></td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Agenda danger</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">:<span style="mso-spacerun: yes;">
</span>Fellini is basically criticizing his own failings in this film, and
really there is no political persuasion to this story.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Best Picture that year:</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;">
</span><i style="mso-bidi-font-style: normal;">Tom Jones</i>.<span style="mso-spacerun: yes;"> </span>It’s not unusual for the Best Foreign Film to
be much more noteworthy and acclaimed than the Best Picture of the same year.<span style="mso-spacerun: yes;"> </span>This is one instance.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Rating:<span style="mso-spacerun: yes;"> </span></span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 115%;">Take Martin Scorsese’s advice—this is a great
one to watch after having seen <i style="mso-bidi-font-style: normal;">La Strada</i>
(review coming) or even <i style="mso-bidi-font-style: normal;">Amarcord</i>
(which is reviewed <a href="https://mybffproject.blogspot.com/search?q=amarcord">here</a>).<span style="mso-spacerun: yes;"> </span>But you can’t
watch <i style="mso-bidi-font-style: normal;">8½</i> without realizing you are
watching a great film.<span style="mso-spacerun: yes;"> </span>Mastroianni is a
pleasure to watch, and the fantasy scenes, though sometimes difficult to interpret,
are interesting and often humorous, like a good dream.<span style="mso-spacerun: yes;"> </span>My feeling is that anyone seriously studying
film needs to see this, but it isn’t so bad for the average movie-watcher
either.</span>Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0tag:blogger.com,1999:blog-6083253819963627851.post-25720751298270129892017-07-04T04:10:00.000-07:002017-07-04T04:26:45.432-07:00Off for Independence Day<div style="text-align: center;">
<span style="font-size: x-large;"><span style="font-family: "times" , "times new roman" , serif;">Happy 4th of July!</span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif;">It didn't seem appropriate to review a foreign film on Independence Day. So I give you this, a speech from Jeff Daniels, as Col. Joshua Chamberlain, in the 1993 movie <i>Gettysburg</i>, adapted from Michael Shaara's fictional novel, <i>The Killer Angels</i>.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif;">"Here, we judge you by what you do, not by who your father was. Here, you can be something."</span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif;"><b>Director: </b>Robert Maxwell</span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif;"><b>Distributed by:</b> New Line Cinema</span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif;"><b>Released:</b> October 1993</span></span></div>
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<span style="font-size: small;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><b>Country:</b> United States of America!</span></span></span></div>
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<span style="font-size: large;"><span style="font-size: small;"> </span> </span></div>
Jim Jindrahttp://www.blogger.com/profile/04353377569199357703noreply@blogger.com0